Released earlier this month, we said ‘Bram Toker’ by Dublin neo-psychedelic five-piece Beach was an effort confirming their arrival as a band to be “considered alongside fellow Irish sonic diviners The Altered Hours and Elastic Sleep“. A few short weeks later, the single – one of our favourite by Irish act this year – comes bearing a visual accompaniment, directed and animated by Ross Ryder. Have a first look at that below. Beach will play a Knockanstockan Presents show in Whelan’s on May 12, as well as their first headline in London on May 18 at the Islington.
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Having spent the last few years establishing themselves around Belfast originally as a trio before expanding to become a quartet, the heft-laden hardcore act Hornets finally release their debut album, Witch Hunt on May 19. Witch Hunt will be the first release on newly established promotion & record label Solid Choice Industries – who have in just the last 2 months, brought Belfast rare shows from the likes of Russian Circles and Grails. Hornets’ latest release hugely broadens their scope and dynamic, taking blast-beat-led detours through visceral crust punk & cacophonic, harshly atmospheric black metal, without losing their trademark moments of Mastodon-esque gargantuan proportion.…
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Ahead of the release of his Holiday Home EP this Friday 28 April, Daithí has revealed another shimmering pop-leaning cut. Welcoming back regular collaborator Sinead White for a typically excellent guest vocal, ‘Aeroplane’ is a more melodic cut than the EP’s propulsive title track from last month. Despite its dancefloor focus, the track maintains its organic atmosphere through breezy keys, recorded natural samples and White’s voice, reminiscent at points of some of SBTRKT‘s collaborations. The song is brought to life by the accompanying video which features footage shot in Daithí’s hometown of Ballyvaughan, Co. Clare from the 90s. Speaking of the track…
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Once a duo, Sullivan & Gold is the music-making moniker of Derry’s Benjamin Robinson, formerly of the Good Fight. Aptly positing his music as “the perfect accompaniment to falling in or out of love”, his output to date has straddled wistfulness and deliverance in fine fashion, something that’s more than apparent on new single ‘Guatemala’. A heart-rending ballad taken from a new full-length set for release in late 2017, the track “tells the tale of a long distance relationship between a young couple; a newly qualified primary school teacher teaching in the north coast of Northern Ireland and a young Northern Irish…
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Brooding, atmospheric Belfast-based duo Hiva Oa release their new EP, Mk II (Part 2), following up on last year’s in-parenthesis Part 1. Based around core members Stephen Houlihan & Christine Tubridy, with outside help from Matthew Collings, Daithi McNabb & Chris McCorry, the pair lived in Edinburgh for several years before returning to Ireland and instilling new life into the project. Hiva Oa’s recent material has taken some cues in mood from post-punk & experimental electronica, filtered through the lens of contemporary indie music, not without its pop merit – paving a sonic path not unlike that of latter day Radiohead. The EP displays a breadth of unrestricted instrumentation & arrangements by band’s…
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It’s always great to see a new regular live gig night crop up. Launching at Belfast’s McHughs on Saturday, May 22, BASECAMP is the a new venture from Four Acre, the brainchild of Neil Allen of all but revered NI alt-folk band The Emerald Armada. For its first outing, the night – which is calling itself “the home of emerging artists – will see sets from Brash Isaac, Jamie Neish and Benjamin Hamilton. Admission is £5, doors are at 8pm.
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Look as far and wide as you so please but you’ll struggle to find a more positively unique, perfectly fitting and cosmically-inclined musical obituary than ‘Henry McCullough’ by BP Fallon and David Holmes. A peak on the latter’s exceptional Late Night Tales release from last year, the six-minute sonic eulogy is a sorcerous tribute of semi-mystical proportions, weaving Fallon’s beautiful offering to the late, great McCullough with keyboards and drum programming from Holmes, guitar work from Noel Gallagher, additional drums Emre Ramazanoglu and backing vocals from Nina Holmes and Lisa Di Lucia. Ahead of the release of ‘Henry McCullough’ – The Andrew Weatherall…
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The long-awaited follow-up to the longing ‘Winter Night – a track released back in February last year – ‘Shut Your Eyes’ by Dublin’s Karen Sheridan AKA Slow Skies is a slow-burning pop ballad where subtlety and restraint is tantamount to emotive power. Accompanied by a video courtesy of Kevin and Páraic McGloughlin, we’re hoping this is an indication of some more new Slow Skies material in the making.
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Late last month we had the pleasure of premiering ‘Customs’, the first gambit from Dublin-based indie supergroup of sorts Autre Monde. first of a series of releases planned for spring and early summer, stemming from their time in the studio with Jamie Hyland & Girl Band‘s Daniel Fox, it proved an idiosyncratic, dynamic number conjuring the likes of Television, Suicide and Pere Ubu. Going one step further in our eyes, new single ‘New Recruit’ is a gleaming burst of throwback power-pop that harks back to 70s NYC with its slinking post-punk pockets of groove and its burrowing, leather-and-neon cool. According to band…
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London-based Cork producer Toby Kaar has returned with the beat-driven, vocoder-heavy strut of ‘Promises’. The follow-up his debut EP, last year’s Gumbrielle, the single – which Kaar said was recorded “some time ago” – is deceptively earworming in its reiterative patterns and woozy, cyborg-like vocals, not least via its closing refrain: “I just want to know, what happened to our love? We used to be best friends, where did it go wrong?” We dig.