Kaleidoscopic Wicklow sugar-pop performance artist nimf has returned with new single ‘Space’. Its production is as synapse-firing it is personal, a bricolage that effortlessly conjures the 3D candied earfloss dreamscapes nimf speaks of when discussing its themes of imagination, and “the beautiful worlds within our own minds”, which open up “endless possibilities when overwhelmed by the day-to-day” on when left to our own devices. Certainly, the young singer-songwriter’s singles thus far are not just accomplished as elements of a bigger body of pop artistry, but of an already fully-realised sound world. Listen to ‘Space’: nimf · Space
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Content note: self-harm Fears, AKA Constance Keane, has consistently used her voice to further the conversation on the importance of the arts in mental health, so we could think of no more apt artist to open up the Northern Ireland Mental Health Arts Festival. Taking place remotely for the first time, running through until May 24th, the festival could hardly happen at a more pertinent time, with online-only commissioned music, art, film premieres, talks & workshops from esteemed doctors and comedians, with many innovative ways to navigate ‘the great unprecedented’. Commissioned by the festival, the self-produced single and its visual companion depict the non-linear recovery from trauma, using repurposed footage shot by Constance and her family during the last…
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With singles drip-fed over the course of the last year, we’ve been patiently anticipating the extended follow-up to Naoise Roo‘s masterful debut album Lilith for some time now. Finally, with the cosmos’ on-brand sense of blackly comic timing very much in tact, the Sick Girlfriend EP is out tomorrow. A fully-formed statement that, across just four snapshots, embraces life in all its ugliness and challenges the accountable norms within the industry. Alongside producer Liam Mulvaney, bassist Daniel Fox & Rian Trench on drums & synth, she ably treads the line between emotionally-driven textural experimentation without forgoing her ability to create gargantuan introvert’s pop banger. Much like the subversive, zeitgeist-capturing album of 2020 in Fiona Apple’s Fetch…
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With each act imprinting its own singular identity with the backing of a supportive community operating completely in tandem, we’ve already waxed lyrical on how the fecund Limerick music scene is Ireland’s musical petri dish. Van Panther are one such act, marrying technicolour pop immediacy with jagged post-punk revivalism. New single ‘The Cutters’ is as tight-knit and pristinely crafted without losing the warm, lo-fi charm of its predecessors, and is taken from forthcoming EP Overcast, following up on 2016’s Café van Hemel and 2017’s Hark! The EP was played by, recorded & produced by band founder Kieran Ralph. “Musically, the song is basically a look at the meld between guitar-based music and…
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The Live Room is one of Belfast’s most valuable musical resources – an eclectic, Live At KEXP-esque showcase of the finest artists to pass through Belfast, based in the city’s most welcoming and well-equipped studio, Start Together. They’ve run the gamut from the crushing doom of Slomatics and Conan to the Word Up Collective‘s hotly-tipped R&B voices of Super Silly & Jordan Adetunji. Back after a brief quiet spell, the latest in their series is title track ‘Boom Boom’, taken from the debut album by Derry-based, Idaho-born chanteuse Queen Bonobo, taken from a session recorded during Belfast’s Output Convention in February. We’ve said it before, but Maya’s vocal has the uncanny ability to take the quality of a sine wave, and…
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Led by singer Siobhán Shiels, one of the gems of Derry’s thriving experimental jazz & weirdo pop scene are Great White Lies. They last week tackled Brexit scaremongering with single ‘Fear’, for which we’re pleased to be premiering the video today. Accompanying Shiels in the band are Comrade Hat, aka Neil Burns on keys, incredible young double bass player Jack Kelly, Ruth McCartney on vocals & ukulele, with Luke Beirne on drums, who deftly weave around her composed & repetitive, yet evocatively uneasy vocal. ‘Fear’ is the first single to be taken from their forthcoming debut album, Chrysalis, which is set for an Autumn release. It was inspired…
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A few weeks back, we described ‘Fabric’, the latest single from minimalist electronic pop artist Fears, as “an unfurling, self-produced tale of entanglement and escape that finds the Belfast/Dublin musician and producer at her most emphatic to date”. It’s the first collaboration of the year for Constance Keane, who continues down the audio-visual path with the same complete level of authorship that led to support vision justifiably supported by Moving On Music’s – NI’s foremost exponents of culturally vital music – Emerging Artist Programme. The visual component to ‘Fabric’ was directed by Daniel Butler, who had this to say of their partnership on the short film: “The idea came from a…
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Here at TTA, we like our pop to be danced to with unselfconscious reckless abandon, and that’s why the second single from Dublin indietronic artist Jackie Beverly is our bag. As with previous single ‘Out of Reasons’, it’s club-ready as it is a nuanced, brooding study of human relationships that avoids the usual poptimistic pitfalls. Bolstered with nostalgia-charged synths and rich harmonies, thanks in no small part to the subtly buoyant production of Darragh Nolan & Joseph Panama. Of the song, Jackie “wanted to venture into the difficult aspects of loving someone, and tease out the idea that it’s possible to break through and recover something…
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Ariana Grande’s stratospheric rise to fame – with all its adoration, chaos, and residence at the top of the Billboard 100 – has been a tumultuous one. First breaking into the public sphere through virtue of a Nickelodeon show, everything about the Florida-born entertainer seemed innocent, childlike. The fact that her first scandal involved licking a donut speaks for itself. In the past two years however, the now 25- year-old has been forced to grow-up. And unlike many of her child-star peers, she has done it with a grace and defiance that has endeared her to the world and turned…
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The latest NI Music Prize-nominated album from Stephen Scullion, aka Malojian is getting a much-deserved deluxe edition. Released through Quiet Arch Records on November 30, it’s his fourth solo album, and his strongest collection of songs to date, injecting the golden era of 60s pop melodicism he’s known for with the perfect power-pop of Teenage Fanclub & Grandaddy, as well as a more experimental, psychedelic edge than we’d seen from him until this point. Recorded in a lighthouse on NI’s Rathlin Island – in contrast to its Steve Albini-recorded predecessor, it features guest performances from a pedigreed cast of collaborators – Teenage Fanclub’s Gerard Love, Beck/R.E.M./Atoms For…