Following their first gig as a four-piece in March for the Port-To-Port festival in Lisbon, we’re delighted to give you a first listen to Ode To A, the debut EP from Cork-based experimental project pôt-pôt. Its four swirling, oneiric songs are based entirely around the note of A, with it being the only musical note used across the whole record. Cork’s Mark Waldron-Hyden (drums, synth, vocals) created pôt-pôt initially as a solo project – with the goal of writing only music that could be recreated as a solo act – during lockdown, before moving to Lisbon, where he met and recruited bassist Joe Armitage and guitarist Michael…
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The Bonk, formed some years ago by erstwhile O Emperor man Phil Christie, was conceived as an vessel by which to explore jazz, classic pop, psychedelia and garage, via loose, minimalist song structure and recursive rhythms – and across a string of our favourite Irish releases in recent years, they’ve done so with aplomb. Self-written, performed and produced by Christie himself, their new EP Chore Loops comes out tomorrow. Developing upon the kind of tension-building meditations of composers and artists like John Barry, and The Incredible String Band, it conures a feeling not unlike discovering a saloon in aspic in some bucolic future after ambling…
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Over the last few years, you might have spotted Chris Ryan’s name on the credits of any number of Ireland’s most essential musical releases, in just about any capacity. Producer of work alongside the likes of Just Mustard, Careerist & the rising NewDad, and the beating heart of jazz-punk ensemble Robocobra Quartet – most recently namechecked on The Guardian in the same breath as Slint & Tortoise as an influence on ‘post-genre’ outfit Black Country, New Road. Last year, under the SORBET pseudonym, he released the Life Variations EP via Bureau B – home of experimental & electronic pioneers like Faust & Cluster – and…
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Something you might have noticed from our end-of-year lists is that one of the biggest trends of 2020’s imposed isolation has been the willingness of Irish artists to to come together remotely. Be it for a cause or for the sake of maintaining some sense of artistic worth, or simply born out of malaise – it’s that which comes out of the undergrowth that generally leads to the most fascinating results, and indeed, this year has landed us with a wealth of phenomenal compilations and collaborations across the island, giving a pre-built sense of community when things get back to normality. Today, we’re pleased to give you a first…
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Recently championed and playlisted by the likes of by ourselves, The Quietus, DJ Mag and leftfield DJ par excellence Avalon Emerson, “Northern Ireland’s resident electronic compositional polymath” Liam McCartan, AKA Son Zept has just released his second mini-album of 2020, B. Today, he gives us an uncharacteristically abridged mixtape of some current favourite tracks. I tried to keep this as just a stream of thought and not cram in stuff that I’d end rambling about daft things like cheeky hauntological anti-memory sound (*ahem*). Excluded tunes from Aphex Twin + Aphex covers, Mal Waldron, Oneohtrix Point Never, Eprom, Lyra Pramuk, Pinch & Mumdance, Holly Herndon, Chassol,…
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Without a doubt our favourite hauntological, psychogeography peddler around, Donegal experimental electronic auteur Aengus Friel, AKA Shammen Delly has released his mythological magnum opus, created in the midst of lockdown. This latest heady, hazy trip-hop-influenced concoction was recorded at his own ‘Red Dunge’, inspired by country & Irish legend Big Tom‘s 70s little-known wilderness years: “This is a vivid reimagined vision of a time when Big Tom and his Mainliners were leaders of ‘The Peoples Temple’ in Monaghan back in the late 70’s and would travel around the country summoning new followers for the sacred dances around stone circles and beaches. His followers…
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The latest release from experimental Cork tape label Sunshine Cult is Mantua improvised live drone collaboration from accomplished singer-songwriter Elaine Malone (also of improvised group Hex & Land Crabs) and prolific fiddle player Niamh Dalton of Trá Pháidín. Across its two pieces – recorded in Plugd Records, Cork, Malone predominately leads with sepulchral harmonium work, her voice swollen with reverb. From this space, Dalton explores frayed ends with measured portent, attempting to uproot her foundations in traditional Irish & old-time music – and it’s this familiar flavour that makes Mantua’s eponymous debut so beguiling. Like cult collective United Bible Studies, the strength…
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The latest thing to emerge from the mind of idiosyncratic polymath Arthuritis is an avant-pop fever dream. The glitchy ‘Condo’ – the sound of a brain puttering out before completing a factory reset – is as decidedly nausea-inducing as its uncanny accompanying video, masterfully shot & edited in three hours by CLAP Media’s Colm Walsh; recalling Twin Peaks: The Return, three selves are dragged down a cold, dark back-path adorned only by barriers and wet grass. It’s a perfect example of Arty’s latest approach, which explores the relationship between rhythm & time. He tells us: “One of the main things that influenced it was I looked at a…
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The first of ten commandments that Captain Beefheart drilled into guitarist Moris Tepper upon joining the band in 1976 was: “Listen to the birds – That’s where all music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren’t going anywhere.” If you’ve caught The Bonk live, then you’ll know what it is to be hypnotised by exactly that pendulous meditation on a single groove, as each of their seven(ish) members instinctively weave around each other, while time falls away. Today, we’re delighted to premiere ‘May Feign’,…
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Since the release of their debut LP and our runaway album of 2017, we’ve been sitting on our hands waiting on fresh cosmische mastery from Percolator for what fees like eons. At long last, we can breathe, as the Dublin-based trio have just followed Sestra with a video for their next single, ‘Freshin’. More than delivering on expectation, the new single leans further into the slaloming, hypnosis-inducing rhythmic interplay that made their debut album such an exciting proposition. The track was written and recorded for An Taobh Tuathail‘s twentieth anniversary back in May, but the band liked it enough to release it as a digital download single with…