Five years on from the release of their debut album, Nothing Good Gets Away, Dublin indie rock quartet Bouts resurfaced back in May with ‘Face Up’. The lead single from the band’s highly-anticipated second full-length, Flow, frontman Barry Bracken called it “a no-filter, punch the air plea for staring things down and pushing on through.” Second single ‘Love’s Lost Landings (Pt. 1)’ picks up the pace in emphatic fashion. Accompanied with visuals from Paris/London-based French photographer Gwenaëlle Trannoy (link below) it’s an equal parts slick and starry-eyed burst of indie rock from the re-emerging Irish four-piece, centreing around frontman Barry Bracken’s…
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Daithí has returned with not one, but two sublime new singles. It’s a collaborative one-two from the Galway-based electronic producer : featuring Dublin’s Tandem Felix, the wistful ‘Lavender’ is a stark affair marrying stoic beats, skeletal piano phrases and vocals bearing the imprint of hidden pangs. ‘Orange’, meanwhile, is an open letter penned to another about the end of a relationship. Tussling with a romantic cul-de-sac, head-on yet with subtlety, is no mean feat. For Daithí and Sinead White – whose vocals carry the single – it’s delivered with nuanced grace and earworming aplomb. Out tomorrow, stream both singles below.
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We’re pleased to present a first peek at the video for ‘Abroad in the Yard’ by Dundalk songwriter, electronic musician and multi-instrumentalist Gavin Murray AKA Trick Mist. The follow-up to ‘Two Doors Down’ – a stellar acapella effort released back in August – the single is a self-proclaimed song about letting go of cynicism, comprising samples Murray picked up while in India. Featuring archive footage of simpler times, when kicking a ball with the lads in the sun was responsibility enough, Graham Patterson’s video for the release makes for an inspired accompaniment. Murray said of the single: “Abroad in the yard…
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We’ve been fans of the righteous post-punk party music of Sweat Threats since they reared their heads at the start of 2018 – and most recently last month’s ‘Suffocate‘ – and today, we’re delighted to lay down on a platter assorted Sweet Treats, the debut EP from the London-based Irish pairing of Niall Jackson (Bouts/Swimmers Jackson) and Matthew Sutton (It was All a Bit Black and White/Tayne) – recently joined by drummer Lucy Brown. Very much in line with their modus operandi, Sweet Treats is a six track earworm infestation, filled with that Death From Above, Idles & Fucked Up strain of insurgent punk that links hips to brains. Written around themes…
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Belfast artist Stephen Jones AKA Glass Wings has unveiled the video for his new single, ‘Believe’. The latest track to be taken from his forthcoming debut album, Everything and Nothing, it’s a slick and urgent blast of the fast-rising songwriter’s alt-pop craft. Hosted by Bird & Bramble, Glass Wings’ debut is officially launched at Belfast’s Black Box on October 19. You can buy and stream the single here. Have a first look at the visuals below.
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The term folktronica is just a touch reductionist for what the Derry-born, now Berlin-based Porphyry is doing. While in a more superficial sense, he could be described as an outsider Villagers, nothing in Ireland is attempting to achieve what Daryl Martin has with new EP, Wounded, White Light. We loved his previous, self-described ‘maximalist’ Ursa Minor/Coming Home EP, not least for managing “the unenviable job of being boldly unpigeonholeable as art, and deeply personal, without approaching any level of bloated grandiosity”. Through minimalistic methods, however, the same result has been reached once more, with effortless finesse. Its cleansing, organic, seemingly breathing compositions weave unexpected synth textures into alternately piano & guitar-led freak-folk-meets-Robbie Basho-ian primitivism. Across its four tracks,…
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In music, good things don’t always come to those who wait. But sometimes, truisms hold weight, and biding one’s time is worth every fidgety, impatient second praying for a release. A perfect case in the point comes in the form of Belfast’s The Dreads. A band whose blend of psych, garage and rock n’ roll has made for some electrifying live shows in the past, they’re back with a new-fangled formation and two tracks that double-up as a statement of intent. Released via Belfast’s Satsumas Home Entertainments, the band’s debut double A-side, ‘Know Your Name’ and ‘Desires’, coalesce over seven…
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When Belfast musician and producer Herb Magee AKA Arvo Party unveiled his self-titled debut album last July, we quickly learnt that we were dealing with something pretty special. Having previously established himself as a formidable one-fourth of erstwhile Belfast alt-rock heroes LaFaro, and later with GOONS, it made for a feature-length curveball from a musician who has seemingly, and rather quietly, mastered a whole different palette of sound. The dancefloor nocturnalism of ‘Grube’ hit home hard. The widescreen ambience of ‘Thirty Five’ was a spectral tidal of ambience on mute. ‘Null Set’, meanwhile, proved an unravelling eight-minute centrepiece, and a track that continues to…
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A break from their planned trilogy of Drone Pop albums, ahead of its final chapter, Documenta will release their first music since 2015’s Drone Pop #1 through Belfast’s Touch Sensitive Records on October 12. Titled Lady With The Ring, it’s the story of “lived once, buried twice” Margorie McCall, who lived in rural Ireland in the early 18th century. She succumbed to a fever and was hastily buried in Lurgan’s Shankill cemetery. Her grave was visited by “a tramp of disreputable character with a reckless and thieving disposition” who drew blood as he tried to prise the ring from her finger, awakening the dead woman who subsequently lived…
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The latest NI Music Prize-nominated album from Stephen Scullion, aka Malojian is getting a much-deserved deluxe edition. Released through Quiet Arch Records on November 30, it’s his fourth solo album, and his strongest collection of songs to date, injecting the golden era of 60s pop melodicism he’s known for with the perfect power-pop of Teenage Fanclub & Grandaddy, as well as a more experimental, psychedelic edge than we’d seen from him until this point. Recorded in a lighthouse on NI’s Rathlin Island – in contrast to its Steve Albini-recorded predecessor, it features guest performances from a pedigreed cast of collaborators – Teenage Fanclub’s Gerard Love, Beck/R.E.M./Atoms For…