• Max Cooper – One Hundred Billion Sparks

    October 1, 2018 - By 

      There are few artists who occupy the middle ground between music, science, art and technology quite like Max Cooper. The Belfast-born producer’s repertoire often portrays complex scientific theory through the medium of sonically beautiful shapeshifting electronica. Shaped by his studies in computational biology and genetics, One Hundred Billion Sparks is his first full length album since Emergence in 2016, and documents Cooper’s search for artistry amongst the mechanisms, emotions and constructs which yield identity and experience. Crudely put, individuals are distinguished from one another by their differing combinations of one hundred billion neurons, each of them capable of creating…

  • Julien Baker w/ Becca Mancari @ Vicar Street, Dublin

    September 30, 2018 - By 

    There’s a medium-sized crowd at Vicar Street to welcome Julien Baker and her support act Becca Mancari to Dublin. Opening the night on a lovely note, Mancari’s mostly acoustic songs are simple yet emotional and her passionate takes about performing on a tour of two queer women are both endearing and inspiring. She’s a perfect compliment for Baker’s style with just enough hope to balance out the sadness of the latter’s music. There’s something incredible about Julien Baker and her talents. Baker has a particularly special type of stage presence. The atmosphere she controls and creates is impenetrable – every…

  • Low – Double Negative

    September 29, 2018 - By 

    In a world that loves labels, being unclassifiable can be a heavy cross to bear… Long lumbered with reductive and largely meaningless tags like “Slowcore” (or worse still “Sadcore”), Low’s elegant sound has all too frequently been banished to the realms of what Jack Black’s character in High Fidelity might have dubbed “Old, sad bastard music”.   Such curt dismissal though, does a great disservice to Low’s intricate and deceptively chameleonic songs which, over the course of 15 albums, have run the gamut from chilly post-rock and spectral folk to buoyant indie pop, throwing in the odd The Smiths cover…

  • Christine and the Queens – Chris

    September 29, 2018 - By 

    Taking control over identity and self expression is a trait we saw so vividly when Héloïse Letissier initially broke onto the scene in 2016 as Christine and the Queens. Her androgynous fashion, tell-all lyrics and gusto along with her seamless flitting between singing in French and English made her the divergent pop star of the year. Where she boldly claimed ‘I’m a man now’ on Chaleur Humaine’s ‘iT’, the French performer continues to tackle gender binaries on her second album by taking on the identity of ‘Chris’. It’s an obvious forward step away from her debut with more funk and…

  • Night School

    September 28, 2018 - By 

    From: The Administrative Office, Movie House Academy Subject: Group Assessment Feedback Dear parents, As you are aware, your children’s class was asked to submit a group project for end of term assessment. The marks for this piece of work, entitled Night School, will help determine end of year grades. Please find feedback on this project below. Mr. and Mrs. Hart: your son, Kevin, was shown he can be an amiable, if comicly scattershot presence, especially as part of a solid double-act. But if he is to improve his work he needs firmer direction: his role here, as Teddy Walker, a high school…

  • Cold War

    September 28, 2018 - By 

    The crystalline Ida (2013), about a novitiate nun in 1960’s Poland, whose discovery of a family secret provided a window into her country’s dark heart, helped establish Pawel Pawlikowski as a critical favourite, and a film-maker adept at using classical cinematic beauty to express historical discontent. His follow-up, Cold War, dedicated to Pawlikowski’s parents, is not explicitly religious in the same way. Set in Poland, just as the World War shifts into the Cold one, the film’s first and only strikingly denominational image is the bombed-out dome roof of a church. Most of the story takes place on the other side of the Iron Curtain, in nightlife spaces of cosmopolitan…

  • Climax

    September 27, 2018 - By 

    There are not many films out there that leave you exasperated, yet exhilarated by the time the finale has played out. But then there are films by Gaspar Noé, the undisputed victor for the title of ‘l’enfant terrible’ of the filmmaking world, who has a writing and directing back catalogue that has to be approached with caution by even the hardiest of filmgoers. His latest, Climax, while not as harsh as some of his previous – for example, the notorious Irreversible’– is a film that will undoubtedly shock many. Thankfully, because there is so much to appreciate and marvel in…

  • Arctic Monkeys @ 3Arena, Dublin

    September 25, 2018 - By 

    The bitter nights may have crept in but a jam-packed Luas to The Point Depot keeps makes it a cosy spin. This is the first of two sold-out Arctic Monkeys shows in Dublin’s 3Arena. A lush stage setup resembling a hotel lounge illuminates at 9 o’clock as the house lights go down. The now packed venue explodes as the Sheffield heroes walk on stage dressed in tailor made suits and shiny leather shoes. Alex Turner, sporting a tight new haircut, has developed a hybrid aesthetic of a skin head and Nick Cave. They launch into ‘4 out of 5’, the lead single…

  • Mothers – Render Another Ugly Method

    September 24, 2018 - By 

    “Hard to focus and efforts fruitless…” So sings Mothers’ frontwoman and creative nucleus Kristine Leschper on the jagged ‘MUTUAL AGREEMENT’, crystallising the looming themes of dread and futility that permeate the band’s woozy second album. Sadly, the quote also serves as a succinct review of this imperfect and ultimately exhausting release. Downcast opener, ‘BEAUTY ROUTINE’ comes tentatively into focus with shivering fronds of detuned guitar and the first of many keening but gloomy vocal performances. The track drifts idly along as if bobbing underwater, seemingly reliant on tidal micro currents to sluggishly propel itself to the end of each verse. Leschper…

  • Mitski w/ EERA @ Tivoli Theatre, Dublin

    September 24, 2018 - By 

    As Mitski takes to the Tivoli stage, accompanied by her four-piece band, there are shrieks and howls from the sea of caps and thick-rimmed glasses before her. Support act EERA have clearly warmed up the crowd sufficiently with their blend of dream-pop and indie rock. Aside from that, it’s clear that the crowd are not just casual listeners: they are fanatics. As the abrasive and electric opening riff of ‘Remember My Name’ rears it’s ugly head, Mitski remains stationary, with her hands behind her back, looking slightly upward. She appears powerful in this stance, proving that one does not need flashy…