• Inbound: Silverbacks

    June 13, 2017 - By 

    Having just released one of our favourite Irish EPs of the year so far, Sink The Fat Moon, Dublin indie rock five-piece Silverbacks chat to Will Murphy about lo-fi aesthetic, the imprint of the 90s on their sound and their plans for the rest of the year. Your sound picks up where the likes of Pavement, The Pixies and other fuzzier 90s groups left off. What about that era appeals to you so much? Everyone in the band is drawn to guitar bands and I quite like when that’s paired with lyrics of a humorous nature. You find bands like…

  • Preview: Stendhal Festival 2017

    June 12, 2017 - By 

    Ahead of its return to Ballmully Cottage Farm in Limavady on August 11 and 12, Stendhal Festival organisers Ross Parkhill and John Cartwright talk to Caolan Coleman about this year’s outing, the festival’s expansion to date and the current health of Irish music. Go here to buy tickets to Stendhal Festival 2017 My friend came home from university the other week clutching a letter marked ‘Medical Emergency’ that turned out to be from you guys. How important is clever marketing to a smaller festival like yours? Ross: We are always up for trying new things, keeps things interesting. Nothing beats…

  • Loah and Behold: Catching Up With Sallay Matu Garnett

    May 25, 2017 - By 

    Sallay Matu Garnett has been steadily honing her musical style as Loah, over the last five years. During this time she has collaborated extensively with some of Ireland’s prominent musical figures such as Hozier, Glen Hansard and Bantum. Quickly, critics and audiences became increasingly interested in the music she was writing and releasing as a solo artist. Garnett’s music is informed and inspired an eclectic mix of genres that she was exposed to growing up in both Sierre Leone and Ireland. Where there are traces of traditional West African harmonies you can also hear Western influences throughout her repertoire. Such…

  • Preview: Women’s Work 2017 with Oh Yeah Music Centre’s Charlotte Dryden

    May 24, 2017 - By 

    Ahead of its second annual return this weekend, Brian Coney chats to Charlotte Dryden, CEO of Belfast’s Oh Yeah Music Centre and founder of Women’s Work NI to discuss what’s in store for the latter this year. Go here for the programme for Women’s Work 2017. Hi, Charlotte. Last year’s inaugural Women’s Work seemed like huge success. How was it from a personal point of view? Oh I was immensely proud and very moved by the support. The line-up for both last year and this year’s forthcoming second outing have been first-rate. But how did the festival bloom from discussion into…

  • Looking at the Stars: Slum Cinema

    May 25, 2017 - By 

    After several years of transience and venue shifting, Dublin B-movie night Slum Cinema has found a new home at MVP on Clanbrassil Street, and kick starts its residency at the start of next month with the greatest martial arts movie of them all, Bruce Lee’s final performance, 1973’s Enter The Dragon. Started in 2012, Slum Cinema is the passion project of Canadian Anna Davies, but it’s ripe to be elevated to cult classic status if its new stint at MVP goes as well as it deserves. As described by its founder, Slum Cinema is an exploitation/vintage/trash/cult cinema club. Its previous…

  • Preview: Metropolis Live @ The MAC

    May 19, 2017 - By 

    Ahead of live-soundtracking Fritz Lang’s German expressionist masterpiece Metropolis at Belfast’s the MAC on Thursday, May 25, we talk to acclaimed composer and pianist Dmytro Morykit about the dramatic theatre of his score. Go here to buy tickets to the event. Hi Dmytro. Take us back: when did you first watched Metropolis and how did it affect you? I suppose the first time I saw it was 1983, around about the same time I saw Nosferatu. I had been reading about the Directors of the silent classics but F W Murnau made more of an impact, perhaps that was just…

  • Preview: Recreating The Velvet Underground & Nico @ The MAC

    May 16, 2017 - By 

    This Saturday (May 20) Belfast’s the MAC will host a special event celebrating the 50th anniversary of The Velvet Underground’s seminal debut, The Velvet Underground and Nico. We speak to bandleader Donal Scullion about its legacy and what to expect on the night. Go here to buy tickets, priced £12.50-£25.00. Hi, Donal. How did the idea for this show first come about? Had been chatting to Stu Campbell (The MAC), he said they were thinking of doing the 50th anniversary of that album and would I be interested in playing or organizing it. It was always a big album for me…

  • Preview: Heliopause on The Passion of Joan of Arc Film Live Score @ The MAC

    May 12, 2017 - By 

    Ahead of teaming up with This Ship Argo to live score Carl Theodor Dreyer’s classic 1928 silent film The Passion of Joan of Arc at Belfast’s the MAC on Thursday, May 18, Belfast musician Richard Davis AKA Heliopause talks to Brian Coney about the process, impetus and collaborative drive underlying the project. Go here to buy tickets Hi Richard, first off – how did the project come about? What drew you guys to The Passion of Joan of Arc? I first watched the film a few years ago when working at The Duke of Yorks cinema in Brighton with my friend & co-worker Sophie,…

  • Far At Sea: An Interview with Ailbhe Reddy and Maria Kelly

    May 5, 2017 - By 

    Two of the country’s brightest indie-folk talents, Ailbhe Reddy and Maria Kelly are on the road as part of their Far At Sea Tour, which will take them across the country over the next while. Ahead of stopping off at Belfast’s the MAC on Friday, May 12, we chat to the pair about collaboration, inspiration and why Ireland is a fertile land for folk music. Hi guys. First off, your show at the MAC in Belfast is part of your forthcoming Far At Sea tour. How did that first come about? Ailbhe: Well, Maria and I were working on getting venues…

  • Atomic Dogfather: George Clinton On His Legacy, Rejuvenation and Continued Relevance

    May 1, 2017 - By 

    Since pulling psychedelic rock and pounding soul together and giving birth to funk in the late 60s, George Clinton has had arguably one of the biggest single influences on 20th century American music. In his 70s heyday he lead a revolving roster of fifty musicians (including the legends Bootsy Collins, Edie Hazel and Bernie Warrell), recording floor-filling pop as Parliament and Hendrix-esque guitar jams as Funkadelic, while creating outrageous stage shows that put other 70s arena-rock behemoths to shame. Prince and the Red Hot Chili Peppers (Clinton produced their sophomore album) carried on his work through the 80s, while early…