• 18 for ’18: Any Joy

    We continue 18 for ’18, our feature showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up, Any Joy. Photo by Silvio Severino We’ve written platitudes on Cork’s tendency to function as Ireland’s bastion of cosmically-inclined guitar music, and its latest export is Any Joy, who, while tinted with the hue of its primary contemporary export, simultaneously demarcate themselves from the trappings of being a genre band, forever doomed to lay in…

  • 18 for ’18: Cherym

    We conclude 18 for ’18, our feature showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’ve previewed each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Last up, Cherym. Photo by Mickey Rooney Though Derry-Londonderry has never experienced any dearth of first-rate punk, recent times has seen something of a renaissance on the banks of the Foyle. Set to emerge as its crowning achievement in 2018 is Cherym, a noise-pop/punk band consisting of guitarist/vocalist Hannah Richardson, bassist/vocalist Nyree Porter and drummer/vocalist, Lauren Kelly. Formed in college back in late 2016 through…

  • 18 for ’18: Destriers

    We continue 18 for ’18, our feature showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up, progressive hardcore quartet Destriers. Photo by Colum O’Dwyer As a hardcore fan, you often find yourself fighting genre jadedness. By its nature, every latest trend can seem yet another vessel that fits the sonic requirements but lacks dynamism or the genuine sense of vocal or compositional conviction that the foundations of punk are built upon.…

  • 18 for ’18: Electric Octopus

    We continue 18 for ’18, our feature showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up, psychedelic jazz trio Electric Octopus. Photo by Joe Laverty Electric Octopus are an absolute delight who deserve as much time in 2018 as is available. Their modest mission statement to “take your mind on a weird and wonderful adventure” is surprisingly apt. Simply put, and this is meant in the kindest way possible, this is the…

  • 18 for ’18: The Sunshine Factory

    We continue 18 for ’18, our feature showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up, The Sunshine Factory. Photo by Abigail Denniston The Sunshine Factory want to be as inescapable as The Brian Jonestown Massacre. At least, that is according to an interview with The Thin Air last November where they also name dropped the likes of My Bloody Valentine, Spaceman 3 and Joy Division as influences. Unlike so many other…

  • 18 for ’18: The Bonk

    We continue 18 for ’18, our feature showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up, The Bonk. Photo by Moira Reilly Formed by O Emperor virtuoso, Phil Christie; The Bonk are one of Ireland’s most interesting experimental outfits today. They take influence from 60’s garage, jazz and experimental pop as a means by Christie to express some of his more psychedelic ideas. Since their conception the group have been impressing throughout…

  • 18 for ’18: A Ritual Sea

    We continue 18 for ’18, our feature showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up, A Ritual Sea. Photo by Loreana Rushe Formed in 2016 and currently working on a highly anticipated debut full-length, Irish / French dream-pop prospect A Ritual Sea may be fairly fresh, but from what we’ve heard so far, the four-piece are far from ‘wet behind the ears’. Via ‘Serpentine’, seemingly the only public offering released to…

  • 18 for ’18: Pillow Queens

    We continue 18 for ’18, our feature of showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up is Pillow Queens. Photo by Ciara Brennan, taken at plantlife.ie Queer, feminist, socialist. How does one encapsulate the pulsating movements of culture and ideals that are currently sweeping across the world, and furthermore, how does one do so colloquially and naturally? Dublin based Pillow Queens have the answer, using more than just their…

  • 18 for ’18: Molly Sterling

    We continue 18 for ’18, our feature of showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up is Tipperary’s Molly Sterling. Photo by Ciara Brennan Try as one might, it’s usually nigh on impossible to clearly pinpoint what demarcates a great artist from a good one. Often, the real difference can only be traced in the smallest moments – music that has a way with itself, the space between the…

  • 18 for ’18: EHCO

    We continue 18 for ’18, our feature of showcasing eighteen Irish acts we’re convinced are going places in 2018. Throughout January we’re going to be previewing each of those acts, accompanied by words from our writers and an original photograph from one of our photographers. Next up is Wicklow’s EHCO. Photo by Niall O’Kelly  Eoin Whitfield has ditched his indie-rock roots and swapped them for another genre; slick electronica. The Wicklow-based artist, formerly of Enemies, recently dropped his first cut under the moniker EHCO. And the track, titled ‘Raise It Up’, serves as an ideal glimpse into what we can…