Formed in 2011, and based in New York City, Exploding In Sound Records is a tapestry of idiosyncrasy. Pile, for example, are regularly cited as the world’s greatest rock band. Big Ups’ Before A Million Universes was very possibly 2016’s finest noise rock record. The bubbling, emotional cacophony of Ovlov’s 2013 Am has developed its own posthumous devoted cult following, leading to the band reuniting for a second album; not to mention the label’s ability to function as an early outlet and jumping point for Speedy Ortiz, Porches, LVL UP and Palehound. It’s a community. Bands share members, shows and tours together, and there’s a very genuine…
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With their aim of filling the void of independent bands having their music released on vinyl, Cal Byrne talks to Shane Byrne of Dundalk’s new-fangled Pizza Pizza Records about wax, big plans, keeping it DIY, world domination and – very important – favourite pizza toppings. What’s your favourite pizza topping? Plain cheese with a garlic dip is always a good call. Difontaines, Dark Horse Pizza (who sponsored our recent fundraiser by the way) or Tonys in Dundalk. Their garlic dip is class. That, or spinach & feta. 10/10 What inspired you to make Pizza Pizza records? I really like vinyl, and…
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Ahead of playing alongside him at Bullitt in Belfast on Friday, February 9, DJs Jonny Carberry and Black Bones talk starting out, crate-digging, rare gems, returning home, imprints and more with Belfast-born, London based selector and DJ Brian Morrison AKA Brian Not Brian. I think I first heard one of your mixes back in 2014, for one my fav labels Blackest Ever Black – I remember seeing the ‘Brixton via Belfast’ tag somewhere and thinking ‘Belfast! Class!’. Can you tell us a little about your life (and musical interests) in Belfast, and when and why you decided to move to London? Well, I’m actually…
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In the winter of 2017, Irish multi-instrumentalist singer-songwriter Brigid Mae Power shared the first single from her forthcoming second album, The Two Worlds, scheduled for release this February. ‘Don’t Shut Me Up (Politely)’ effortlessly encapsulated the tone of that season with its prevailing darkness. This is a soundscape that we are invited to explore in her new material. Through her lyrics and haunting arrangements, Power examines the duality that is ever present in the artist both creatively and personally. Words by Zara Hedderman You released your self-titled debut in 2016. How was it returning to an empty notebook after promoting and touring…
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Ahead of the launch of their stellar new EP, Cruelest Animal, at Crane Lane on November 30, we talk to Jack Horgan and Mark Waldron-Hyden from Cork neo-psych five-piece The Sunshine Factory about influence, releasing via their own DIY label, Cork’s thriving scene at the minute, their plans for 2018 and more. Your forthcoming EP, Cruelest Animal collects some of your earlier recordings. A lot of bands would never dream to reveal their earlier trial-and-error. How did you come to the decision to compile and release the EP? Mark Waldron-Hyden (drums): Basically, since then and now we have recorded and…
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It’s taken a while, but the wait for the many Irish fans of twenty-time Grammy-winning guitarist and composer Pat Metheny will finally be over when he plays his first ever gigs in Ireland, in Dublin on 13 November and in Belfast on 14 November. Given Metheny’s extensive, globe-trotting tours since the mid-1970s it seems odd that the Missouri guitar legend has never previously made it to Ireland, a curious fact that’s not lost on him. “I have been wanting to play here for forty plus years now,” says Metheny, “and for one reason or another, it has never happened. I…
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Ahead of their first Dublin headline show in over two years tomorrow night Hugh O’Dwyer talks to Tandem Felix frontman David Tapley about their new music and returning to the stage. Tickets for their November 7th show upstairs in Whelans can be purchased here. A little bit country, a little bit rock and roll, the sound of Tandem Felix has changed quite a bit since some of the band’s earlier work such as Ryan Hoguet and the Popcorn EP. What would you attribute this change in style to? A few things really; I’ve loved country and country-related music for so long. I…
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Ahead of launching his stellar new album, There Are Enough Songs In The World, at Belfast’s The MAC on Saturday, November 11, we catch up with Belfast’s Rory Nellis to talk momentum, collaboration, the craft of carefully-considered songwriting and more. Go here to buy tickets to Rory Nellis at The MAC Hi, Rory. You release your new album There Are Enough Songs In The World in just under two weeks. How are you feeling ahead of getting it out there? The final mastered track just came through today so I’m extremely excited and unbelievably relieved that it’s all done. Tell us about the…
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Women have always been key figures in horror cinema, from Barbara Steele to Jamie Lee Curtis to Katharine Isabelle. While characters like Ellen Ripley, Laurie Strode and Sidney Prescott represent some of the most famous examples of one of the horror genre’s most celebrated tropes – ‘the final girl’. Taking inspiration from this genre staple – coined by academic Carol J. Clover in 1992 – the Final Girls, a London-based programming partnership comprised of Olivia Howe and Anna Bogutskaya, have been exploring feminist themes in the horror genre through a series of screenings and writing. Crucial to their work is…
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One third of quite possibly the country’s finest podcast NO ENCORE, freelance music scrivener and all-round man about (Dublin) town Dave Hanratty had a rather lovely yak with Faris Badwan and Joshua Hayward of the positively regenerated The Horrors recently. He transcribed it and here we are. What a world. Photos by Aaron Corr Faris Badwan is furious. Frankly, he has every right to be. The endlessly tall frontman of The Horrors has been betrayed, stabbed in the back with casual disregard by his guitarist, one Joshua Hayward. Just seconds after revealing that the pair are working on separate soundtracks…