• Q+A: Bear Worship WAS Here

    June 25, 2017 - By 

    Karl Knuttel – or Bear Worship, to use his professional name – has just released his nine-song debut album, WAS. It’s an exotic, hypnotic record that seems to exist in a time and place all of its own. Here, he talks to David Turpin about the process of making the album. I’d like to ask about the title of the album, WAS. It’s a very emphatic one-word title, and yet it also happens to be a very ambiguous word. I guess what I wanted to represent with the title is that every person wants to feel like they matter. Making…

  • Q+A: Steffi

    June 23, 2017 - By 

    The Fabric and Fabriclive mix series have been on a roll recently, with stellar entries from Special Request, Call Super and Nina Kraviz recently added to the canon. The latest addition, Fabric 94, is from Dutch DJ, producer and label owner Steffi. A longtime resident at Berlin’s Panorama Bar (the house-focused corner of techno monolith Berghain), she enlisted an intriguing cast of long-time friends and new faces, asking each one to make a track specifically for the mix. What came out of it is a deep and dark journey with plenty of minor key drama, subaquatic basslines and nary a…

  • Preview: Stendhal Festival 2017

    June 12, 2017 - By 

    Ahead of its return to Ballmully Cottage Farm in Limavady on August 11 and 12, Stendhal Festival organisers Ross Parkhill and John Cartwright talk to Caolan Coleman about this year’s outing, the festival’s expansion to date and the current health of Irish music. Go here to buy tickets to Stendhal Festival 2017 My friend came home from university the other week clutching a letter marked ‘Medical Emergency’ that turned out to be from you guys. How important is clever marketing to a smaller festival like yours? Ross: We are always up for trying new things, keeps things interesting. Nothing beats…

  • Loah and Behold: Catching Up With Sallay Matu Garnett

    May 25, 2017 - By 

    Sallay Matu Garnett has been steadily honing her musical style as Loah, over the last five years. During this time she has collaborated extensively with some of Ireland’s prominent musical figures such as Hozier, Glen Hansard and Bantum. Quickly, critics and audiences became increasingly interested in the music she was writing and releasing as a solo artist. Garnett’s music is informed and inspired an eclectic mix of genres that she was exposed to growing up in both Sierre Leone and Ireland. Where there are traces of traditional West African harmonies you can also hear Western influences throughout her repertoire. Such…

  • Preview: Metropolis Live @ The MAC

    May 19, 2017 - By 

    Ahead of live-soundtracking Fritz Lang’s German expressionist masterpiece Metropolis at Belfast’s the MAC on Thursday, May 25, we talk to acclaimed composer and pianist Dmytro Morykit about the dramatic theatre of his score. Go here to buy tickets to the event. Hi Dmytro. Take us back: when did you first watched Metropolis and how did it affect you? I suppose the first time I saw it was 1983, around about the same time I saw Nosferatu. I had been reading about the Directors of the silent classics but F W Murnau made more of an impact, perhaps that was just…

  • Preview: Recreating The Velvet Underground & Nico @ The MAC

    May 16, 2017 - By 

    This Saturday (May 20) Belfast’s the MAC will host a special event celebrating the 50th anniversary of The Velvet Underground’s seminal debut, The Velvet Underground and Nico. We speak to bandleader Donal Scullion about its legacy and what to expect on the night. Go here to buy tickets, priced £12.50-£25.00. Hi, Donal. How did the idea for this show first come about? Had been chatting to Stu Campbell (The MAC), he said they were thinking of doing the 50th anniversary of that album and would I be interested in playing or organizing it. It was always a big album for me…

  • Preview: Heliopause on The Passion of Joan of Arc Film Live Score @ The MAC

    May 12, 2017 - By 

    Ahead of teaming up with This Ship Argo to live score Carl Theodor Dreyer’s classic 1928 silent film The Passion of Joan of Arc at Belfast’s the MAC on Thursday, May 18, Belfast musician Richard Davis AKA Heliopause talks to Brian Coney about the process, impetus and collaborative drive underlying the project. Go here to buy tickets Hi Richard, first off – how did the project come about? What drew you guys to The Passion of Joan of Arc? I first watched the film a few years ago when working at The Duke of Yorks cinema in Brighton with my friend & co-worker Sophie,…

  • Far At Sea: An Interview with Ailbhe Reddy and Maria Kelly

    May 5, 2017 - By 

    Two of the country’s brightest indie-folk talents, Ailbhe Reddy and Maria Kelly are on the road as part of their Far At Sea Tour, which will take them across the country over the next while. Ahead of stopping off at Belfast’s the MAC on Friday, May 12, we chat to the pair about collaboration, inspiration and why Ireland is a fertile land for folk music. Hi guys. First off, your show at the MAC in Belfast is part of your forthcoming Far At Sea tour. How did that first come about? Ailbhe: Well, Maria and I were working on getting venues…

  • Home Truths: An Interview With Lisa O’Neill

    April 27, 2017 - By 

    Ahead of her highly-anticipated appearance at Seamus Heaney HomePlace in Bellaghy next Friday, May 5, Cavan folk raconteuse Lisa O’Neill talks to Brian Coney about the imprint of literature on her work, her admiration for Heaney and plans for album number four. Go here to buy tickets. Photos by Joe Laverty Hi Lisa. First off: what compels you to play HomePlace and what are your own experiences with the writing of Seamus Heaney? I’ve heard great things about HomePlace and feel honored to be invited to perform there. From what I’ve read and listened to of Seamus Heaney, I’m left…

  • History Repeating Itself: An Interview With William Basinski

    April 26, 2017 - By 

    William Basinski has just gotten back from running an errand. Sitting on the sunlit porch outside his home in Los Angeles, the setting, along with his demeanour, could not betray anything further from the melancholic, introspective shades of the music he has been composing for over 30 years. In fact, far from being the naval gazing artiste that one may naively expect a composer of such poignantly abstract music to be, Basinski radiates nothing but disarming warmth and good humour. Utterly forthcoming, he jokes about the dread of needing to move home within the year for fear of the effort:…