There’s been a recurring narrative in most critical discussion around Richard Thompson over the years, that he exists as this undiscovered national treasure. In terms of the comparable reverence commanded by former peers like Nick Drake & John Martyn, that might be true – it’s not a trendy sell, not quite fitting perfectly into folk or rock pigeonholes in a business that operates most efficiently under binary conditions. Couple that with themes that veer wildly between mordant meditations on humanity, and congenial, quintessentially British kitchen sink themes without the ‘benefit’ of A) dying young, or B) self-mythologising as a romantically-inclined…
-
-
The first of its kind in Irish traditional music, grassroots coalition of musicians FairPlé holds its first festival of music & ideas over Saturday 8th & Sunday 9th September was founded to address gender balance in Irish traditional and folk music, and has been expanding and rolling out an increasing number of important events across the island. A series of panel discussions are set to take place at Liberty Hall on September 8 to address the issue of sexual harassment in the arts and Irish music, with a focus on the self-employed status of musicians. Participants will explore the rights and responsibilities of…
-
Former ASIWYFA axeman Tony Wright’s VerseChorusVerse has surprise released his third album, outro, to accompany the news of his debut book later this year. Blending the literary & theatrical prowess displayed on last year’s The Tragedy of Dr Hannigan with the folk & blues he’s become known for under the VCV moniker, outro marks his return to Big Guitar Anthems, indulging in the alt. rock edge and dynamic he gave to ASIWYFA. The LP was minimally by Wright & Andrew Coles in a mansion on the North Coat, assisted on backing vocals & bass by Arvo Party/LaFaro’s Herb Magee. Stream it here: outro by VerseChorusVerse As explained in the following video, proceeds…
-
Musically recalling some of Tim Buckley’s airy jazz inclinations, and the gently percussive Weltschmerz of Nick Drake, Elaine Malone‘s new single cranks tension between folk music as a vehicle for aural pleasure and folk music as a vessel for crushingly human storytelling. It’s fitting then, that this Good Friday marks the release of the vital ‘No Blood’. That ‘No Blood’ was written & recorded long before Wednesday’s Laganside Court verdict, and the fact its trenchancy of its sentiment is in no danger of fading any time in the near future is a testament to our need to collectively address & confront these issues that pervade every level…
-
Marking the onset of Spring from a long Winter, Dublin-based indie-folk quartet Orchid Collective‘s latest single, ‘Winter’s Pass’ could hardly have come at a better time. While retaining the serene, atmospheric sound they’ve been developing over the past few years through the harmony-led influence of Fleet Foxes, there’s an evolution in its composition that has, in our view, defined it as the outfit’s best work to date. A product of home recording, as opposed to more produced previous releases, ‘Winter’s Pass’ has a substantially more organic quality, without sounding in any way lo-fi. In any case, it’s a sparse and measured arrangement that subtly utilises the kind of electronic manipulation that’s seen folk music’s contemporisation in recent years, in…
-
In what’s one of our most anticipated Irish releases of 2018, traditional vocal quartet Landless have released the video for ‘Doomsday’, the first single from debut album Bleaching Bones. First heard on their eponymous debut EP, the Belfast & Dublin-based outfit’s brief & minimal video highlights the qualities – “Evocative, celestial, ethereal and, above all, extremely resonant” – that make Landless such an important prospect in the current resurgence & contemporary progression of Irish traditional music. Bleaching Bones is out on March 9 through Humble Serpent Records, with the Dublin launch at St Ann’s Church. More details here. Read Dominic Edge’s 18 for ’18 piece on Landless.
-
In association with MusicTown, two of Ireland’s finest contemporary artistic voices bring a one-off, collaborative show at Dublin’s Pepper Canister Church on April 14. Amongst a handful of folk-rooted artists in recent years to demarcate themselves from the rest of the pack, drone-folk songwriter Katie Kim – listen to her fourth album Salt – and multi-instrumentalist vocalist Radie Peat – also known for her groundbreaking approach to folk with Lankum & Rue – are right at the top. This all-ages concert encompasses murder ballads, folklore, traditional and contemporary musical arrangements, performing music both self-penned, and from past traditions to bing together themes of the human condition. “Darkness through light, misadventure and…
-
From inauspicious beginnings in Aghagallon, one of Northern Ireland’s most talented and celebrated songwriters, Ciaran Lavery, has announced details of third album. Launched in Belfast’s Empire Music Hall on the same day, Sweet Decay is released on April 13, following on from his 2016 NI Music Prize-winning LP, Let Bad In. Totting up well over 80 million streams on Spotify, he’s one of our most poetically-gifted singer-songwriters, not to mention one of the most wilfully eclectic. As well as scattering soul, hip-hop or R&B on top of what was once a bread & butter strain of heartfelt, earnest indie-folk & chamber-pop, his short collaborative album with electronic producer Ryan Vail won high…
-
Firmly established as Ireland’s foremost purveyors of elemental folk, Brigid Mae Power releases her second album, The Two Worlds on February 9 through US label Tompkins Square. Her eponymous 2016 debut garnered unanimous acclaim from the likes of Uncut, Mojo, The Guardian and featured on NPR & BBC programming. The Two Worlds, recorded in Co. Down’s Analogue Catalogue Studio, looks set to consolidate Power’s standing amidst a resurgence of Irish music that has redefined the role of traditional music once more in today’s conversation. Here’s what Brigid had to say about the album: “Most of these songs were written in the last year in Ireland and they’re all about the different feelings I had…
-
Dublin/Belfast-based vocal quartet Landless are set to release their debut album in March 2018 on new Irish label, Humble Serpent Records. Landless was formed in 2013 by Lily Power, Meabh Meir, Ruth Clinton & Sinead Lynch, and subsequently released their Landless EP the following year. They’ve spent the last year recording in a variety of churches, corridors and other acoustically fascinating spaces with ‘Spud’ Murphy, who’s responsible for some of Ireland’s most important releases in recent years – notably Lankum, The Jimmy Cake and a number of Ireland’s finest. Entitled Bleaching Bones, we have good faith that the LP will be another feather in the cap of an Irish folk resurgence that…