Following their first gig as a four-piece in March for the Port-To-Port festival in Lisbon, we’re delighted to give you a first listen to Ode To A, the debut EP from Cork-based experimental project pôt-pôt. Its four swirling, oneiric songs are based entirely around the note of A, with it being the only musical note used across the whole record. Cork’s Mark Waldron-Hyden (drums, synth, vocals) created pôt-pôt initially as a solo project – with the goal of writing only music that could be recreated as a solo act – during lockdown, before moving to Lisbon, where he met and recruited bassist Joe Armitage and guitarist Michael…
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The latest release from experimental Cork tape label Sunshine Cult is Mantua improvised live drone collaboration from accomplished singer-songwriter Elaine Malone (also of improvised group Hex & Land Crabs) and prolific fiddle player Niamh Dalton of Trá Pháidín. Across its two pieces – recorded in Plugd Records, Cork, Malone predominately leads with sepulchral harmonium work, her voice swollen with reverb. From this space, Dalton explores frayed ends with measured portent, attempting to uproot her foundations in traditional Irish & old-time music – and it’s this familiar flavour that makes Mantua’s eponymous debut so beguiling. Like cult collective United Bible Studies, the strength…
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Since the release of their debut LP and our runaway album of 2017, we’ve been sitting on our hands waiting on fresh cosmische mastery from Percolator for what fees like eons. At long last, we can breathe, as the Dublin-based trio have just followed Sestra with a video for their next single, ‘Freshin’. More than delivering on expectation, the new single leans further into the slaloming, hypnosis-inducing rhythmic interplay that made their debut album such an exciting proposition. The track was written and recorded for An Taobh Tuathail‘s twentieth anniversary back in May, but the band liked it enough to release it as a digital download single with…
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Last month, we premiered the cavernous somnambulance of first single, ‘Did You Hide’, and today, founder of Cork-based label Sunshine Cult, and psychgaze act The Sunshine Factory, Mark Waldron-Hyden has released the debut album under his own name. Titled Stream Segregation, and out through his own label, the LP’s source material is a blend of field recording, acoustic instrumentation, synths and tape machines, and was written, recorded & produced by Waldron-Hyden. Its name came from a psychoacoustic phenomenon “in which a sequence of sounds is perceived as more than one auditory stream, each arising from a distinct acoustic source in the environment”. Mark goes on: “That’s what I wanted…
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Pan-dimensional (Cork) experimental electronic artist Arthuritis is set to release his sprawling fourth album, I’m Great through KantCope on tape & digitally next week via Bandcamp. Following up on the supremely-titled Neglected Ambient Shirts Vol. 1 and The Worst Of, alongside Arvo Party II, it’s as texturally-rich an Irish album we’ve heard this year. It’s presentation belies the presence of a real vibe here, and like that artist, it deserves to be taken much more seriously than its name & presentation suggests. In Arthur’s own words, it’s “a collection threaded together by themes of confusion and isolation”. An eclectic collection, and an internalised world in itself, where…
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Ethereal Waterford drone-folk artist Katie Kim is one of Ireland’s most enchanting auteurs, and prolific collaborators, having worked on projects with Radie Peat, David Kitt, Milosh & The Waterboys over the last few years. She’s set to drop Salt Interventions tomorrow alongside Crash Ensemble, and we’re delighted to be able to bring you an early listen ahead of its release tomorrow. The album was recorded at the Grand Social back in 2017 in a performance of the same name by Guerrilla Studios’ Spud Murphy, with the show being performed at the likes of the Music Town and Body & Soul Festivals. Based around Katie’s Choice Music Prize-nominated debut album Salt, it…
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The artists behind two thirds of our top three Irish albums of last year embark on a run of dates spanning the island over the next few months. Improvised psych-pop outfit The Bonk are set to play five shows with kraut/drone trio Percolator. We’ll be hosting the Belfast date at the Menagerie on June 28 – more details will be announced on that shortly. The Bonk An incredible, dynamic live outfit, The Bonk is a broad-based musical project headed by Waterford songwriter and improviser Phil Christie (O Emperor). Gathering influences from 60’s garage, jazz and experimental pop, the band’s arrangements bring recursive rhythms and improvised melodies…
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Some artists are just destined to wind up on certain rosters. One such act is Dublin’s Hilary Woods, an artist whose solo craft we’ve followed with a certain glee over the last couple of years. On June 8, the musician, ex-JJ72 member and multi-instrumentalist will release her debut full-length album, Colt, via Brooklyn’s Sacred Bones, an indie imprint whose discerning (and, so far, pretty impeccable) penchant for repping acts such as Zola Jesus, Jenny Hval, David Lynch, John Carpenter, Blanck Mass and Marissa Nadler runs directly parallel with Woods’ very own crepuscular craft. Her minimal composition & otherwordly layered atmospherics follow two acclaimed EPs and recent scoring of a horror film for IFI’s Weimar…
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Two of Ireland’s premier doom-laden purveyors of noise release a split record on August 21st through Cursed Monk Records. Melding the suffocating, guttural blackened doom of Gourd with the harsh atmospheric ‘scrap abuse’ of Luxury Mollusc, the split opens with two longer tracks from Gourd and five snappier little numbers from Luxury Mollusc. It’s available to pre-order on cassette from Bandcamp. Stream the split below: GOURD/Luxury Mollusc by GOURD/Luxury Mollusc
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You may not have noticed yet, but Dublin-based filmmaker John Mulvaney is doing an invaluable service for the Irish underground scene in his short-form documentary series, Fractured. Each short film zones in on members of some of the best under-the-radar heavy and/or experimental artists in the country, piecing together a range of evocative cinematographic fragments of the musicians and their surroundings, soundtracked to candid aural insights from the respective musicians and their music. Mulvaney’s evident passion and respect for the music has continually led to a carefully crafted portrait of each artist, with every instalment accumulating to more than the…