• Interview: Lena Willikens

    Out To Lunch has featured more often than most in the gigs section of our weekly Rave New World column. That may seem unbalanced, but the quality and variety of their bookings is simply undeniable. They’re taking a step into the unknown this month with a monster bash in their unofficial home Bar Tengu. A two-day affair (three if you count Friday’s opening party), it sees some of their previous guests (DJ Sprinkles, Call Super, Laurel Halo) and some new friends (Peggy Gou, Ben UFO, um, Steve Davis) coming together for a frankly ridiculous party. We’re talking three- and four-hour…

  • Preview: The Night Institute Turns One

    This Saturday marks the first anniversary for The Night Institute, one of Belfast’s newest and most popular dance music fixtures (and very likely its best weekly electronic music event) at Aether & Echo. The night was set up in 2015 by the city’s very own Timmy Stewart and Jordan (the latter of which used to run the Nocturne parties at the same venue). Their fifty-second shindig, which is on this Saturday from 11PM-3AM, will take place at their regular haunt and cap off a journey through a rip-roaring past year which has earned The Night Institute a devoted local following. To help…

  • Dig Early: An Interview with Sligo’s Art For Blind Records

    For over a decade, Art for Blind Records has been a home for underground, DIY and subversive music and zines of many stripes, both as a label functioning from wherever its composite parts are at a given time, and a series of stalls and shops that have followed them. As the duo prepare to release the debut EP from Cork noisemaker ELLLL and just off the release of the Altered Hours’ first 12″, Mike McGrath-Bryan speaks to Dany and Edel from Art for Blind about the label, its place(s), the people around it, and the future. Art for Blind doesn’t…

  • Interview: King Kong Company

    Not merely one of the country’s most singular, genre-warping acts, Waterford six-piece King Kong Company are right up there with the very best live propositions around. Having just released their emphatic self-titled debut album, Brian Coney talks to the band about working with The Prodigy producer Neil McLellan on the release, capturing their live energy in the studio, their diverse range of influences and what the future holds in store. Hi guys. You’ve been getting some great reviews for your new, self-titled album. It was originally set to be released last year. Was perfectionism (or at least only wanting to release something you were…

  • The Pressure is Off: An Interview with Joe Mount of Metronomy

    Metronomy are just one of those bands. On average the group have released a full record every two to three years, each one to more acclaim and appreciation than the last. From their wonky, wild sophomore record Nights Out to the refined pop reflections of Love Letters they’ve been a group whose steady rise through the ranks has looked almost easy. So easy in fact that it’s hard to imagine that it’s been a whole decade since the release of their outrageous debut Pip Paine (Pay the £5000 You Owe). ‘I suppose I’m part of the furniture,’ muses Joe Mount.…

  • Watch: Confess The Night, a new short by Dublin director and writer Dave Tynan

    Featuring music by Dublin duo Simon Cullen & Sorca McGrath AKA Ships, Confess The Night is a brief yet perfectly engrossing two-minute short by Dublin director and writer Dave Tynan. A piece that is, according to its creator, “not exactly a short film but not exactly a music video either”, it is imbued with a curious somnambulist subtlety that has proven a lure in his previous efforts. Watch the film and see our brief Q+A with Tynan – in which he discusses his latest work, his early beginnings and career to date – below. Hi Dave. Can you give us some background…

  • Big Beats and Broad Strokes: An Interview with The Chemical Brothers’ Ed Simons

    Whether you’re into dance, rock, indie or have miraculously found yourself sequestered in a brit-pop niche over the past twenty five years, you’ll know that The Chemical Brothers have spent much of that time making some of the most recognisable and respected music ever committed to stereo. A duo of immense creative breadth, their early work frenetically soundtracked a new wave of genre-crossover experimentation that would quickly become a go-to production style for their contemporaries. Fusing hip hop, techno, house and whatever remnants of UK hardcore that were still holding on for dear life, the influence of Ed Simons and…

  • Introducing The All-New Co-Present

    Having just released the first video in their new cross-country series Spotlight On, The Co-Present are set to underline their reputation as an impassioned, fully independent pillar of Irish music. After some re-branding and time off, presenter/producer Dwayne Woods and sound technician/show co-founder Gav Hennessy have evolved the project from a rather wonderful Dublin-based online radio station on Radiomade.ie to something that hopes to focus on the very best musicians and music venues in every corner of the country. We caught up with Woods to discuss the all new Co-Present’s very exciting future. Hey Dwayne. So, what’s different about the all-new Co-Present and what do you hope…

  • Where He’s Meant To Be: An interview with Arab Strap’s Aidan Moffat

    As one half of the band Arab Strap with Malcolm Middleton between 1996 and 2006, Aidan Moffat quickly became one of the most influential voices in Scottish indie music. His unmistakable thick brogue and frank, confessional and often hilarious lyrics are reflected in so many newer Scottish bands while Moffat himself has guested with the likes of Mogwai and Frightened Rabbit over the years. Since Arab Strap’s amicable split, Moffat has undertaken all kinds of projects, from spoken word to his collaborations with Bill Wells to his electronic work as L. Pierre, to name a few. In 2014 he toured…

  • Killing Mockingbirds: An Interview with Jordan

    As regular fixture and co-founder of Aether & Echo’s Nocturne and The Night Institute parties, Jordan has been at the centre of a lot of what’s been happening in Northern Irish dance music over the past few years. Killing Mockingbirds, the debut EP from the homegrown DJ-producer who cut his teeth in the electronic music world as a student in Leeds, is a five–track house music affair which drafts in Adesse Versions and Borrowed Identity to lend their sensibilities to the record in the form of two remixed tracks. Killing Mockingbirds (which was made available to the public last week)…