Last time Foals played Dublin’s Olympia Theatre, eccentric frontman Yannick Philippakis took a wobbling stroll around the outer rim of the second floor balcony, pulling hip-swinging moves through the encore as he clung on with one hand. We can only assume the Olympia’s insurance company wasn’t in attendance: had they been, tonight might well have been subject to a safety veto. Foals, clearly, don’t do anything by halves. Emerging into a theatre borderline steaming from the storm outside, they firmly boot things into gear with a ‘Total Life Forever’, ‘Miami’ and ‘My Number’ trifecta, the singles launching a sing-along that…
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All Tomorrow’s Parties is a festival that’s had a place close to my heart across the past four years of my life, since my first foray, lured by a reformation gig by underground heroes Sleep. So perhaps I should have had a sense of sorrow looming over me as I sat on a minibus toiling along a motorway in the south of England, for I was on my way to the final ATP festival, at least in its classic form in an English holiday camp. Truth be told, the mixture of familiarity (not limited to buying three times as much…
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London Grammar are what you’d call a success story. An indie band that had nothing whatsoever in terms of recorded output this time last year now find themselves with a number two debut album, a top 20 single and a near-sell out UK tour under their belts. This kind of instant and successful leap into the collective conscience is, presumably, what we refer to when we talk about bands ‘making it’ – and it just so happens that tonight’s support act is a band from Northern Ireland who have been tipped for big things themselves. Whilst Go Wolf‘s style couldn’t…
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Belfast Music Week has been host to many an interesting gig this year, from bookstores to bars, from balconies to boats, there doesn’t seem to be a shortage of quirky or fascinating venues, and now Hannah McPhillimy finds herself playing at The Crumlin Road Gaol. In conjunction with No More Traffik, ‘Freedom Songs’ is less of a traditional performance for the Belfast based singer/songwriter and more of an interactive journey through history. Tonight’s show is down in the depths of the now renovated and rejuvenated jail where Hannah uses all three corners of the triangular room to tell a capella…
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Restraint. A hard quality to achieve in one’s day to day life. Musically, however, it’s very difficult indeed. Amplified by speaker stacks and placed in the glare of spotlights, many bands affect emotion by stomping on a distortion pedal or guldering angst-ridden couplets. In stark contrast, the austere members of The National continually reign in such fits of childish pique. Take, for example, ‘Bloodbuzz Ohio’, with its spiralling drum patterns, mournful horns and droning guitar. It’s a perfect storm albeit one that never breaks but pulses and throbs towards a climax which never quite arrives. It creates a thrilling tension,…
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Five years on from wowing a close-knit assembly at Lavery’s Bunker, one of the most distinctive post-rock bands of a generation return to the Belfast tonight dogged and purposeful despite founding guitarist Joe Goldring having his guitar stolen in Dublin the night before. Founded in 2004 and fronted by poet and spoken word artist Pete Simonelli, San Francisco’s Enablers are all but an act unto themselves, their thoroughly immersive brand of abrasive yet introspective instrumentalism propelled by a masterful confrontational voice that just about guarantees special things on the stage time and time again. Kicking off proceedings in typically inimitable fashion…
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Since resuming service in September Radar has hosted numerous strong acts, and tonight proves to top them all, should you have a taste for a bit of noise and jumping around. Droids open the night up with a guitar-led onslaught of enormous chords and hooks, alongside big vocal anthems. They play 30 minutes to a relatively quiet Speakeasy, but the slowly growing numbers in front of them doesn’t put them off. There are more than a few nods given to post-hardcore band Thrice throughout, with distorted walls of sound topped by piercing melodic riffs being a common factor in most of…
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Sheffield rockers Drenge may have received a sharp spike in interest recently thanks to Labour MP Tom Watson’s parting assertion that they are “an awesome new band”, but it’s visceral and absorbing live performances like tonight’s in the Limelight 2 that will surely see their popularity continue to increase. Brothers Eoin and Rory Loveless make up a guitar and drums duo, but their live setup is anything but lacking – one only need take note of the array of amp stacks and microphones which flank the pair on stage. The modest gathering of hipster-cum-metalheads that have assembled tonight are treated…
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Tonight, Belfast’s Limelight 1 plays host to the first of two intimate Primal Scream shows in our fair city, and by 8.15pm the fact that it’s a Wednesday evening hasn’t seemed to deter too many fans. Entering the venue, a decent sized crowd are pocketed along the bar and the sides of the room as the equipment is tinkered with for tonight’s supporting act, a DJ set from David Holmes; an appropriate opening act for the band, having both the coveted title of Bel-Funks first son and producer of Primal Screams latest ear bender More Light. As he begins to…
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Having released their breakthrough, critically devoured second album Arc back in January, Manchester quartet Everything Everything stop off at Belfast’s recently expanded Limelight 1 comfortable in their status as 2013’s most comprehensively doted-upon darlings of English indie pop. But, as is invariably the case, having come to prominence so rapidly over the last few months, it remains to be seen how well the Jonathan Higgs-fronted four-piece fare in satisfying older fans whilst accommodating for the whims of the very newly inducted. The first of Everything Everything’s two touring support bands tonight, Liverpool psychedelic pop five-piece Outfit deliver a commanding performance to…