Featuring suitably enchanting vocals by Karen Sheridan AKA Slow Skies) Cork producer REID has concocted delicate somnambulant wonder on his new track, ‘Fractures’. Clocking in a just over four minutes, the track evolves from a simmering, shady eulogy to a fully-blossomed dancefloor jam, shuffling beats marrying gently stabbing synth lines and tinkling chimes. The track is taken from REID’s new EP, Fractures, which will be released via M:UK on August 11. Stream ‘Fractures’ via Soundcloud below.
A brand new song has been unveiled by Toronto dance-punks Death From Above 1979, following their reunion in 2011. The song, ‘Trainwreck 1979,’ is the first taste of new music from the duo since their 2004 album You’re A Woman, I’m A Machine, and if this track is anything to go by, their comeback record The Physical World will surely appease any anxious fans. That bone-rattling bass dirge of previous releases is present and accounted for, certainly, along with a seriously memorable hook. The band themselves have described their forthcoming album as “Springsteen meets Sonic Youth.” A bold claim, sure; an exciting…
Experimental multi-instrumenalist and producer Tim Hecker has released an alternate version of his track ‘Amps, Drugs, Harmonium’ as part of the Adult Swim singles series. The re-imagining of the track, entitled ‘Amps, Drugs, Mellotron’ may seem foreign to the album from which it has been taken, (2013’s Virgins,) despite the original song being a moment of respite amid some of that years most cacophonous songs. This alternate version lowers in volume and tension more so than any other track from his starkly brilliant last album, though his fondness for drones and slow musical evolutions has not wavered. You can listen…
Taken from their forthcoming first album proper, The Long Con, Galway three-piece So Cow have made an extremely solid return with their new single ‘Barry Richardson’. A typically off-the-wall dose of slinky, guitar-led garage pop, the track calls to mind Pinkerton-era Weezer, Blur circa Modern Life Is Rubbish, the charming lyrical ruralism of Andy Falco (Mclusky/Future of the Left) and Deerhoof. The Long Con – produced by Deerhoof’s Greg Saunier, no less – is the band’s first album recorded in a studio and sees Brian Kelly joined by Dublin drummer Peter O’Shea and Jonny White on bass. According to the band’s Soundcloud…
One for fans of abstracted, hip-hop inflected ambient noise, Belfast-based musician James Bruce AKA Oaks has released his eight-track debut album, Safe Haven. Calling to mind everyone from Mouse and Mars, Labradford and The Books to Tortoise, Exploding Orchestra and Boards of Canada, the album – recorded in different locations but predominantly Bruce’s home – melds found sounds and samples with scattered beats, brass and strings to form an impressive, nicely hypnotic mid-point between drifting melancholia and bold experimentalism. The artwork for the released – arranged by Bruce, also drummer with Belfast prog band Kasper Rosa – features a photo taken by Tom McGeehan. Stream Safe Haven via Bandcamp…
Everyone loves the good weather at this time of year, right? And who better to sing a song about the searing heat than the Austin, Texas band Spoon? On the second single from their upcoming album, They Want My Soul, they have perfectly captured that sense of summer euphoria. The song, titled ‘Do You’, is the sound of the wind going through your hair as you drive the coastline with the top down – yes, its undeniably corny in a sense, but its just too lovely to pass up. The track is wonderfully textured, with shimmering keys and quirky backing vocals keeping…
Dropped late last night, Dublin instrumental three-piece Adebisi Shank have got us even more excited for their forthcoming third album with the release of the somewhat familiar ‘Voodoo Vision’. A fixture of their live sets over the last few few years, the track – previously titled ‘Thunder’ – is a vocoder-laced, effects-laden brilliantly-realised, beautifully bastardised and utterly exhilarating six minutes of sheer instrumental transcendentalism. We’re fans, in other words. Stream the track – set to feature on the band’s forthcoming third album – below.
The otherworldly summer sounds of Claire Boucher’s 2012 breakthrough Visions under her moniker GRIMES have largely been eschewed on this new single, unveiled in the UK by Zane Lowe of BBC Radio 1. Entitled ‘Go’, the track was originally penned by Boucher for Rihanna, who then turned it away. The song features a much punchier beat and a more dubstep inspired sound than anything the musician has touched before, opening with chilling harpsichord and Boucher’s luscious vocals, before twisting into a darker and heavier territory. The track also features Blood Diamonds, who has collaborated with the Montreal songstress in the past.…
The full band medium of Belfast-based singer-songwriter Paul Doherty, The Vals have unveiled the video to their new single, ‘Quiet Part of Town’. A wonderfully crafted effort, the song channels a timeless, psychedelic-tinged sound, broad, serene guitar chords marrying delicate keyboard lines, shuffling rhythms and sweetly-placed strings, not to mention Doherty’s vocals – a real centre-piece. Directed by Thomas McKeown and Daryl Randal, the video proves a suitably hazy, nostalgic accompaniment. ‘Quiet Part of Town’ will feature on The Vals’ forthcoming album, Wildflower May. Stream the video via Vimeo below.
Jazz is great. Isn’t jazz great? The genre seems to be enjoying a resurgence, fronted by Toronto trio BADBADNOTGOOD, who recently dropped a rather sublime record as well as collaborations with the likes of Danny Brown and Earl Sweatshirt. The newest release in this new wave of modern jazz comes from a quartet called Courageous Endeavours. Hailing from Minneapolis, their debut album, Prototype, is an enthralling and vital addition to the rejuvenated movement; it’s brilliant, and absolutely worth listening to. In particular, check out ‘Habits Of Entitlement’ and ‘Second Hand.’ You can listen to Prototype below, and watch the music video for…