• Body/Head w/ Heather Leigh & Elaine Kahn @ IMMA, Dublin

    The end of Sonic Youth’s 30 year career in 2011 was the end of an indie rock era, but it’s been some consolation that the band’s remarkable consistency has largely carried across to each member’s post-SY projects. Thurston Moore and Lee Ranaldo’s solo careers have both largely carried on where their contributions to the band left off, both even sharing joint custody of drummer Steve Shelley. But it’s arguably Kim Gordon who has remained most in touch with Sonic Youth’s avant-garde roots. Since forming experimental guitar duo Body/Head with Bill Nace, their three albums of freeform guitar exploration so far…

  • Purple Mountains – Purple Mountains

    David Berman quit music in 2009. The reasons for retiring his two-decade spanning cult indie-country-rock project as Silver Jews were characteristically bleak. The disbandment, Berman revealed, was because he felt “the SJs were too small of a force to ever come close to undoing a millionth of all the harm” wrought by his Washington lobbyist father, known to many as Dr Evil.  He also, relatable, just wanted more time to read and work on his poetry. Surprisingly then, this year came the announcement of Berman’s first album in ten years, the unexpected eponymous Purple Mountains – and it’s a tentative…

  • The Lion King

    Real life looks boring. Rocks look boring. Trees look boring. Fluffy animals look boring. No-one opens their curtains in the morning and thinks wow, look at all that! This is a problem for The Lion King, one that sinks Disney’s photo-realistic reproduction almost from the word go. Jon Favreau’s nearly beat-for-beat prideland retread (new scenes expand the 1994 original’s 88 minute runtime) is a weird, alienating exercise in uncanny cynicism: the transparent cash-grabbing motive is depressing, but not nearly as depressing as having to actually watch the thing, which ticks over with the shiny time-killing futility of a high-res screensaver.…

  • Knockanstockan 2019

    2019 will be remembered as a phenomenal year for fans of Irish music with so many genres showing substantial growth and development. Hype has been reverberating throughout the whole scene but too often these acts that are doing so well are overlooked by festival line-ups. This year, Knockanstockan is an exception to that rule with the entire line-up feeling like a homage to Irish growth. Boasting a line-up that incorporates the vast range of sounds on display in Ireland’s musical canon right now, Knockanstockan 2019 is admirable in its dedication to eclecticism and musical inclusivity and makes itself a fore-runner…

  • Mac Demarco w/ Kirin J Callinan and Beabadoobee @ Iveagh Gardens, Dublin

    In the sweltering heat of an early July evening swarms of young Irish hipsters enter the Iveagh Gardens. Amongst the sea of blunt fringes, ratty facial hair and cuffed jeans there are brief pieces of chatter that you would expect from the audience of a Mac Demarco concert. There’s talk of drinking cheap booze and, of course, every other second the word “cigarette” is heard. Without even an ounce of an introduction the first support act, Kirin J Callinan takes to the stage wearing a beret, all black clothing and holding in his hand a fluorescent pink guitar. A few…

  • Villagers w/ Aldous Harding @ Iveagh Gardens, Dublin

    It’s an overcast but stiflingly warm evening as concert-goers begin to filter into Dublin’s Iveagh Gardens. Amongst this crowd is a varied mix of personnel. Business types still clad in their work attire, pensioners dressed like pensioners and a select few younger audience members that either appear to have been dragged along by their parents or are decked out in tola vintage streetwear. An eclectic crowd, to say the least. As a decent amount of punters settle in on the grass, New Zealand-born singer-songwriter Aldous Harding takes to the stage with her band. There has been a lot of buzz…

  • Thom Yorke – ANIMA

    A potent side-effect of modernity is the prevalent disconnection we experience from our inner selves; Freud identified the basic, instinctual drive of humans as the ‘id’, Jung was interested in the ‘anima’ of man — the ‘feminine’ aspect of the brain underlying the conscious self. These concepts of double identities had been prevalent in psychology before the mass subsumption of digital technology, but have since gained a new and increasingly urgent significance. With OK Computer in 1997, Radiohead developed a seminal text reflecting on modern technological anxiety. 22 years later, Thom Yorke’s perspective has shifted from the potentiality of the…

  • Palehound – Black Friday 

    With a warm, longing ode to a friend, Palehound’s third record opens with the kind of astutely observed, compassionately wrought sketch that we have come to expect from Ellen Kempner since her 2015 Dry Food, and indeed its 2017 follow-up, A Place I’ll Always Go. Where the former dealt largely with Kempner embracing her own sexuality, the follow-up was more mournful in tone, although encased in Palehound’s exuberant and often inventive indie rock they never felt maudlin or morose. ‘Company’, just Kempner and an organ, is the introduction to a Palehound record that, while tackling the same uncertainties of relationships as those previous,…

  • Bill Callahan – Shepherd in a Sheepskin Vest

    From his extremely ramshackle 1990 debut Sewn to the Sky up until 2013’s far more polished Dream River, Bill Callahan – better known for the first half of his career by the alias Smog – managed to maintain a reasonably prolific rate of output. Following a dub remix album in 2014, however, things fell rather silent. Had the man often referred to as the spiritual successor to Leonard Cohen finally run out of ideas after fifteen albums? Well, as it turns out, no – life merely got in the way. As Callahan found himself getting married and fathering his first…