• The Pressure is Off: An Interview with Joe Mount of Metronomy

    July 13, 2016 - By 

    Metronomy are just one of those bands. On average the group have released a full record every two to three years, each one to more acclaim and appreciation than the last. From their wonky, wild sophomore record Nights Out to the refined pop reflections of Love Letters they’ve been a group whose steady rise through the ranks has looked almost easy. So easy in fact that it’s hard to imagine that it’s been a whole decade since the release of their outrageous debut Pip Paine (Pay the £5000 You Owe). ‘I suppose I’m part of the furniture,’ muses Joe Mount.…

  • Where He’s Meant To Be: An interview with Arab Strap’s Aidan Moffat

    April 28, 2016 - By 

    As one half of the band Arab Strap with Malcolm Middleton between 1996 and 2006, Aidan Moffat quickly became one of the most influential voices in Scottish indie music. His unmistakable thick brogue and frank, confessional and often hilarious lyrics are reflected in so many newer Scottish bands while Moffat himself has guested with the likes of Mogwai and Frightened Rabbit over the years. Since Arab Strap’s amicable split, Moffat has undertaken all kinds of projects, from spoken word to his collaborations with Bill Wells to his electronic work as L. Pierre, to name a few. In 2014 he toured…

  • Killing Mockingbirds: An Interview with Jordan

    April 27, 2016 - By 

    As regular fixture and co-founder of Aether & Echo’s Nocturne and The Night Institute parties, Jordan has been at the centre of a lot of what’s been happening in Northern Irish dance music over the past few years. Killing Mockingbirds, the debut EP from the homegrown DJ-producer who cut his teeth in the electronic music world as a student in Leeds, is a five–track house music affair which drafts in Adesse Versions and Borrowed Identity to lend their sensibilities to the record in the form of two remixed tracks. Killing Mockingbirds (which was made available to the public last week)…

  • Out Of Oblivion Into The Light: An Interview with Mission of Burma

    April 12, 2016 - By 

    For years, Boston post-punk legends Mission of Burma were one of rock music’s great ‘what if?’ stories, an obscure but influential band that broke up far too soon due to singer/guitarist Roger Miller’s tinnitus, worsened by their notoriously loud live shows, leaving behind just one full length album, an EP and a couple of singles. When they finally reformed in 2002 (with Shellac’s Bob Weston taking over the role of tape manipulation from Martin Swope) they did it properly, refusing to be a mere nostalgia act and issuing a string of new albums that sounded just as vital as what…

  • No Fracking Way: An Interview with This Land writer Siân Owen

    April 1, 2016 - By 

    A theatrical journey through an ever-changing landscape, confronting some hugely pressing issues regarding climate change and, in particular, fracking, Siân Owen’s This Land is a play being hailed for striking a keen balance between engrossing fictional narrative and the much bigger – more important – picture. Ahead of performances at Coleraine’s Riverside Theatre (Apr 6), Omagh’s Strule Arts Centre (Apr 7), Derry’s Waterside Theatre (Apr 8) and Belfast’s The MAC (Apr 9), Brian Coney chats to Owen about the production and its portrayal of the issues. Go here to buy tickets. Hi Siân, before touching on This Land, can you give us some background on Pentabus and…

  • Not Just Feeding a Scene: An Interview with Chad Ubovich of Meatbodies

    March 25, 2016 - By 

    Fronted by Chad Ubovich who has worked with the likes of Ty Segall, John Dwyer and Mikal Cronin, Meatbodies are embedded in California’s idiosyncratic garage rock revival.  Much like the bands connected to the aforementioned names – and they are plentiful – Meatbodies blend pop influences with heavier elements such as noise rock, metal and psych. This is evidenced in the other bands Chad Ubovic has worked with, from the sunny disposition of Mikal Cronin’s band mixed with the dark, dense sounds of Ty Segall’s, Fuzz, which is heavily indebted to Black Sabbath. Meatbodies rest somewhere between these two bands, exhibiting a…

  • Beauty From the Dark: An Interview with Blanck Mass

    March 21, 2016 - By 

    When he’s not mustering majestic noise as one half of Fuck Buttons, Benjamin John Power has, for the last five years, been producing his own powerful, synth-heavy sounds as Blanck Mass. Having released one of 2015’s most wonderfully challenging and downright rewarding full-length listens in Dumb Flesh, he has firmly established himself as a conjurer to be reckoned with in the realm of bracingly euphoric dark electronica. Ahead of debut Irish solo shows at Belfast’s Black Box on April 1 and Dublin’s Grand Social on April 2, Brian Coney chats to Power about his thirst for discovery, remixing John Carpenter, the imprint of…

  • The Shape of Things To Come: An Interview With Anderson

    March 21, 2016 - By 

    Ahead of the release of his new single ‘The Existential Vacuum’ and an upcoming intimate Irish tour, David O’Neill chats to Daniel Anderson about the creative process behind his acclaimed debut album Patterns. Photos by Tara Thomas. The Irish music scene has a tendency to reward those that persevere. Conor O’Brien, Damien Rice, Christy Moore have forged lasting careers after leaving their respective bands while Glen Hansard is now experiencing worldwide success after a quarter of a century slogging it out with that other band of his. Another name likely to be added to that list is Daniel Anderson. Anderson was…

  • Maybeshewill: Not For Want Of Trying

    March 9, 2016 - By 

    In a revealing conversation touching upon the necessity of hard graft, the DIY ethic that underlines their craft, the importance of community and their final ever tour, Eoin Murray chats to English post-rock five-piece Maybeshewill. Photo: Heather Gutherie Firstly, how are you doing? What are the feelings hovering around in the Maybeshewill bus right now as you’re in the midst of this final tour? Good, thank you. Things are good here. We’re a little way in to the tour and it’s been a pretty emotional trip so far, but we’re all super positive and looking forward to the future. From what I’ve noticed,…

  • Interview: Hamell on Trial

    March 9, 2016 - By 

    When Ed Hamell decided he was done with bands, picked up a battered acoustic guitar, and decided to go it alone, he called himself Hamell on Trial. And whether he meant to or not, he set the scene for over two decades of confessional, confrontational, and apocalyptic music. Make no bones about it, when he gets on the stage, Ed Hamell is on trial. And we’re judge, jury, and executioner. With numerous brushes with mainstream acclaim under his belt, the New Yorker has managed to keep in underground for most of his career, but that acerbic style, calling to mind…