• Stewart Lee w/ Chris Kent @ Vicar Street, Dublin

    May 26, 2015 - By 

    It’s May 24, 2015. It’s been one day since Ireland has officially voted in legislation to allow equal marital rights to the LGBTQA community. The previous night’s celebrations are literally the stuff of legend and in its aftermath, the city of Dublin is collectively undergoing what can only be described as a fierce hangover. Yet in spite of this, the atmosphere in Vicar Street is warm and welcoming. That sense of accomplishment and pride from Saturday is still in the air. So it makes sense that many of us decided to flock to see Stewart Lee, probably one of the…

  • Tomorrowland

    May 26, 2015 - By 

    Brad Bird’s so-far stellar directorial efforts have shown an ability to draw on older forms and attitudes and render them with a fresh, impressive sense of movement and action. Humanist classic The Iron Giant’s story of small-town Americana resisting cold war hysteria was a hand-drawn animation released as the industry barreled towards computer generation. Later, The Incredibles told a superhero family drama in the style of old-glamour spy movies, laced with a critique of the modern world’s low horizons. Tomorrowland, channeling the futurist enthusiasm of Uncle Walt’s original theme park ride, is steeped in the golly-gee wonder of Bird’s Space Age youth, with its jetpacks and rocket ships…

  • Mad Max: Fury Road

    May 18, 2015 - By 

    Stay on the road long enough and your brain starts to cook. It’s been thirty years since we last saw mad Mel’s petrolhead wanderer of the scorched Outback, but Fury Road shows no sign of the entropy or compromise that usually accompany extended hiatuses. The seventy year-old George Miller, who has spent the gap making talking animal films and gingerly trying to get a new Max off the ground, has delivered that rarity: a popcorn blockbuster fuelled by the daring clarity of personal, psychotic vision. With its blistering locomotive energy, Fury Road moves at a different warp-speed to blandly directed…

  • The Canal

    May 12, 2015 - By 

    “Will you watch this film with me? I’m scared to watch it alone,” begs the grieving and quite possibly insane father at the centre of Dublin-set The Canal. Film watching is a risky business in Irish film-maker Ivan Kavanagh’s broadly familiar but effective combination of domestic dread, malignant spirits and dysfunctional paterfamilias. We open on a slice of yuppie fantasy, with film archivist David (Rupert Evans) and his beautiful pregnant wife Alice (Hannah Hoekstra) meeting an estate agent and cheerfully joyfully agreeing on a lovely townhouse for their burgeoning family unit, a buzzing middle-class aspiration that goes sour. Horror continues…

  • The Shadow of a Gunman @ Lyric Theatre

    May 8, 2015 - By 

    As the curtain, a modest, brown thing, rises to reveal its equally meager setting (a tenement in Dublin in 1920) the most immediately apparent quality of the set is how much it breathes. Two large windows at the back of the small apartment looking on to the alley beyond create so much space and character that its easy to forget we are in a theatre. A woman hangs her washing, people walk to and fro about their business and the set comes to life. Mr. Davoren lives in this apartment, rooming with Mr. Shields. Hampered by the characters that exist…

  • I Am Belfast

    April 21, 2015 - By 

    The movies were like magic carpets, Mark Cousins tells us about his younger days, introducing Festival opener I Am Belfast at the Moviehouse Dublin Road. The film itself is a kind of magic carpet ride through the city, with Cousins as the excitable genie, showing us not a whole new world, but the same one, viewed from unexpected angles. Belfast, tilted. We begin in the clouds, coming down on the city from above, Cousins bringing his film-making eye to his hometown after a career spent Out There. Cut to a stained mountain face, raw and prehistoric, its reflection stretching outward in a pool…

  • Fast and Furious 7

    April 6, 2015 - By 

    Typically, we love the underdog story. The scrappy young team of misfits and broken toys come together to take on the elite and emerge victorious. The Fast and Furious series is very much an underdog story. From the initial entry, the film got a deserved critical mauling that carried on for the earliest entries. The films were inherently ridiculous but treated themselves with such a po-faced sincerity that much of the fun was derived from the deepest ironic wells. Fortunately the arrival of director Justin Lin helped to curb this. Directing four of the series’ seven entries, Lin not only…

  • Who Am I – No System Is Safe

    March 31, 2015 - By 

    In the pantheon of great films about technology, there are very few members exclusively devoted to coding, even fewer exclusively dealing with hacking. The main films that comes to mind when faced with these parameters are 1995’s Hackers, in which Matthew Lillard plays a skateboarding Pippi Longstocking lookalike, and 2001’s Swordfish, a film which people remember for John Travolta’s goofy facial hair and two other reasons which earned Halle Berry about a million dollars. So when discussing hacking movies, we’re not in good cinematic company. Sadly, Who Am I – No System Is Safe, while a stronger film than many…

  • While We’re Young

    March 25, 2015 - By 

    Two years ago, Noah Baumbach made an absolute treat of a film called Frances Ha. It was an intelligent and emotionally resonant film about Millennials, finding direction in life and the idea of maturity in the modern age; basically a version of Girls wherein you didn’t want every character to hurl themselves into a great big bin. For his next film, While We’re Young, Baumbach wisely has chosen to go back to the same well, albeit with a slightly different viewpoint. This time around, Baumbach shifts the view from people in the early 20s to those in their early 40s.…

  • Cobain: Montage of Heck

    March 22, 2015 - By 

    In April of 1994, Kurt Cobain died of a self-inflicted gunshot wound to the head. He left behind a wife, an infant daughter and a legacy as one of the last true rock gods. In the intervening 21 years, a messianic persona has been grafted onto this young man from Aberdeen, Washington. His face is plastered on t-shirts and posters the world over to the point where he has become an apolitical Che Guevara for angry misunderstood adolescents to identify with. There is a plethora of retrospective articles, unauthorized biographies and crackpot theories relating to the man, his music and…