Power-pop act Half Forward Line are a Galway-based trio of Irish garage rock relative luminaries, spearheaded by the self-deprecative lyrical mastery of So Cow‘s Brian Kelly. Their debut album, The Back of Mass, comes out on October 27. The band also features Oh Boland‘s Niall Murphy on bass and Ciaran O’Maoláin on drums – who, incidentally, recorded the album over the course of two days in the lounge of a derelict rural Irish pub. As ever, Kelly delivers eleven tightly-woven slices of life in an increasingly-disconnected world that is modern Ireland, typically banged out in under a half-hour. Dizzying, anxious bubblegum pop and the pristine chord progressions Teenage Fanclub somehow never wrote hyperactively lay the path…
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Translated roughly as ‘staircase wit’, Treppenwitz is a loaded word; an evocation of regret, of longing and succumbing to overanalysis of what could have been said. Best left to the overthinkers among us, the phenomena is the source of much of our great art, writing & comedy, and it’s something Mark Loughrey has mined and left to rumination across a breadth of the characters and worlds explored on his debut album. Whilst rooted in the wistful yearning of Nick Drake or Jeff Buckley and the kind of indie-folk that regularly wins the NI Music Prize, it’s propelled by a fearlessness to follow the creative impulse –…
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Despite flecks of dust barely touching his debut album, Derry subgenre polymath Christian Donaghey, aka Autumns has announced yet another release on its way, in the form of his new Dyslexia Tracks EP, released on Belfast independent Touch Sensitive Records. Debut album Suffocating Brothers came out on Clan Destine Records at the end of September, with numerous remixes, cameos on specialist labels, and other releases bubbling to the top throughout this year. Autumns has never sounded as assured as he has recently, the creative trajectory approaching levels hinted at over the last few years. With his live show moving into a fully-fledged, techno-industrial piece of performance…
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Dublin experimental project ¡NO! have been steadily drip-feeding us their improvised limited edition CDs and cassettes gradually over the last three years, as well as their regular Concrete Soup nights, which feature live collaborations with internationally-renowned artists. Their tenth release in that time is Sediments, released through Little Gem Records. In the same way the late ’60s & early ’70s led Berliners to fluctuate between their own interpretations of psychedelia, jazz & blues, and making experimental, deeply ambient electronic without pause to consider genre restraints and pay heed primarily to creative impulse -leading to the movement known broadly as krautrock, ¡NO! have paid similar heed to expectation and convention. Although…
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While there’s been no shortage of first-rate albums released on these shores this year, Let Your Weirdness Carry You Home by Malojian is a special kind of triumph. The self-produced follow-up to the Stephen Scullion-fronted threesome’s Steve Albini-produced This Is Nowhere, the album is a masterfully mottled effort, veering between wonderfully wistful folk tales, Motorik rhythms, found sound and a whole gamut of forward-thinking textures and ideas. And featuring the likes of Joey Waronker (Beck, R.E.M., Atoms For Peace, Roger Waters), Gerry Love (Teenage Fanclub), and Jon Thorne of Yorkston, Thorne & Khan, the collaborative backbone of the release runs parallel with Scullion’s open-ended, subtly experimental…
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Having released a string of stellar singles over the last two years, Dublin & Cork-based experimental, orchestral, psychedelic garage rock project The Bonk released their debut LP, The Bonk Seems To Be A Verb, on October 6. Recorded over the last few years while the outfit have been together, it’s released on cassette through Drogheda arts & culture collective Thirty Three – 45. Although the project is based around the compositions of frontman Phil Christie – of O Emperor, the substantial cast of musicians credited on the album includes some of the island’s most respected artists & virtuosi: Phil O’ Gorman – Guitar Brendan Fennessy – Drums Jim…
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Since starting out some time ago as a D.I.Y. shoegaze/garage-noise outfit, Derry’s Christian Donaghey has refused to sit in any one place for too long with his ongoing project, Autumns, releasing and echewing subgenre records for breakfast, lunch & dinner. Over the last couple of years, he’s grown into himself, really finding his place with his most recent EP. Finally, he’s released his debut full length, Suffocating Brothers on renowned Glasgow label Clan Destine after being written & recorded in the latter half of 2016. This material sees him continue to bring the intensely visceral Roland-fuelled rhythms of industrial & techno he’s adopted in recent times, melded…
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Following its digital release earlier in the year, Cork psych-tinted post-punk outfit Any Joy release their debut album, Cycles on vinyl. The five piece, formed at the start of this year by Oisin Dineen, self-released the album earlier in 2017 digitally, Cycles. With all the hallmarks of a great post-punk indie rock record – glistening guitars, anxiety-fuelled lyrics centred around the cyclical nature of thought – its psychedelic hue, peppered with documentary samples & unexpected instrumentation while maintaining a healthy minimalism that avoids any air of pomposity, à la Parquet Courts; you can add Any Joy to the list of essential post-punk & psychedelic bands from a city…
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Dublin’s foremost purveyors of wit-pop and satirists of modern day Ireland, Shrug Life, release their long-awaited album, titled ¯\_(ツ)_/¯ – fitting, really, given that bass player Keith Broni is the world’s first emoji translator. The jangle-pop trio are notable for having some of the most pointed lyrics on the island, courtesy of frontman Danny Carroll – who penned the album’s most recent single, the Repeal-themed ‘Your Body’. This is the band’s first lengthy release since 2015 debut EP The Grand Stretch on Popical Island. The album was produced by ‘veteran wildcard’ Fiachra McCarthy (also known for Dott, Squarehead & So Cow), with its artwork coming…
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The self-titled, self-produced debut album from Wexford quartet Ger Fox Sailing is a richly-woven, nicely eclectic collection of songs from a band who have just set out their stall and then some. From the contemplative precision of ‘Nowhere Without You’ and the poppier tangents of ‘What It Is’ to blistering closer ‘Best Friend’ via a stream of scuzz-laden, occasionally prog-leaning rock, reverberations from the likes of Longpigs, Incubus, Queens of the Stone Age, Grandaddy and, in parts, Northern Irish alt-rock band Pocket Promise (though we suspect the latter is something of a total coincidence) coalesce with the band’s own brand of deft,…