• Exhibition: This Was Our Scene @ Fumbally Exchange

    Tonight’s sees the opening of a new photographic exhibition in Dublin’s Fumbally Exchange featuring the work of Gregory Nolan. Originally from Ireland, Nolan cut his teeth abroad rather than at home – making a name for himself through his blend of traditional music photography coupled with a documentary style to capture the London’s mid-2000’s indie scene, a fact reference in the exhibition’s title: This Was Our Scene. Nolan’s imagery captured the energy of the capital’s music scene, and encapsulated the hedonism and excitement emanating from his adopted hometown. When viewing his photographs of now established names like The Libertines and Frank Turner it is clear that the heartbeat of this resurgence were…

  • Exhibition: Project Cleansweep @ Sirius Arts Centre

    While the threat of Nuclear war, and the fear of immediate death via a trigger happy world leader, has been trust to the fore of public consciousness in recent months, the threat and danger of chemical warfare via secondary means – the manufacture, storage and disposal of weapons – has been a real and constant concern for over a century. In America the issue over where to store nuclear waste has remail unresolved since the Manhattan project began, with initial efforts of dumping barrels into the waters around New Jersey so unbelievable in the context of modern knowledge that it borders…

  • Exhibition: The Way Things Go: An Homage @ Butler Gallery

    2017 marks the 30th anniversary of Swiss duo Peter Fischli & David Weiss’ The Way Things Go. The hugely influential video piece serves as the departure point for the latest exhibition in Kilkenny’s Butler Gallery. At it’s core The Way Things Go saw everyday items pushed outside their comfort zone to perform roles and tasks not suited for their original creation, and tasks it should be noted that they were able to fully complete, querying the limitations we impose on materials we formulate. While in full-colour and sound, the piece drew on the almost slapstick era of silent films from the vaudeville era of…

  • Exhibition: Portraits: Women of Cork and the U.S. Navy 1917-1919 @ Sirius Arts Centre

    Today and tomorrow are the last to see a fascinating new body of work by Damian Shiels in Cobh’s Sirius Arts Centre. Titled Portraits: Women of Cork and the U.S. Navy 1917-1919, the exhibition looks at the social outcomes of America’s entry into the First World War. Their participation in the war saw thousands of US soldiers emerge into the communities around Cork. This influx of soldiers, and their subsequent socialising in the city, saw many Cork natives become ‘war brides’. While these relationships were generally greeted with celebration in America, on this side of the Atlantic hostilities arose, which then turned to violence. Ultimately the US Navy banned…

  • Open Submission: Junior & Gallery of Photography

    Details have just been announced of an open submission to coincide with the opening of the Gallery of Photography’s new Osman Suite. Named after the gallery’s founder John Osman, the space is located in the newly extended bookshop. To celebrate the gallery has teamed up Irish photography magazine: Junior. Launched last year, the duo behind the publication released issue two earlier this summer and so far the magazine has featured the works of emerging and acclaimed Irish photographers including Mark McGuniness, Darragh Soden, Cait Fahey and Thérèse Rafter. Junior and the Gallery of Photography’s brief for this open submission is ‘Irish-ness’, and have advised…

  • Exhibition: Observations @ Belfast Exposed

    Celestograph by August Strindberg, 1894. Image kindly provided by the National Library of Sweden Outside of his native Sweden August Strindberg is predominantly known as a playwright and a poet, such was the high regard his was held in within these disciplines. Strindberg was in fact a polymath who explored painting (he was friends with Edvard Munch and Paul Gauguin) and the photographic arts. It is the latter, and specifically his late 19th Century experiments in capturing he might sky, that severs as the departure point for Observations, the current show in Belfast Exposed. For his ‘Celestographs’, Strindberg placed sensitised plates…

  • Exhibition: Collected Shadows @ Void

    Established twenty-five years ago, the original brief for the Archive of Modern Conflict was to collect and preserve materials relating to the First and Second World War – this saw the AMC primarily archive photographs but also manuscripts and materials. Over the course of the next quarter century this initial premise was expanded on and the AMC is now best viewed as an archive of the world, amassing photographs from multiple centuries on a wide variety of themes and topics. In conjunction with the Southbank Centre’s Hayward Touring, an initiative which organises touring exhibitions through the UK and NI, the AMC…

  • Workshops & Exhibition: Cork Photo Gallery

    Cork Photo Gallery have announced details of their forthcoming workshop series with events due to take place throughout September and into October. Workshops range from photography tutorials at dawn with Marcin Lewandowski (details available online here) to outdoor painting classes with Paul McKenna (details available online here). Running in conjunction with these more specific adult classes, Cork Photo Gallery have also released details of their forthcoming children’s workshops – with events for kids of all ages, with workshops even catering for 6 to 16 months. As well as these events, the gallery is currently showing In Print, an exhibition featuring the work of photographer…

  • Exhibition: Memorabilia @ Belfast Exposed

    This week is the last to the Memorabilia exhibition in Belfast Exposed – closing this Saturday August 19th. Gábor Arion Kudász, son of Hungarian artist Emese Kudász, began photographing and documenting his mother’s archive in the years that followed her death in 2010. Gábor’s cataloguing of his mother’s work threw up a interesting observation – is the coherence between objects one that existed prior to his undertaking of the task? Or is it one generated through the creation of an archive? What is for certain is the context these works were created in is separate to the context they are placed under when…