• 19 for ’19: Elikya

    More than any other group in Ireland, Elikya bleed history. Founded in Limerick in 2001 as a community choir of sorts, Elikya’s primary objective was to promote “multicultural diversity and integration through the sharing and promotion of Congolese music and culture”. Over the years, the group became a home for a coterie of legends in Congolese music. Drummer Trocadero — a child prodigy who started his career with the famous Congolese singer and bandleader Johnny Bokelo Isenge — joined them early on but it was 2017 when the group’s profile rose significantly. The iconoclastic Pepe Felly Manuaku, founder of the…

  • 19 for ’19: Nealo

    We continue 19 for ’19, our feature looking at Irish acts we’re convinced are going places in 2019, with Dublin MC Nealo. Photo by Zoe Holman If the name Nealo is unfamiliar to you I have two very simple instructions: firstly, get your head out of the sand, and secondly, lend your ears to one of this country’s finest MCs. Nealo, real name Neal Keating, is a rapper from North Dublin that has exploded onto the Irish music scene over the last few months. Having first found international recognition as the vocalist of hardcore punk band Frustration, he has since…

  • 19 for ’19: TAU

    We continue 19 for ’19, our feature looking at Irish acts we’re convinced are going places in 2019, with Berlin-based Irish artist Shaun Mulrooney aka TAU. Photo by Brian Mulligan Though it’s early days, come December, you’ll almost certainly find the second album from Berlin-based Irish musician Shaun Mulrooney aka TAU featuring high in myriad end-of-year lists. The follow-up to 2016’s TAU TAU TAU – a release whose recording started on the day Bowie died – TAU & The Drones Of Praise sprung forth last month as a sorcerous statement of intent. The genre-mangling psych experimentalism of TAU (who, with Mulrooney at…

  • 19 For ’19: Jordan Adetunji

    We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with young Belfast-based hip-hop RnB artist Jordan Adetunji. Photo by Joe Laverty Still only in his teens, Jordan Adetunji has already shown a chameleonic, self-reliant instinct to a Prince-esque degree, highlighting the kind of restless creative spirit destined for the bright lights – successful modelling career notwithstanding – despite little precedent for his brand of hip-hop in Northern Ireland. Thankfully, the once-barren RnB scene in the North is taking shape, thanks to the support of Belfast artist group NxGen and prolific Ireland-based Word Up Collective – home to the…

  • 19 for ’19: Strange New Places

    We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with fast-rising Belfast queerpunk five-piece Strange New Places. Photo by Niall Fegan One of several fast-rising Northern Irish acts that have been propelled by the Scratch My Progress initiative at Belfast’s Oh Yeah Music Centre, Strange New Places spent 2018 steadily emerging as one of the country’s most promising bands. On full display at Outburst’s Youth Take Over Day, Atlantic Sessions, Women’s Work festival and elsewhere throughout the year was the band’s equal parts forward-pushing and ear-worming brand of queerpunk. Striking strong…

  • 19 for ’19: Proper Micro NV

    We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with Limerick songwriter and producer Proper Micro NV. Photo by Moira Reilly Late last year, Limerick producer, singer and songwriter Rory Hall aka Proper Micro NV marked his arrival via the masterfully mottled Dormant Boy. Spanning experimental electronica and downtempo electro-pop jams, it proved a cohesive, gem-heavy twelve-tracker from an artist who has rightfully garnered comparisons to the likes of James Blake and Mount Kimbie from the off. Hall has packed a lot into his three years as an active proposition. From signing…

  • 19 for ’19: Lemoncello

    We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with Maynooth alternative folk duo Lemoncello. Photo by Joe Laverty A duo who formed while studying music and languages in Maynooth University, Laura Quirke and Claire Kinsella aka Lemoncello have carved out a unique, increasingly compelling niche in Irish alternative folk over the last five years. As well as helping to found the Common Grounds Collective – a group dedicated to building a network of musicians of all disciplines and giving them “a platform to create and showcase…

  • 19 for ’19: Rebekah Fitch

    Though it’s not always easy to pinpoint why, some artists seem simply fated for big things. Of the myriad alt-pop acts that Ireland has produced over the last few years, the fast-moving upward trajectory of Belfast-based artist Rebekah Fitch is no such mystery. Drawing from influences spanning the likes of Björk and Portishead, to Sia and Stevie Nicks, Fitch has, over the last couple of years, emerged as something of a world-beating proposition. Having been nominated for the Contender Award at last year’s prestigious Northern Ireland Music Prize, her self-produced material to date – not least recent single, the emphatic ‘Need…

  • 19 for ’19: Tebi Rex

    We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with Maynooth alternative hip-hop duo Tebi Rex. Photo by Zoe Holman Maynooth’s hip-hop scene may not be bulging, but on the evidence of Tebi Rex’s offerings, we believe it truly homes one of Ireland’s most exciting prospects for 2019. The duo, comprised of Matt O’Baoill and Max Zanga, has swiftly attracted attention following the success of ‘Black Enough’ in 2016, with Word Up signing them to their newly launched collective. Although the collective nurtures hip-hop talent whose music…

  • 19 for ’19: Larry

    We continue 19 for ‘19 – our feature looking at nineteen Irish acts that we’re convinced are going places in 2019 – with Dundalk lo-fi alt-rock three-piece Larry. Photo by Aaron Corr When you record an album with Steve Albini (Shellac/Rapeman /Big Black) you get a certain amount of bang for your buck – you get a solid ranking of all the vegetarian restaurants in Chicago. You get recommendations for who best to master your album, i.e. Bob Weston (Shellac). You get to see your music mixed, not only by a master engineer, but also by a World Series of…