Cork indie-psych outfit Any Joy have just unveiled the new video for new single ‘The Fall’. Soaked in reverb, it’s another out-of-focus opiate drip to distract from more pointed undertones. Following the band’s aesthetic & musical thread of reccurent patterns, the video was created by frontman Oisin Dineen. Of the track, the band says “It’s a soundtrack to a potential self-sabotage and ultimate demise. It could be an appropriate theme tune for the current state of affairs across the Irish sea.” ‘The Fall’ comes from Any Joy’s new EP – due out next year – following up on their excellent & hugely underappreciated 2017 debut LP Cycles and this summer’s ‘Sucker‘ from A Litany of Failures…
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We might’ve just shared the mobile video for ‘Scofflaw // Sisyphus‘, but Dublin quartet That Snaake have upped their satire game with an merry offering of paranoia & nihilism, barely concealed by the Incesticide-era Nirvana & Wipers-recalling sludge-punk it calls a gift wrap. Dripping with references to history & pop culture – high and low-brow – it paraphrases Cabaret’s ‘Mein Herr’, about collective myopia blinding us to the rise of fascism in inter-war Germany, before the narrator takes us through questions of what’s missing in their life, and the Darth Maul costume they wore at Christmas. As the band – some of the most underappreciated burrowers Ireland has of the neuroses of the human…
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In support of their forthcoming fifth album Eton Alive, Nottingham electronic punk duo Sleaford Mods return to Ireland for a run of four shows: February 7 – Limelight 1, Belfast February 8 – The Academy, Dublin February 9 – Róisín Dubh, Galway February 10 – Dolans Warehouse, Limerick Comprised of Jason Williamson’s words & voice, and Andrew Fearn’s beats, they are, in the words of Steve Albini, “the greatest band in the world”. They manage to be one of the most engaging live acts in the world without frills, lacking so much as a proper stand for their laptop – beer crates, normally. Here’s ‘Jolly Fucker‘. Tickets go on…
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The hottest independent revolutionary hip-hop team in Ireland, Post-Punk Podge & The Technohippies have just produced a video for instrumental tune ‘NEU!wave!’ in celebration of their first truly excellent year, and the anniversary of the Kick Against The Pricks EP. In the space of a year, with no management or label backing, the duo have had managed a great deal of upward mobility, playing Electric Picnic, Body & Soul, and selling out upstairs at Whelan’s, earning plaudits from satirical antecedents The Rubberbandits along the way – although, in their own words the real highlight was “Limerick pulling ahead of Cork in extra time during our set at Knockanstockan”. Very much concerned with art as…
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The first release on new Belfast-based label Love Will Bury Us is a statement. Optimistically titled Wish You Were Here, it’s a digital & cassette collaboration from Canadian noise artists Queer Fuck and Goth Girl. Devastating, corrupted and immeasurably intense, Wish You Were Here is a forty minute machine noise opus created initially by Queer Fuck – responsible for its majority of screeching – in two twenty minute drum sessions, that were then heavily edited and augmented to sound “like the chattering death rattle of a super computer from the 50’s”. Goth Girl’s wall of screeching turn the release into a blunt object, and is encapsulated in art by Queer Fuck. Nick Tooms,…
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Pan-dimensional (Cork) experimental electronic artist Arthuritis is set to release his sprawling fourth album, I’m Great through KantCope on tape & digitally next week via Bandcamp. Following up on the supremely-titled Neglected Ambient Shirts Vol. 1 and The Worst Of, alongside Arvo Party II, it’s as texturally-rich an Irish album we’ve heard this year. It’s presentation belies the presence of a real vibe here, and like that artist, it deserves to be taken much more seriously than its name & presentation suggests. In Arthur’s own words, it’s “a collection threaded together by themes of confusion and isolation”. An eclectic collection, and an internalised world in itself, where…
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For some people, genius is a bottomless well that flows from within and permeates everything it touches. Like our first co-presented show with Moving On Music back in October – Peter Brotzmann’s Full Blast – we’re delighted to bring an artist to the Belfast, who, despite decades between his inaugural cultural moment and now, continues to create music of astonishing relevance. Idris Ackamoor is a saxophonist, sometime keytarist & artistic director of afro-jazz ensemble The Pyramids. An Angel Fell by Idris Ackamoor and the Pyramids The Pyramids were founded in the early 70s through Antioch College as part of Cecil Taylor’s Black Music Ensemble. Embarking on the kind of pilgrimage that’s the stuff of musical…
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A couple of weeks ago, we premiered Son Zept‘s 40-minute debut EP, released through Belfast experimental electronic imprint Resist. Ahead of it, we met with Liam McCartan to discuss his involvement in Belfast’s Sonic Arts Research Centre – where he’s currently composing for a PhD – and Resist, where he’s been instrumental in its growth from club night to label, alongside founders Koichi Samuels & Helena Hamilton – where in terms of enabling his prolificity, “it’s a constant dialogue – we already have a 2 or 3 EPs idea”. Being staunchly individual, but instrinsically linked to both institutions, the Q2B EP strikes a midpoint between the bodies he’s most involved with and McCartan…
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Note: content contains themes of domestic violence. Two of Ireland’s most exciting independent prospects have teamed up for new single ‘Never Coming Home’ to raise funds for Limerick’s ADAPT House, which helps families suffering domestic abuse. Following on from homelessness charity single ‘Home Is Where The Heart Bleeds’, Post Punk Podge is posited once more as the conscience of modern Ireland, backed by claustrophobic beats from Just Mustard guitarist/vocalist David Noonan, aka DJ Nervou$. Factoring toxic masculinity, substance abuse and mental health into its weighty fable, the vitriol of its final refrain will leave you like you’ve just blitzed through The Butcher Boy, staring into nothingness, as Podge manages to decry perpetrators of domestic…
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Liam McCartan, AKA Son Zept, releases his debut today, and it’s one of the most exciting, forward-thinking electronic releases to emerge from here in some time. Parallels could be drawn with the likes of Autechre or Aphex Twin from an experimental standpoint, as his Q2B EP reveals McCartan as a true polymath, where concern with ideology is tantamount to creating limitless club potential. Brimming with atmosphere punctuated by his dense ‘polypatternism’, the Q2B EP is a work of deconstructed club music that alludes to the memory-triggering aspects of techno, noise, trance, power-ambient and industrial, often falling into umbrella of electroacoustic composition. We’ll have a full interview with Son Zept in the coming…