• Marcus Woods shares fast-paced electronic cut, ‘Saturn V’

    We first became aware Marcus Woods back in 2017 around the release of his polychrome via the ever elusive Wooden Spoons imprint. The now tape exclusive EP of self-proclaimed ‘Chill Trash’ was a fine introduction to the Dublin producer whose atmospheric, lo-fi beats have seen him evolving to be one of the country’s most sought after young producers. Last October, he released his debut digital album, demo, which you can check out here. Now, the 18-year-old beatmaker is embarking on his 2019 release schedule, launching proceedings with the fast-paced and percussive electronics of ‘Saturn V’. Shared via his own Burner Records, the track is named after…

  • Choice Music Prize Shortlist Announced

    The shortlist for this year’s RTE Choice Music Prize has been announced. Taking place at Dublin’s Vicar Street on Thursday, March 7th, the following ten albums will vie for the prize. The Academic – Tales From The Backseat (ROOM6 Records) Delorentos – True Surrender (Delo Records) Just Mustard – Wednesday (Pizza Pizza Records) Kojaque – Deli Daydreams (Soft Boy Records) O Emperor – Jason (Big Skin Records) Lisa O’Neill – Heard A Long Gone Song (River Lea Recordings) Saint Sister – Shape Of Silence (self released) Rejjie Snow – Dear Annie (BMG) Villagers – The Art Of Pretending To Swim…

  • Video Premiere: Arthuritis – Let’s Touch

    You might have missed idiosyncratic Cork auteur Arthuritis inconspicuously dropping one of the best Irish releases of 2018 at the end of November. Released through Cork independent label KantCope, I’m Great pulled off that rare balancing act of being equal parts opaque and inviting, its shards of influence – electronic, minimalism, drone, R&B, psychedelia, dreams (presumably) – painting vividly abstract images of an alien, dissociated consciousness, and one that’s all the more human for it. Following on from his wealth of releases – that include the deservedly-titled Neglected Ambient Shirts Vol 1 – lead single ‘Let’s Touch’ and its accompanying video are as good a Rosetta Stone for his output as you’re likely to…

  • Premiere: John Blek – The Blackwater

    Cork singer-songwriter John Blek is a master at weaving gossamer tales stemming as much from his own headspace as the lineage of various transatlantic folk traditions. Set for release on February 1, Blek’s fourth studio album, Thistle & Thorn, is set to underscore that repute tenfold. Recorded between Clonakilty and Louisville, Kentucky at the start of last year, the album is a largely collaborative, with Brian Casey, Davie Ryan, Joan Shelley and guitarist Nathan Salsburg among the artists who have lent their own touch to the release. Lead single ‘The Blackwater’ is a delicate and carefully-crated sample of what to expect. Brimming with pathos,…

  • Stream: James Joys – Fugitive Wound

    Despite existing on a peripheral plain sonically, Belfast producer and composer James Thompson AKA James Joys deserves much more than negligible regard, both at home and much further afield. Beyond his work as one-half of Ex-Isles with vocalist Peter Devlin, his solo output to date is equal parts spectrum-bucking, dense and hugely rewarding. Six minutes of self-proclaimed “deep brain cracking electronica to get sweaty to”, new single ‘Fugitive Wound’ encapsulates this. Mastered by fellow Belfast-based electronic wizard Herb Magee AKA Arvo Party, it’s a heady, warped triumph marrying a slew of staggered beats with ecstatic arpeggios and textures. Placed back-to-back with October’s Super_Tidal, it heavily suggests that James Joys might well…

  • Premiere: Oranges – The Way You Look

    Holding out throughout Oranges have held on until now to reveal the first single from their debut album, Hey Zeus, set to come out next year through arguably Ireland’s most consistently stellar independent label, Sligo’s Art For Blind. Recalling the Fall’s abrasive, minimalist approach to the rock’n’roll palette, ‘The Way You Look’ was one of 11 tracks captured in 6 hours with Stephen Quinn in a room on North Frederick Lane, Dublin in 2017 – and it sounds it, in the most immediate, alchemical fashion. Oranges comprise three musicians who’ve been involved in Ireland’s underground scene for years: G. Duffy on vocals & guitars, M.T. Durnin on bass, synth & vocals, and E. Kelly on drums. Stream ‘The Way You Look’…

  • Album Stream: Foolish Mortal – Foolish Mortal

    Luminously captured in its eponymous, sixteen-track LP, Laurie Shaw’s new side-project, Foolish Mortal, is a blitzing, fuzzed-out traipse through the inner and outer recesses of Shaw’s musical mind. Conjuring everyone from White Fence and Black Lips, to The Wipers and our Lord and Saviour, Ty Segall, it’s a heady, genre-mangling feat of garage rock mastery from the prolific Cork-based Wirral artist. Out now via the brilliant Sunshine Cult Records, you can stream the album in full below. While you’re at it, pop along to Plugd in Cork on Saturday, December 22 to catch Foolish Mortal alongside Mikron and Perish.

  • Premiere: Anto and the Echoes – Hollywood Baby

    Belfast-based Fermanagh six-piece Anto and the Echoes are a band that have long prided themselves on their live show. It’s something that shines through and then some in the video for their new single, ‘Hollywood Baby’. Running parallel with the track’s rock-pop bombast (good luck finding a catchier chorus this side of Christmas) Declan Ó Grianna’s video – which features the band and some of their fans in the thick of it at the National Club on Queen Street in Belfast – puts cutting loose firmly centre-stage. Have a first look below. Photo by Rebecca Dougan

  • Bob Dylan and Neil Young To Play Kilkenny

    Having recently announced a show together at London’s Hyde Park, it’s been announced that Bob Dylan and Neil Young will play Kilkenny next summer. Billed as their only appearance in Ireland, the icons will play the 27,800-capacity Nowlan Park stadium on Sunday, July 14. Tickets – which are priced from €76 – go on sale this Monday at 9am.

  • The Thin Air’s Top 50 Irish Releases of 2018 (#50-26)

    Each December, when we sit down to compile, order (and re-order) our end-of-year lists, a few familiar patterns emerge: though an undeniable bastion of forward-moving sound – and despite what the UK’s more kneejerk music press have been sold as of late – Dublin is not Ireland; there’s always enough feature-length curios released across the calendar year to warrant, if we were so audacious, a Top 200 Releases; and, more than ever, the self-released EP continues to hold its own in the face of even the most monied, PR-wielded long-player. This year was no different. Delve into #50 to #26…