• ASIWYFA’s Chris Wee on an Irish DnB Institution’s 11th Birthday @ Voodoo

    February 2, 2017 - By 

    The preservation of club nights and music scenes has long been a vital fabric at the heart of any city. For many of us, some of our fondest memories and most formative of years are down to the nights we went to and the venues that inhabited them. In today’s shaky climate it takes the most tenacious of gig promoter to overcome the social media overload and the general gig goer apathy to get people through the door. Many aspiring promoters have appeared and been quickly swallowed by the lack of enthusiasm for anything beyond a few drinks in a…

  • Hyperbolex with Ray Wingnut: Introducing Guerrilla Sessions

    January 18, 2017 - By 

    So, here’s the story, right? I like to fuck about with music projects that really turn me on. As someone put it to me recently, “… I want it to freak me out”. Nicely put. I’m just messing around with music projects that fire me up and I guess like any other broadcaster, you try to curate something that is worthwhile, that is new and challenging, and then just maybe you might do the ultimate and capture lightning in a bottle. That probably sounds selfish and indulgent of me. But at least it’s not just me in the media game…

  • Hyperbolex with Ray Wingnut: Rough Trade

    January 10, 2017 - By 

    To INSPIRE: to fill (someone) with the urge or ability to do something, especially to do something creative. At the beginning of a new year, we probably all need a bit of inspiration. To feel inspired, to have the energy and the will to begin or to continue. For me personally, to be inspired is something that I’m always chasing. It’s not always easy to find or hold on to. But it is an energy or life source. To inspire also means to breathe in. Or in the recent first episode of This Ain’t No Disco, Dónal Dineen used a…

  • Our Krypton Son: The Bridge of Early Sorrows

    December 16, 2016 - By 

    Set to release the video for his single ‘Relics’ on Monday (which you can preview below) Derry singer-songwriter Chris McConaghy AKA Our Krypton Son returns with a Kafkaesque tale for the latest installment of his Thin Air column.   One morning I awoke to find I’d transformed into a gigantic animated turtle. I lay in bed, upended on my flat, brown coloured shell – which was two-dimensional and, having presumably been drawn by some celestial cartoonist (one clearly on a budget), lacking in any detail whatsoever. I stared terrified at the ceiling, unable to turn my body over. I immediately…

  • Picture This: Your National Visual Arts Guide – Reflection

    November 16, 2016 - By 

    2016 has been proposed as a year of reflection for the island of Ireland. While the main focus of this reflection has been channelled towards the centenary of the two conflicts that dominated Ireland – The 1916 Easter Rising – and Europe – The Battle of the Somme – it has also instigated a broader societal reflection on the current state of play of this and many other nations; as well stirring a personal reflection of our own past and familial history. This process is set to continue over the next few years as the centenary of many events that…

  • Our Krypton Son: Letters From Throat Lake

    October 27, 2016 - By 

    Derry songsmith Chris McConaghy AKA Our Krypton Son reflects on writing his forthcoming second album on a child’s acoustic guitar in a tent in Creeslough in Co. Donegal. Day one. I’ve been plucking the nylon strings of my child’s acoustic guitar for several hours. And glaring at a notepad. It’s bloody freezing and I’m shivering. Shivering with the starling, shaking with the gorse bush. I’ve come to Creeslough to stay for two nights. We’re to write an album, this village and I. An album to be titled ‘Fleas And Diamonds’. A song cycle about rebirth, the first growl of love…

  • Picture This: Your National Visual Arts Guide – Time

    October 24, 2016 - By 

    Mankind has always will be obsessed with time. How long does anything take? When will something happen? We use it as a yardstick for task and events. As a society we’re enthralled by time-travel, constantly preoccupied with how long things take to do and get to. We’ve even coined the phrase ‘time immemorial’ to indicate how long things have been the way there are – it’s July 6th 1189 in case you were curious. Time is a revisionary tool by which we revisit the past and judge previous actions, comparing and contrasting them to now – they same time heals…

  • The Problem With The Problem of Ramones T-Shirts

    October 3, 2016 - By 

    A year or two back I was at a family get together and sparked up a conversation with a teenage cousin of mine. I had initially decided to go over and talk to him for two reasons. First, and foremost, was to get out of the banal conversations I had been having with the other ‘adults’ about topics such as the Oscar Pistorius case, the Pope’s resignation and an aunt’s warbling about some motorway that was or wasn’t being built near her home. The second reason, the reason I selected said cousin to talk with, was because I heard his…

  • Picture This: Your National Visual Arts Guide – Ties

    September 27, 2016 - By 

    Among its definitions by the Oxford English Dictionary, alongside ‘a strip of material worn round the collar‘ and ‘a game in which the scores are level’, ties is defined as ‘a thing that unites or links people’. It is this third definition that can be best used to describe the exhibitions, artworks and people that feature in this edition of The Thin Air’s Picture This. In Dublin we see the latest show by Willie Doherty which discusses the unified history of two separate places and how this, via the 1916 Rising and later republicanism, has now become part of the…

  • Picture This – Your National Visual Arts Guide: Collection

    September 13, 2016 - By 

    Collections come in many sizes, outputs and forms. They can be collated by the similarity in object or output, they can also be defined by a universal signifier such as a time, artist or theme. In this edition of The Thin Air’s Picture This we see this idea manifested in four of its many tropes. In Wexford we see a collection of national and international artists explore the idea of a residency and it’s impact on an artist’s practice. Galway also presents us a collection of artists, this time all of the Finnish and all of them discussing the same…