It’s about sixteen months since instrumental Montreal collective Godspeed You! Black Emperor last played Ireland, and with the venue, stage backdrop, equipment, lighting, and setlists almost identical to the last, there’s a familiar sense of n different sort of ritual on this particular Sunday at Vicar Street. The ongoing sub-50Hz rumble of the venue gives way to the entry of the seemingly accidental wandering onstage of a percussionist, double bassist and violinist, kept just visible by warm amber light. As they ease into some droning, exploratory notes, more musicians appear onstage, before the mass organically transforms into the band’s now…
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Prior to the release of Lisa Hannigan‘s third solo album, At Swim, a wave of commentary washed away any preconceived perceptions people may have towards her musical style as she unveiled glimpses into a fuller, darker deftness to her repertoire. At Swim comes after a five year interim from her last record, Passenger. The eleven songs, lasting a concise thirty-nine minutes, are more pared but by no means feel compromised or lacking in either content, tone and instrumental arrangements to her previous albums. The discernment gone into making this record adds to the substance and timelessness of the songs born from sublime…
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For those who couldn’t make Bristol’s preeminent ArcTanGent festival this weekend Venture Promotions have put together one hell of a consolation prize. Known as the pre-eminent post and math rock extravaganza, it’s also a mecca that not all fans can make. So that’s why tonight, in the Button Factory, is such a boon. Scooping the proverbial cream from the crop, the saliva inducing line-up includes two celebrated acts from the festival, a UK solo virtuoso and one of our very own. Their name is Yonen and it fell to them to play to the first comers. The group sit somewhere…
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Formed in somewhat Atoms For Peace-esque circumstances, Exploded View came together in 2014 when ‘UK-born, Berlin-based political-journalist-turned-musician’ Anika put a band together in Mexico to tour her solo work there, before finding that her and her new group, made up of local musicians and producers Martin Thulin, Hugo Quezada and Amon Melgarejo, had a natural chemistry that deserved to be committed to tape. The resulting self-titled album, released on the ever reliable Sacred Bones label, is cut from similar cloth to Anika’s 2010 solo album – a collaboration with Portishead side project Beak – but is infinitely more accomplished and…
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Totally unimaginable up until very recently, this year’s Stendhal Festival of Art was framed by tragedy for so many. A year to the day on from delivering one of the Limavady festival’s truly great performances, news on Saturday night began to circulate that Stevie Martin AKA Rainy Boy Sleep – having been reported missing for three weeks days earlier – had passed. Hovering like an unseen spectre over good friends, fans, festival organisers and fellow musicians on the Friday, confirmation of our collective worst fears on Saturday evening sent a shockwave through Stendhal’s tight-knit, communal fabric. And yet, propelled by Stevie’s spirit, hope sprung up in dedication…
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It’s no surprise that the main band room is beginning to feel rather like a sauna with every passing minute, due to the constant flow of punters that pass through this infamous venue’s doors. Following the release of their latest full length album Stiff, White Denim are returning to the capital, albeit for only the third time, to a near packed out and rather excitable bunch. There is a clear presence of heightened anticipation for the headliners amongst the audience, which has led to a majority of the floor space already taken up by the time support act Wyvern Lingo take…
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Boy King, the fifth and arguably most accessible album from Wild Beasts proves that the UK art-pop quartet are, once again, making one hell of a grand statement. Having styled themselves as quite possibly the least laddish alternative rock outfit around – sensitive, in touch with their feelings and disapproving of the brandish machismo that once encompassed the majority of British pop-rock groups – they have often used their energetic sound to strip back the notion of male sexuality in an attempt to reveal its hidden depths in a brilliantly comic fashion. Boy King is an album bursting with machine-fuelled funk. It takes an unsuspected turn, embracing…
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There’s been plenty said over the past couple of years about the over-reliance on particular tropes and techniques in Post-Rock, Math-Rock and, from other camps, in movie and TV soundtracks. There are always, of course, exceptions to this who manage to keep these realms of music interesting and exciting, from Battles to Adebisi Shank, from This Will Destroy You to Kyle Dixon and Michael Stein (the men behind the marvellous soundtrack for Netflix’s Stranger Things). The ways in which artists or composers avoid the traps and pitfalls of complacency and the rehashing of the same sounds and tricks over and…
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I remember the summer of 2008 pretty fondly, with a cracking European Championships, a family trip to Australia and the release of the Dark Knight refusing to be overshadowed by the Russian invasion of Georgia, Nickleback’s ‘Rockstar’ dominating the airwaves and the impending doom of the move to “big school”. Despite my adventures, it was an even busier summer for Metronomy’s Joe Mount, who was making a step into the big leagues of his own: with the impending release of his second album under the Metronomy moniker, Nights Out, Mount was becoming more involved with the London scene than the Devon nightlife that inspired his band’s…
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Growing stronger each year, there’s a pretence-dodging spirit about Stendhal Festival of Art that always puts creating experiences worth remembering firmly centre-stage. Tucked away in the beautiful, barley-bordered Ballymully Cottage Farm – a heart-skippingly scenic hideaway on the outskirts of Limavady – organisers have lovingly honed the many magical elements that collide to make it Northern Ireland’s most unmissable summer festival. Priding itself as much on its intimate rural setting as it does its family-friendly atmosphere – which is unparalleled – the many hidden corners of enchantment that hem the festival’s two large areas of stages, stalls and curious spaces ensures no creative stone feels left unturned. “We’re a punk band.…