• Kanye West – ye

    June 11, 2018 - By 

    Kanye West’s ye is as harrowing, repulsive and morbidly fascinating as it’s creator. 2018 has been West’s most controversial year to date, almost impressive for a man who’s career has been characterised by outlandish and often toxic behaviour: for many fans who stood by him through bizarre interviews and turned a blind eye to his leering misogyny, his recent endorsement of Donald Trump and widely-reported ‘slavery is a choice’ comments have represented a bridge too far for many. How much his very public battle with bi-polar, and subsequent hospitalisation and struggle with opioid addiction has had to bear on his…

  • Just Mustard – Wednesday

    June 11, 2018 - By 

    Dundalk Co. Louth is becoming more and more of a creative hub, breeding a new wave of young acts paving their way through Ireland’s current music scene. From artists like Elephant and the now UK-based natives Video Blue and Trick Mist to staple venue The Spirit Store and local record shop Classified Records, the town is gradually becoming one of the country’s most vital hotbeds of talent. Testament to that, is the newly label Pizza Pizza Records, and with it – it’s first release, Just Mustard’s debut album Wednesday. Previous to this release, Just Mustard could have been considered a…

  • Oneohtrix Point Never – Age Of

    June 9, 2018 - By 

    With his tenth dense and knotty release, Oneohtrix Point Never (AKA Daniel Lopatin) has constructed a lysergic, glitched out rebuke of internet culture, mapping out the deepest recesses of our often cracked and wildly over stimulated minds. Tackling themes of knowledge and truth in the Internet age, Lopatin takes his lofty queue from ’70s Prog to create a dystopian concept album wherein a singularity of artificially intelligent entities have become all knowing, absorbing the entirety of the world’s information from the internet. Of course, the Internet being the Internet, the information they have absorbed is riddled with inconsistencies, contradictions and…

  • Robocobra Quartet – Plays Hard To Get

    June 6, 2018 - By 

    Hyperbolic as it is to say, Chris Ryan might well be the most important creative voice in the city of Belfast today. This bespectacled Robocobra Quartet bandleader has been quietly releasing some of the finest broadcasts that this landmass has heard for some years now. Cuts like ’98-01′ from 2014’s Bomber EP and ‘Album of the Year’ from 2016’s groundbreaking Music For All Occasions should be used by the Council as a demonstration of how indispensable and experimental the city’s art scene is. The outfit’s truly idiosyncratic fusion of punk and jazz is the sort of stuff that music fans should be…

  • Jenny Hval – The Long Sleep

    June 3, 2018 - By 

    What can one expect from Jenny Hval? To date, her career is comparable to one big game of whack-a-mole. At any one moment, the Norwegian artist could pop up in collaborations, most recently with Håvard Volden for the Lost Girls EP, or perhaps as the author of a novel (Paradise Rot, arriving October). Her solo work can largely be categorised under avant-garde, but flits between a range of electronic, jazz, pop, ambient and folk influences, making Hval one of the most freely creative artists of this generation. For someone so strikingly studious, it’s hard to imagine where the inspiration comes…

  • Father John Misty – God’s Favorite Customer

    June 5, 2018 - By 

    Nine years ago, Nardwuar The Human Serviette interviewed Robin Pecknold of Fleet Foxes and then drummer, Josh Tillman. The exuberant Canadian musician-turned-journalist acknowledged Pecknold’s penchant for performing in a seated position and commented that he had revived this style. Tillman, dissatisfied with the lack of attention, interjected, “I kind of resent being overlooked in this category because I also [perform] on a chair.” This casual exchange, small though it may seem, provided us with an early indication of someone unwilling to relinquish the spotlight. Nine years later, Josh Tillman’s ego abides. He’s transformed from the fabled “horny, man-child, Mamma’s boy”…

  • Aidan Moffat & RM Hubbert – Here Lies the Body

    May 31, 2018 - By 

    Aidan Moffat has a knack for a musical partnership. Having first come to attention as one half of Arab Strap alongside Malcolm Middleton from the mid-90s to the mid-00s – as well as a recent triumphant run of reunion shows – his later pairing with jazz musician and fellow Falkirk native Bill Wells saw the pair bag the inaugural Scottish Album of the Year Award for their 2011 debut Everything’s Getting Older. Now it’s the turn of guitar virtuoso RM Hubbert, perhaps best known to Irish audiences for regular stints supporting Mogwai on these shores. The pair already teamed up…

  • Courtney Barnett – Tell Me How You Really Feel

    May 25, 2018 - By 

    The Melbourne-based singer-songwriter Courtney Barnett came to international attention in 2014 with the release of A Sea Of Split Peas, a combination of her two previous EPs. Barnett’s lyrics, which detailed the most mundane aspects of her life in a manner that was confessional, witty and biting in equal measure, were the real standouts in that opening gambit, lending a song like ‘Avant Gardener’ (inspired by an ill-fated spot of gardening that resulted in her being rushed into an ambulance) the feeling of a miniature epic. Her debut studio album Sometimes I Sit and Think, Sometimes I Just Sit subsequently arrived…

  • Parquet Courts – Wide Awake!

    May 24, 2018 - By 

    Parquet Courts’ latest is a petrochemical explosion of fiery politics and sprawling creativity. Building upon their established art-punk sound, the Texan outfit’s experimentation with technicolour keyboard textures, funk grooves and Latin rhythms makes for their most immediate and stylistically diverse release to date. Aptly titled Wide Awake!,  the album is an unapologetically political outing, showcasing A. Savage’s lyrics which seethe with rage and indignation, his thoughts seemingly drawn into sharper focus by the U.S.A’s ongoing political calamity. Crunchy garage rock opener ‘Total Football’ indulges the bands more mercurial instincts with elastic time signatures and a jerkily danceable bassline, providing the…

  • The Sea and Cake – Any Day

    May 22, 2018 - By 

    Chicagoan supergroup, The Sea and Cake sprang from the mid-western city’s post-rock hotbed during the early ’90s, bringing together members of bands such as Shrimp Boat and Tortoise to create a singularly sophisticated sound. Over the course of 11 albums The Sea and Cake have plied an increasingly finessed trade, melding a love of jazz, bossa nova and ’70s Krautrock with their own breezy indie rock instincts, tearing an unlikely wormhole between the parallel universes of Astrud Gilberto, Neu! and Guided by Voices.  The band’s latest effort Any day, which arrives after a lengthy six year break, flashes to life…