• Panda Bear – A Day With the Homies

    January 16, 2018 - By 

    Often reserved for moments of awkward silence, Noah Panda Bear Lennox has decided to open his latest solo work with the sound of crickets chirping. At the 25-second mark, they are joined by the rhythmic tapping of cymbals before being silenced altogether by Lennox’s bouncing vocal harmonies. And so begins ‘Flight,’ a song which comes across as something of a mix between the gospel singing of a dub-infused Louisiana tent revival and the electronic emissions of a SEGA Genesis. This image of a unified congregation is only further strengthened by the joyful, harmonious proclamation that “We’ve got the good crew”. While…

  • Anohni – Paradise EP

    March 23, 2017 - By 

    Anohni is not afraid to be political. This was obvious with her previous release, 2016’s critically acclaimed Hopelessness, where songs like ‘Violent Men’ and ‘Crisis’ were an angry manifestation of a frustration at the state of modern society. While similar thematically, Paradise is a more despondent reflection, slowly building with the quiet and human admission that  “in my dreams, you don’t love me” (‘In My Dreams’). This refrain sets a scene for the emotions of the six-track EP. Paradise, Anohni’s sophomore release (outside of those albums she released as part of Antony and the Johnsons) shares the same anger, and…

  • HAWK – She Knows

    March 20, 2017 - By 

    HAWK are a Berlin-based, grunge-infused indie rock band who, since their formation in 2013 have had a tendency to address social and political issues through their music, all the while blending dark tones with sometimes delicate and sometimes ferocious arrangements and ethereal vocals. The band’s latest release, She Knows, builds upon the foundations laid by last year’s HAWK EP.  ‘Introduction’ starts the EP on the right footing, a largely atmospheric piece that builds into crashing drums, crunching distortion, and powerful vocals.‘Take it Away’ then, the EP’s second track shows the band embracing a newer, heavier sound. Starting delicately and quickly building into…

  • Field Trip – Evening’s Over EP

    March 10, 2017 - By 

    There’s something so interminably pleasant about Evening’s Over, the latest EP from pop rockers Field Trip. An undeniable ennui and melancholy run throughout. Yet they’re wrapped up in an infectious brand of pop goodness that’s hard not to get lost in. Yet these aren’t throwaway nuggets. The band understands how to introduce scope and scale into what could otherwise be inconsequential mush.   Take the opener ‘Wait’, for example. It starts off as a twitchy, yet straightforward indie pop track with a great big meaty fuzzed out chorus. But by the midpoint of the song, we transitioned to shredding solos…

  • Looking Svelte – Gelatine

    February 17, 2017 - By 

    It’s not always wise to read too much into a record’s title, but in this case, it feels spot on. Gelatine, the debut EP from Looking Svelte, is a hot mess: thick and viscous, gluey and amorphous. It recalls at times the dense sounds of celebrated avant-gardists Gang Gang Dance and Purity Ring, along with the DIY aesthetic of WIFE (aka James Kelly of Altar of Plagues). But like the best of those projects, when you peel away the layers of reverb and distortion, there’s a pop song at the core. Looking Svelte is the stubbornly lo-fi, decidedly high-tech solo…

  • David Bowie – No Plan

    January 11, 2017 - By 

    She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said Final Sentence of Franz Kafka’s The Castle History is littered with the infinite possibilities teased at within the unfinished work of great artists who died before their time. Think of Elliott Smith’s From A Basement On A Hill, David Foster Wallace’s The Pale King or George Sluizer’s Dark Blood; all released in an awkwardly assembled form, stitched together from whatever fragments the artist had left behind. While they vary wildly…

  • Meltybrains? – Kiss Yourself

    November 16, 2016 - By 

    Meltybrains? have been a staple on the live circuit in Ireland for a few years now, gaining a cult following through their Dadaist stage show and irreverent sense of humour. While marrying a post-rock base with a mix of styles on top hasn’t necessarily made for the most compelling of musical statement in their previous recorded works,  Their latest EP Kiss Yourself looks to make amends and move the band forward artistically. Opener ‘Know My Name’ opens with auto-tuned vocals over synth before settling down into the Melty’s now signature sound. It’s a track that promises a lot but that…

  • That Snaake – Blinded by the Smell

    November 8, 2016 - By 

    Though they describe themselves as a “4 piece band with 3 capable cyclists”, the primary description that’s been following Dublin’s That Snaake around so far is ‘unfashionable’. That may sound unflattering to some, but really it’s an undeniable positive, setting them well apart from those currently more “fashionable” Irish bands – with current trends leaning towards shiny synths, pop hooks and polished production, That Snaake’s combination of rough and ready guitars and undisciplined vocals that nod to noise-rock and 90s slacker indie do make for a bit of a contrast, but having acts around that rail against what’s currently in…

  • Variant Sea – Fable

    July 8, 2016 - By 

    Having formed less than a year ago, Dublin based neo-classical project Variant Sea have been quick to lure listeners into the realm of their delicate, cinematic compositions. Their debut EP Seasons of the Mist was an impressive introduction with plenty of Ludovico Einaudi inspired piano motifs and guitar backdrops a lá This Will Destroy You‘s Tunnel Blanket. Now, only nine months after their debut, the duo comprised of pianist Luke Duffy and guitarist Shell Dooley have returned with Fable, an EP that shows us musicians engaging in gradual growth. While the format of the music has remained the same, the impact of influences and the individual confidence presented…

  • The Mad Dalton – Little Belfry EP

    December 2, 2015 - By 

    From the outset, one of the elements of The Mad Dalton’s Little Belfry EP that stands out is its ability to conjure a sense of location. With its lumbering, laboured melodies and guttural sadness, the record constantly evokes images of this kind of ‘Last Chance Saloon’ in the American midwest. A darkness at the edge of town where the shallow husks of self-proclaimed saviours keep knocking back glass after glass before the sun creeps over the horizon to remind them that time is endlessly creeping forward and that the fire water won’t burn away what they’ve done. Their stories are…