February 11th, 2021 | by Danny Kilmartin
R.A.P. Ferreira in the Garden Level Café of the Scallops Hotel, the full title of the latest project from Rory …
January 29th, 2021 | by Ciara Byrne
Reflecting on the trials and joys of young adulthood, the eagerly anticipated debut album from young Londoner Arlo Parks basks …
February 2nd, 2021 | by Danny Kilmartin
To create a dance record during a pandemic must be a particularly daunting task. What’s the point of club music …
January 28th, 2021 | by Mike Ryan
Brainchild of the mysterious The Ecliptical Newsletter, The Lidl Museum of Ancient and Contemporary Art Audio Tour is an ambitious …
January 26th, 2021 | by Pádraic Grant
As the world settled uncomfortably into lockdown last spring, the impulse to document and artistically interpret this cataclysmic moment was …
February 1st, 2021 | by Ellis Maddison
London post-punks Shame’s sophomore album, Drunk Tank Pink, had a lot to live up to. After finding breakthrough success with …
January 22nd, 2021 | by James Cox
Opening with a sharp downpour of prickling synth tones and electrical disturbance, Dublin artist Sean Being’s DEIS wastes little time setting …
January 23rd, 2021 | by Sophia McDonald
Part of the wherethetimegoes label, experimental electronic artist Frog of Earth wants to lead you on a journey down the …
January 18th, 2021 | by Pádraic Grant
When discussing the merits of canonical composers, the electroacoustic pioneer and arch pessimist Iannis Xenakis declared, “I don’t think music …
December 21st, 2020 | by Sophia McDonald
On We Will Always Love You, The Avalanches are like voiceless orchestra conductors, sharply gesturing their batons into the air …
