Ahead of shows at Belfast Empire Music Hall (Sept 17th) and Dublin’s Whelan’s (Sept 18th) Ripley Johnson of San Francisco psych alchemists Wooden Shjips talks to Cathal McBride about songwriting process, positivity and playing to “up for it” Irish audiences. It’s been a full five years since the last Wooden Shjips record. What made 2018 the right time for a return? Well, it was 2017 that we reconvened to make the record. Hard to say why, really. For me, I just got the urge to work with the guys again so proposed a simple plan for making it. The plan was…
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Oh Sees (aka Thee Oh Sees, OCS and too many other variations to mention), are not only one of the most prolific bands active today – seemingly locked in an endless battle of releases against protégés Ty Segall and King Gizzard & the Lizard Wizard – but they’re also a rare example of a band that has by and large only gotten better as their career has progressed, even as their album tally has gone well into double figures. Though many long term fans miss the ‘classic’ lineup that disbanded after 2013’s excellent Floating Coffin, when Dwyer relocated from…
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Still best known as one half of Arab Strab with Malcolm Middleton, Aidan Moffat’s later career has been a multifaceted one, and his latest album, Here Lies the Body, a collaboration with RM Hubbert, is one of our favourites of 2018 so far. Ahead of July dates at Galway’s Róisín Dubh (23rd), Dublin’s Grand Social (24th) and Belfast’s Black Box (25th), Cathal McBride speaks to Aidan (pictured right, with Hubbert) about this latest project and other recent work. Hi Aidan, how has the tour for Here Lies the Body been going so far? They’ve all been pretty great so far,…
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The fourth Girls Names full length has been a long time coming. A little under three years isn’t such a big gap between albums these days in an increasingly part-time industry, but recording updates were coming thick and fast from the Belfast band some time ago before seeming to dry up. As it turns out, an initial mix of the album was finished long ago before being shelved for 6 months and then ultimately aborted. The band then began reworking the material, taking it apart and rebuilding it with new edits and recordings. This drawn out process, as well as…
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Aidan Moffat has a knack for a musical partnership. Having first come to attention as one half of Arab Strap alongside Malcolm Middleton from the mid-90s to the mid-00s – as well as a recent triumphant run of reunion shows – his later pairing with jazz musician and fellow Falkirk native Bill Wells saw the pair bag the inaugural Scottish Album of the Year Award for their 2011 debut Everything’s Getting Older. Now it’s the turn of guitar virtuoso RM Hubbert, perhaps best known to Irish audiences for regular stints supporting Mogwai on these shores. The pair already teamed up…
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For most bands, the EP format proves a useful starting point, a way of getting their earliest tracks out there when not in possession of enough money, time or material for a full LP, while also functioning as a low stakes release while they find their feet, not yet ready to commit to that ultimate statement of “the album”. Others though, like Ulrika Spacek, arrived so fully formed that work on an album was the first port of call, and indeed their 2016 debut release The Album Paranoia is still their strongest work to date. After last year’s quick follow…
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As if Guided by Voices weren’t prolific enough in their ’90s heyday, Robert Pollard has amped things up considerably in the 2010s. When that classic ’90s lineup reunited earlier this decade, they remarkably pumped out six new albums within a mere two and a half year period, while the current reboot of the 1997-2004 Doug Gillard era produced two last year, including sprawling double album August by Cake. A wealth of new material from a band we once thought were gone for good is something to celebrate, but there’s been an undeniable sense since 2012 that they’ve been spreading…
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Even though it’s a been a good five years since the last Yo La Tengo album proper – discounting 2015’s primarily covers and reworks-based Stuff Like That There – the band’s new album came about more by accident than design. Forced by software updates and the general onward march of technology to upgrade their home recording equipment, new material began to grow out of the practice room jam sessions that developed in order to enable bassist James McNew to learn how to use this new kit. Using these recordings as well as older snippets from over the past decade, the…
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The Altered Hours are a band who wear their influences very firmly on their sleeve. Elements of The Jesus & Mary Chain, My Bloody Valentine and The Brian Jonestown Massacre (whose frontman Anton Newcombe released the band’s Sweet Jelly Roll EP on his A Recordings label in 2013) abound, but they carry it off with such aplomb that they manage to make this sound all their own. Following on from 2016’s full length debut In Heat Not Sorry and a string of live shows that have cemented them as one of the very best live bands in the country, the…
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Four years have passed since Paddy Hanna’s triumphant solo debut Leafy Stilleto was released by the ever reliable Popical Island collective. Not that he hasn’t kept busy in that time, bridging the gap with a couple of standalone singles and fronting the mighty Autre Monde, all adding to an ever-growing CV that includes stints in the likes of Grand Pocket Orchestra, No Monster Club, Ginnels and Skelocrats. His long-awaited sophomore effort Frankly, I Mutate, released on increasingly impressive Galway label Strange Brew, features a star studded lineup of guests such as Saint Sister and Tandem Felix. Meanwhile members of Girl Band such as…