• Watch: Fears – Blood

    July 31, 2018 - By 

    From her immersive live shows to recent single ‘h_always‘, Constance Keane, AKA Fears, has grown to become one of Ireland’s foremost creators of ambitious, subtle pop. Her latest in a recent string of audio-visual collaborations revisits her stark, somnambulist 2016 single ‘Blood‘, which has now too met its warped match with the help of director Aodh. ‘Blood’ stars Mark Loughran as father and IFTA-nominated young actor Dafhyd Flynn from award-winning Irish 2017 film Michael Inside as son. Thanks in no small part to the to contrasting camera work from Matthew Rogan & lo-fi footage by Cloda Farrelly, the video is eye-wateringly evocative in its portrayal of the complexities…

  • Premiere: Hot Cops – Decay

    July 27, 2018 - By 

    On Monday (July 30), Belfast indie rock stalwarts Hot Cops will release Speed Dating, a five-track EP that compiles remastered versions of their singles to date. Doubling up as a quick primer of-sorts, the release holds up as an all-killer insight into why the Carl Eccles-fronted band are widely considered to be one of the country’s very best (a theory you may have noticed we’ve shared over the last few years.) The release’s lead track, ‘Decay’ has long been a live highlight for the band. A three-minute blast of fuzzed-out slacker-pop, it’s a full-blown celebration of ennui that finds relief in both simple admittance and its feedback-soaked closing…

  • Sea Pinks – Rockpool Blue

    August 1, 2018 - By 

    Belfast’s foremost purveyors of jangle-pop, Sea Pinks, have announced their latest album, Rockpool Blue, out on September 28. The 28 minute album is their seventh LP since their 2010 inception. Recorded in four days over a six month period by engineer Ben McAuley at Start Together Studios, Belfast. Sonically blissed-out and dripping – moreso than any record before – it thematically tackles the pressure of adult responsibilities against the internal imposter syndrome that comes with it. Following bassist Steven Henry’s departure, frontman & guitarist Neil Brogan has taken on bass duties, with Davey Agnew on drums. Stream first track ‘Watermelon Sugar (Alcohol)’ below: Rockpool Blue…

  • Years & Years – Palo Santo

    July 26, 2018 - By 

    In 1987, the Pet Shop Boys released ‘It’s A Sin’, detailing Neil Tennant’s relationship with his own sexuality and the sense of shame that came with it. It was years after the singer publicly came out. Thankfully, these days, singing about sex and love outside of heterosexual constraints isn’t a rarity. So many songs in the pop zeitgeist have gone beyond heteronormative boundaries, but still, it is often treated as something forbidden, experimental, taboo and something explicitly, solely sexual. Think Katy Perry’s ‘I Kissed A Girl’ or Demi Lovato’s ‘Cool for the Summer.’ Years & Years’ Olly Alexander joyfully takes…

  • Premiere: Oisin O’Scolai & The Virginia Slims – Join Me in The Ground

    July 27, 2018 - By 

    Hailing from Donegal, Derry-based artist Oisin O’Scolai is most certainly one to watch. Very accurately being dubbed by his label, Belfast’s Black Tragick Records, as “the Buncrana Beck” (alternatively “if Harry Nilsson was from Donegal” or a latter day Paul Westerberg if he hadn’t have got drunk with the Stinson brothers and started The Replacements”). Self-recorded and released as Oisin O’Scolai and the Virginia Slims, the stellar, slow-burning gothic-folk of ‘Join Me in the Ground’ was mixed Ben McAuley and sees O’Scolai wield subtlety and pathos like a scythe. Taken from his forthcoming debut album, Vacant Sea, the single comes yet more…

  • The 8 Best Sets at Townlands Carnival 2018

    July 26, 2018 - By 

    Cork’s Townlands Carnival returned another year filled with the brightest and best in upcoming Irish music, as well as a handful of international names. It’s a formula that works superbly with Townlands, which made for an incredibly enjoyable, relaxed experience that drew a highly eclectic crowd and kept all tastes satiated. These were our highlights. Words by Kelly Doherty HappyAlone Closing up the relaxed Friday night of Townlands were Cork natives HappyAlone over at the Rising Sons stage. Having recently received a lot of attention due to their live shows and impressive social media presence, the band are a clear headliner…

  • Ministry w/ Chelsea Wolfe @ Tivoli Theatre, Dublin

    July 26, 2018 - By 

    In case you had any doubt in your mind, witches are indeed real and they can cast powerful spells as Chelsea Wolfe proved on Tuesday evening. As the 34-year-old Californian takes to the Tivoli’s stage, she seems awkward, or even a little clumsy at first. As she walks to the front of the stage, with the lights still up, she gives a small wave and smile to the audience. She seems more shy than one might have imagined. Then, the lights go down and that shyness is devoured by the waves of noise that follow. As the pulsing terror that…

  • Premiere: Slouch – Petty Sounds

    July 25, 2018 - By 

    One of our must-see acts at this year’s KnockanStockan in Co. Wicklow this weekend, Dublin threesome Slouch are in a league of their own here when it comes to fuzzed-out, curveballing alt-rock that hits that rare sweet spot between scuzz, low-end groove, intricacy and abandon. A textbook case in point, brand new single ‘Petty Sounds’ – which we’re pleased to premiere below – will be familiar to anyone who has caught Conor Wilson, Kev Shannon and Malachy Burke live over the last couple of years. Littered with submerged arpeggios and eruptions of amp-choking noise, it’s the sound of walking through a…

  • Watch: Our Krypton Son – Falling In Love Is A Suicide Mission (Ryan Vail Mix)

    July 24, 2018 - By 

    A highlight from his critically-devoured second album Fleas & Diamonds, ‘Love Is a Suicide Mission’ by Derry artist Chris McConaghy AKA Our Krypton Son captures his elegiac, carefully-woven craft in under four minutes. Now, fellow Derry artist and producer Ryan Vail (pictured) has delivered his own curveballing take of the single, which was originally released back in May. Mining the track’s heart-rending melodic twists and turns, it evolves from skeletal, contorted electronica to a reveal a simmering, low-key dancefloor jam.