• The Prodigy – No Tourists

    What does The Prodigy mean in 2018? More than 21 years after The Fat of the Land and Music For The Jilted Generation, this is a band who for many years pushed the limits of taste and aggression for mainstream dance music. Consider tracks like ‘Firestarter’, ‘Smack My Bitch Up’ and ‘Poison’ which are still intensely antagonistic and hostile. But after nearly three decades in the business and a comfortable position within collective consciousness, what in the holy hell can be done next? Look at our contemporary popular hip-hop and dance charts and you’ll find a much darker world than what…

  • Look At Now: O Emperor interviewed

    Almost a decade ago, O Emperor released their debut record Hither Thither to critical acclaim. From there, the Waterford-bred quintet would go on to constantly redefine how bands in Ireland could record and share music without, forever shirking the limits and binds of being tied to a major label. From the grandiose psych-folk of their debut to the weird, gritty krautrock, komische, garage rock and psych of Vitreous and the Lizard EP, the five-piece have proved themselves time and time again to be a group who have defied expectation at every turn. The outfit’s announcement in September that they would be disbanding, while disappointing…

  • Video Premiere: DJ Nervou$ x Post Punk Podge – Never Coming Home

    Note: content contains themes of domestic violence. Two of Ireland’s most exciting independent prospects have teamed up for new single ‘Never Coming Home’ to raise funds for Limerick’s ADAPT House, which helps families suffering domestic abuse. Following on from homelessness charity single ‘Home Is Where The Heart Bleeds’, Post Punk Podge is posited once more as the conscience of modern Ireland, backed by claustrophobic beats from Just Mustard guitarist/vocalist David Noonan, aka DJ Nervou$. Factoring toxic masculinity, substance abuse and mental health into its weighty fable, the vitriol of its final refrain will leave you like you’ve just blitzed through The Butcher Boy, staring into nothingness, as Podge manages to decry perpetrators of domestic…

  • Video Premiere: Bróna Keogh – Sea Witch

    After a busy year of writing and performing, supporting the likes of David Kitt, I Draw Slow & Wyvern Lingo, singer-songwriter Bróna Keogh’s new single ‘Sea Witch’ has arrived. With a vibrant video by Ed Cleary that accentuates the organic quality of her writing, Keogh melds folk with the hopeful wist of 60s pop, measured in its use of diverse acoustic instrumentation and harmony. It was recorded by Michael Hogerzeil & mastered by Eoin Whitfiled. As with the many Irish music festivals she’ll win hearts and weary minds at, ‘Sea Witch’ possesses the ability to restore basic human functions and feelings…

  • Big Red Machine – Big Red Machine

    Cast your mind back to early 2009, and recall the exceptional Dark Was The Night charity album. In the middle of disc one, tucked neatly between Antony & Bryce Dessner’s ‘I Was Young When I Left Home’ and The Decemberists’ ‘Sleepless’ sat Justin Vernon and Aaron Dessner’s ‘Big Red Machine’, an exquisite clash of strings and hammered piano keys that was perhaps clouded out by the diversity and richness of the album. Fast forward nine years, and the collaboration has been revisited, or rather, finally finished. The result, Big Red Machine, has been in the works for the best part…

  • Lisa O’Neill Set to Launch Fourth Album at Vicar Street

    Unquestionably one of the finest folk voices in Ireland, Cavan native Lisa O’Neill, has announced details of her fourth album, Heard A Long Gone Song. Following a sellout show at Quiet Lights Festival in Cork & ahead of upcoming dates in the UK, New Zealand and beyond, the album will come out on October 19, and will be her first release on Rough Trade imprint River Lea Records. To mark its release, it will be launched at Vicar Street on October 27 in a seated performance. Heard A Long Gone Song was co-produced at Blackbox Studios alongside Dave Odlum. Featuring a broad cast of musicians in Cormac Begley, Christophe…

  • Monday Mixtape: Glass Wings

    Ahead of its release in October Belfast-based singer-songwriter Stephen Jones AKA Glass Wings reveals the artists and tracks that made an imprint on his forthcoming debut album, Everything and Nothing. I’m under no obligation to be cool in these choices right? Sit back and relax as I take you on a tour of some of the greatest melodicists who inspired me in the making of this album. Hiatus Kaiyote – By Fire I’m always a little suspect of people who say they have a favourite band. But if pressed, Hiatus Kaiyote might have it for me. I’ve been lucky enough…

  • Idles – Joy As An Act Of Resistance

    Urgent. Vital. Important. Essential. Interchangeable words that are denoted to music or artists that are deemed to be definite of the mood of the times. Albums and previously unseen and untold stories that break boundaries down, songs that transcend their form, artists whose messages become immortalised. Punk music and its offshoots have their fair share of such acts, but these words’ meanings have become denatured over time. Now, anything even vaguely resembling depth or that is tangentially outspoken is commonly misconstrued as politically charged or timely (sorry, not sorry, Macklemore, Justin Timberlake). Idles, a five-piece Bristol band who navigate the furious simplicity…

  • Stream: Toucan – Toucan EP

    Following the success of their single, ‘We Fell For Miles’, Waterford based soul-pop duo Toucan have released their self-titled debut EP. The brainchild of singer-songwriter Conor Clancy and multi-instrumentalist Martin Atkinson, Toucan is a project that highlights the talents of both musicians. Clancy’s ear for quaint yet infectious melodies and Atkinson’s full-bodied arrangements result in a collection of songs alive with rhythm and charm. The band’s style is positively upbeat, reminiscent of the likes of Stevie Wonder complete with riffing brass sections and memorable choruses. While most of the EP follows in the footsteps of ‘We Fell For Miles’, ‘Gold’…

  • Laurel Halo – Raw Silk Uncut Wood

    Somewhere in Apple Music headquarters, an employee, perhaps under the instruction of watchful label publicists, or not, input “techno” as the genre tag for Laurel Halo’s latest project, Raw Silk Uncut Wood. The Berlin-based experimental producer has spent the past eight years pivoting from frenetic, full-bodied techno and unconventional club electronics to dense, sentient ambient-pop, and back. Admittedly then, it is difficult to keep track. Her breakout album, Quarantine, released in 2012, was disembodied pop simmering beneath an off-kilter electronic surface—spearheaded by her drifting voice. It was, above all else, her ability to synthesise anxiety into quivering, twitching soundscapes that gave…