A self-proclaimed fuzzy account of a long night out in Dublin (hey, we’ve all been there) ‘Nightshade’ by Dublin quartet Tomorrows is a sorcerous five-minute effort that marries slick, woozy textures with an overarching air of wanderlust. Initial recordings for the track – which will feature on the band’s new album, The Night Chorus 1 – were made on an 8 track Tascam reel-to-reel machine, before being brought to Christian Best (O Emperor, Marlene Enright) who recorded the drums and mixed the track. Driving it all home is Irish artist Ursula Woods’ sublime video to accompany the single. Shot on an Autumn evening…
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Not that you need reminding, but Dublin indie quartet Bouts released one of the Irish albums of the year (thus far) back in January. Released today, the fourth single to be taken from Flow is ‘Passing Through’ and what a timely, sun-drenched cut it is. Bounding with starry-eyed hooks, it’s a brisk but brilliant effort that faces down “the transience of life – friendship, music and attachment.” Move over ‘Get Lucky’ – this is the sound of the (Irish) summer. Check out Teresa Weikmann’s video for the single below.
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Ahead of only their third show to date, supporting Beak> this Saturday, May 18 at Whelan’s, tri-city post-punk trio Grave Goods have kindly given us a first recorded glimpse of their visceral power. ‘Source’ is the first release from a session filmed by experimental filmmaking platform IMPATV, which records & broadcasts the heavier side of DIY, experimental & underground culture. Featuring members of Pins, Girls Names and September Girls, ‘Source’ forgoes the brooding atmospheres & jangle of the aforementioned in favour of primal urgency. More than delivering on the promise of its constituent parts, Sarah Grimes & Phil Quinn’s Girl Band-recalling rhythmic syncopation lay claustrophobic, anxious loops between which Lois MacDonald’s buzzsaw guitar finds voids to…
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Progressive folk meddlers Nix Moon are a more esoterically-inclined proposition than most of their peers. With new single ‘Ceremony’, that compositional ambition is present from the onset. Building from a foundation of exploratory, Eastern-tinged drone, they’ve managed sculpt a darkly layered, progressive piece that’s not tonally dissimilar to the Hail To The Thief or A Moon Shaped Pool-era Radiohead. Their trademark indigenous & mythological allegories point to that sense of otherworldly earthiness – think Jeff Buckley’s more heavy, ethereal work by way of experimental 70s psych pop masters The Pretty Things. This release bodes well for the forthcoming release of the band’s debut album later in the year, recorded in Grouse Lodge…
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Colin Gannon rounds up the very best Irish tracks released of the month just gone, featuring Eomac, Joni ft. The Cyclist, Bitflower Bb, Blusher, Fixity, Repeater, Fynch, Just Mustard, Anna Mieke, Leo Miyagee and more. Eomac — Drawn in Sand / Joni Ft. The Cyclist — Hapsi (DDR2) Last month, in a not-so-enlightened Irish Times article, an Irish music industry figure deduced from her experience that the advent of a new radio station dedicated entirely to playing Irish music is necessitated (in part) by the “fragmented and disjointed” state of independent music in Ireland. At best, this assertion is dumb…
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Derry-based experimental pop auteur Neil Burns’ Comrade Hat‘s latest EP, Tuque, is set for release on May 10, but we’re pleased to say we have an exclusive premiere streaming a week in advance. Following a string of EPs – including his series of Winter EPs – production credits, and a high profile collaboration with Phil Kieran and the Ulster Orchestra at Celtronic 2018, Burns needed a change. In Autumn of 2018, he relocated to Toronto with some musician friends for a recharge that ultimately led to the creation of Tuque, a complete work that spans post-breakup what’s-it-all-about soul-searching to geopolitical observations in under 15 minutes, with cameos from cult musical figures of the area,…
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Indie-punk wunderkinder Fontaines DC drew the ire of many an Irish music fan lately with the neophile claim that until Girl Band’s emergence, “the only way to sound Irish was to be fuckin’ ‘diddly-diddly-aye’”. Perhaps that statement is more telling of the limitations in Ireland on exposure to genuinely forward-thinking music on a grassroots level as it is of the band’s attitude. On an island the size of our own, there does tend to be room only for that lucky few in the bylines of the Great Irish Narrative, but that overlooks the communities of troubadours, session players and ubiquitous…
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Of the myriad Irish debuts that we’ve been itching to wrap our ears around in 2019, the self-titled first album from Dundalk’s Larry must surely rank up with the most eagerly-anticipated Comprising guitarist and vocalist Joey Edwards, bassist Aoife Ward and drummer David Noonan, also of Just Mustard, the band opted record with none other than Steve Albini at Chicago’s Electrical Audio last September. The result is a nine-track release that not only bears the imprint of indie rock trailblazers Sparklehorse, Wilco, Courtney Barnett and Pixies: it’s a record that finds Larry, assured and inspired, carving out special territory within the…
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Currently studying music and living in Derry, Maya Goldblum aka Queen Bonobo is a singer-songwriter hailing from the tightly-knit community of Sagle, Idaho. On May 10, Goldblum will launch her debut album, Light Shadow Boom Boom, at Cultúrlann Uí Chanáin in Derry. Ahead of that, we’re pleased to present a first listen of its latest single, ‘The Lord Does What He Wants’. Engineered by Niall Doran, mixed by Ben McAuley and mastered by Stephen Quinn, it’s an unraveling alt-folk gem also featuring Daryl Coyle on co-production and drums, Jack Kelly on double bass and James Anderson on percussion. “I started writing ‘The Lord Does…
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When it was released early last year, Frankly, I Mutate doubly underscored Paddy Hanna’s status as one of Ireland’s greatest ever songwriters. Brimming with incision, melody, pathos and heart, the album’s title track confined all of that, and more, across its four minutes. Something of a live favourite at Hanna’s full-band shows since the album’s release – not least an especially memorable rendition at Primavera in Barcelona last summer – the song now comes accompanied with one of the Irish videos of the year. Directed by Niall McCann, it features Hanna and a boom mic navigating skylights, back gardens, leafy streets, front rooms, promenades and shallow seashores. Confused?…