As Dublin’s Dermot Kennedy releases his debut album, Without Fear, it’s odd to think he’s already been performing to packed-out audiences for two years. For an artist who recently sold out the 5,000-capacity Brixton Academy in London without even having a UK single, and who has collaborated with regular Kanye West producer Mike Dean, you’d almost be forgiven for thinking of an album as an unnecessary afterthought. Nevertheless, Without Fear, released on UK major Island, puts Kennedy’s towering voice on full display with a collection of deeply personal, hip hop-infused pop songs ruminating on heartbreak, hope and healing. While it may be tempting to…
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65daysofstatic make music that speaks to our most elemental, human concerns. Anxious, urgent and vital, their sound narrows on a space between post-rock, cinematic and electronic worlds. replicr, 2019 arrives as a focused expedition into a dark and uneasy present. On this, their sixth album proper, the band collate their experimental interests – they soundtracked the 2016 videogame No Man’s Sky through algorithmic composition – with the feverish immediacy of their early records. Ultimately, the world of replicr, 2019 is unsettling in its realism. From the opening bars, we’re prepared for a bleak, industrial landscape – one which is built…
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Joker lands in cinemas this week – as heavy with hype as Batman’s toolbelt with gadgets. Not that gadgets and superheroism play a big part in this origin story, which shows the backstory of Batman’s arch-nemesis. Instead, following in the footsteps of the violent adaptations Logan and Deadpool, Joker is a bracingly bleak, gorgeously shot departure from the conventions of the comic book spin-off movie, anchored (if not dominated) by a magnetic central performance from Joaquin Phoenix. The film unfolds in a 1970s-feel Gotham City that’s politically and socially tearing itself apart. (The first evidence of unrest is mounds of uncollected…
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Off the back of a very successful year, young Balbriggan artist Samantha Kay aka Soulé upped her game at the end of September by headlining her own show at one of Dublin’s newest music venues, Lost Lane. Soulé’s music has achieved huge success on Spotify with ‘What Do You Know’ notching 2 million streams to date, and one of her latest tracks ‘Love Tonight’ garnering over 4 million, as well as hitting No.1 on Irish radio charts last May. The electronic pop artist was opened up to a wider audience in April 2019 when she performed ‘Love Tonight’ on the Late…
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I found myself in the smoothest taxi ride I’ve ever fell upon, gliding from leafy Portobello to its friendly neighbour Mr. Vicar Street on a light mellow Sunday evening to witness my first ever Bill Callahan show, having been a long time fan of his work. It was pleasant from the off as I took the role of reviewer and made immediate conversation with fans of all kinds outside, soaking up all their knowledge like a musical magnetic sponge. There was Ben all the way from the USA who raved about the crazy support band Dallas Acid, whom he enthusiastically described as “……
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In the crowded smoking area of The Grand Social, fans and members of Ireland’s Hip Hop scene have congregated for a triple threat from some of the community’s heavy hitters. Tickets are presented at the door, wrists are stamped and drink is confiscated from a few younger attendees. Starting off the evening is Cork native C.o.B. Blasting the audience with a blend of old school horrorcore and contemporary trap beats, C.o.B parades the stage thrashing about whilst illuminated by glaring red visuals. While it may not be everybody’s cup of tea, a select few audience members at the base of…
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As soon as this gig was announced a few months ago, it was always going to be a scramble for tickets, and so it transpired as it sold out in a matter of minutes. Having the chance to witness one of – if not the most – influential alt-rock bands of all time in such intimate surroundings wasn’t lost on anyone. The history of Pixies pre and post their 2004 reunion is a well-trodden tale and it’s clear from both fans and critics alike, that the idea to release new music, hasn’t exactly hit the heights of their initial time…
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Science fiction has undoubtedly been a bit lacking in quantity and quality in recent years, and so you could be forgiven for getting excited after watching the trailer for Ad Astra, the latest from The Lost City of Z‘s James Gray, which translates from Latin as ‘To The Stars’. And it is indeed very impressive on the visuals and production front, especially with the stunning opener and its ‘space antenna’ scene. But once we get into the thick of the film’s story, with its space noir, whodunnit feel, it turns rather predictable, possibly hollow and scientifically ridiculous. An all-star cast couldn’t save this…
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“I don’t need to tell you about loss”, Nicole Kidman’s grieving mother tells the grown-up Theodore (Ansel Elgort), her one-time foster guest when his mother was killed in a bombing. But actually, she does — she, or someone — anyone — needs to tell us something interesting about it, because no-one else is making the effort. Adapted from Donna Tartt’s Pulitzer Prize-winning 2013 novel by screenwriter Peter Stroughan and director John Crowley, The Goldfinch is a wounded bird in a box office tailspin, and you can see why. It is a silly, bitty and a little embarrassing, too desperate to be “about” things, too unrelaxed to…
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There’s a feeling we have all gathered here for one last fix. We know the characters. We know the material. We even know the storyline. It’s as if die-hard fans have reunited for one last acoustic performance of their favourite band. Instead of singing along to their favorite songs, they’re mouthing the punchlines of crude jokes before erupting into laughter at a line they’ve heard 10 times before. Within two minutes we’ve already been flashed her black lacy bra from underneath her plain red pullover and been told that shes not obsessed with sex, but she just can’t stop thinking…