In the latest of a new regular series, Colin Gannon rounds up the very best Irish tracks released of the month just gone, featuring ELLLL, Mob Wife, Fehdah, Larry, Sunken Foal, Soulé, Postcard Versions and more. ELLLL — Pepsi Ellen King’s work as ELLLL is fast becoming one of the most searingly vital things in Irish music. As well as being super busy (she’s released two equally erudite EPs in the space of two months), King has managed to keep the quality to an almost peerless quality. The latest batch of tracks, Confectionary, all named after a sweet shop delicacy,…
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Brilliant Corners, as we’ve said before, is “the finest patchwork of jazz & sonic digression that Belfast has to offer”, and, in its seventh year, has pulled out all the stops to make this another memorable piece of scheduling. It officially kicks off tomorrow with Ulster Youth Jazz Orchestra & The Comet Is Coming – the latter of which is sold out – and we’ll be highlighting some of the events on offer throughout its run from March 2-9. Firstly, we have contemporary pianist Izumi Kimura, who plays an afternoon show this Sunday in the intimate Black Box Green Room. Her liminal craft is one of nuance, subtlety and precipitous…
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Brendan Gleeson is one of Ireland’s most acclaimed actors, having starred in films as varied as In Bruges, 28 Days Later, and Paddington 2. Now he’s trying his hand at directing with a short film called Psychic. The film follows the titular psychic, played by Gleeson, whose conniving sons bring him out of retirement to make a quick buck. It’s a family affair, co-starring his sons Domhnall and Brian, and written by their brother Rory. Following Psychic’s premiere in the Dublin International Film Festival, Jack O’Higgins spoke to Gleeson about his directorial debut, his recent collaboration with the Coen Brothers,…
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Last year, Belfast-based, North Coast musician and singer-songwriter Tony Wright aka VerseChorusVerse took the leap. It’s one that few musicians ever get around to but for some, Wright including, writing about his life seemed to stem from a kind of cosmic duty; as a means to both memorialise and give literary content to a remarkable life lived. Luckily, it seems that Tony Wright, despite everything, is only getting started. To call Chapter & Verse(ChorusVerse) a page-turner would be doing it a disservice. As anyone who has delved into the author’s music – or caught him live – can attest, he’s every bit the born fabulist. Recounting…
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We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with young Belfast-based hip-hop RnB artist Jordan Adetunji. Photo by Joe Laverty Still only in his teens, Jordan Adetunji has already shown a chameleonic, self-reliant instinct to a Prince-esque degree, highlighting the kind of restless creative spirit destined for the bright lights – successful modelling career notwithstanding – despite little precedent for his brand of hip-hop in Northern Ireland. Thankfully, the once-barren RnB scene in the North is taking shape, thanks to the support of Belfast artist group NxGen and prolific Ireland-based Word Up Collective – home to the…
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We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with fast-rising Belfast queerpunk five-piece Strange New Places. Photo by Niall Fegan One of several fast-rising Northern Irish acts that have been propelled by the Scratch My Progress initiative at Belfast’s Oh Yeah Music Centre, Strange New Places spent 2018 steadily emerging as one of the country’s most promising bands. On full display at Outburst’s Youth Take Over Day, Atlantic Sessions, Women’s Work festival and elsewhere throughout the year was the band’s equal parts forward-pushing and ear-worming brand of queerpunk. Striking strong…
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We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with Limerick songwriter and producer Proper Micro NV. Photo by Moira Reilly Late last year, Limerick producer, singer and songwriter Rory Hall aka Proper Micro NV marked his arrival via the masterfully mottled Dormant Boy. Spanning experimental electronica and downtempo electro-pop jams, it proved a cohesive, gem-heavy twelve-tracker from an artist who has rightfully garnered comparisons to the likes of James Blake and Mount Kimbie from the off. Hall has packed a lot into his three years as an active proposition. From signing…
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We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with Maynooth alternative folk duo Lemoncello. Photo by Joe Laverty A duo who formed while studying music and languages in Maynooth University, Laura Quirke and Claire Kinsella aka Lemoncello have carved out a unique, increasingly compelling niche in Irish alternative folk over the last five years. As well as helping to found the Common Grounds Collective – a group dedicated to building a network of musicians of all disciplines and giving them “a platform to create and showcase…
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Though it’s not always easy to pinpoint why, some artists seem simply fated for big things. Of the myriad alt-pop acts that Ireland has produced over the last few years, the fast-moving upward trajectory of Belfast-based artist Rebekah Fitch is no such mystery. Drawing from influences spanning the likes of Björk and Portishead, to Sia and Stevie Nicks, Fitch has, over the last couple of years, emerged as something of a world-beating proposition. Having been nominated for the Contender Award at last year’s prestigious Northern Ireland Music Prize, her self-produced material to date – not least recent single, the emphatic ‘Need…
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The release last month of Mary Queen of Scots marked the twentieth on-screen role for Saoirse Ronan, who has, especially in the past few years, carved for herself a reputation as one of Ireland’s most talented and versatile actors. Press interviews with the 24 year-old, who first appeared as a 10 year-old on RTE’s The Clinic, often invoke her dual geographical upbringing—born in New York to Irish parents, later raised in Carlow and then Dublin—as a way to talk about the complexities of belonging, a theme which, it will be clear, runs through her work. Here is each of Ronan’s credited films, excluding voice…