After a long time away, one of the country’s very best bands, Girl Band, will return with a new single next month. The Dara Kiely-fronted four-piece will release ‘Shoulderblades’ digitally on June 6 via Rough Trade and as a 12″ single, limited 750 copies with an etching on the b-side, on June 7. Pre-order it here now.
Progressive folk meddlers Nix Moon are a more esoterically-inclined proposition than most of their peers. With new single ‘Ceremony’, that compositional ambition is present from the onset. Building from a foundation of exploratory, Eastern-tinged drone, they’ve managed sculpt a darkly layered, progressive piece that’s not tonally dissimilar to the Hail To The Thief or A Moon Shaped Pool-era Radiohead. Their trademark indigenous & mythological allegories point to that sense of otherworldly earthiness – think Jeff Buckley’s more heavy, ethereal work by way of experimental 70s psych pop masters The Pretty Things. This release bodes well for the forthcoming release of the band’s debut album later in the year, recorded in Grouse Lodge…
Colin Gannon rounds up the very best Irish tracks released of the month just gone, featuring Eomac, Joni ft. The Cyclist, Bitflower Bb, Blusher, Fixity, Repeater, Fynch, Just Mustard, Anna Mieke, Leo Miyagee and more. Eomac — Drawn in Sand / Joni Ft. The Cyclist — Hapsi (DDR2) Last month, in a not-so-enlightened Irish Times article, an Irish music industry figure deduced from her experience that the advent of a new radio station dedicated entirely to playing Irish music is necessitated (in part) by the “fragmented and disjointed” state of independent music in Ireland. At best, this assertion is dumb…
Derry-based experimental pop auteur Neil Burns’ Comrade Hat‘s latest EP, Tuque, is set for release on May 10, but we’re pleased to say we have an exclusive premiere streaming a week in advance. Following a string of EPs – including his series of Winter EPs – production credits, and a high profile collaboration with Phil Kieran and the Ulster Orchestra at Celtronic 2018, Burns needed a change. In Autumn of 2018, he relocated to Toronto with some musician friends for a recharge that ultimately led to the creation of Tuque, a complete work that spans post-breakup what’s-it-all-about soul-searching to geopolitical observations in under 15 minutes, with cameos from cult musical figures of the area,…
Currently studying music and living in Derry, Maya Goldblum aka Queen Bonobo is a singer-songwriter hailing from the tightly-knit community of Sagle, Idaho. On May 10, Goldblum will launch her debut album, Light Shadow Boom Boom, at Cultúrlann Uí Chanáin in Derry. Ahead of that, we’re pleased to present a first listen of its latest single, ‘The Lord Does What He Wants’. Engineered by Niall Doran, mixed by Ben McAuley and mastered by Stephen Quinn, it’s an unraveling alt-folk gem also featuring Daryl Coyle on co-production and drums, Jack Kelly on double bass and James Anderson on percussion. “I started writing ‘The Lord Does…
When it was released early last year, Frankly, I Mutate doubly underscored Paddy Hanna’s status as one of Ireland’s greatest ever songwriters. Brimming with incision, melody, pathos and heart, the album’s title track confined all of that, and more, across its four minutes. Something of a live favourite at Hanna’s full-band shows since the album’s release – not least an especially memorable rendition at Primavera in Barcelona last summer – the song now comes accompanied with one of the Irish videos of the year. Directed by Niall McCann, it features Hanna and a boom mic navigating skylights, back gardens, leafy streets, front rooms, promenades and shallow seashores. Confused?…
Girl Band’s incendiary LP Holding Hands With Jamie found itself landing on Albums of the Year lists far and wide in 2015, but health issues have seen the band lie dormant for the last two years. Cue the excitement then that guitarist Alan Duggan has convened a new group, The Claque, alongside Paddy Ormond of jangle-pop maestros Postcard Versions and vocalist Kate Brady. Debut single ‘Hush’ sees the trio pool their talents, combining Duggan’s brutal mechanical noise with Ormond’s distinct sense of melody and Brady’s pop sensibilities. With a debut Dublin show pencilled in for 27th April and summer dates…
A few weeks back, we described ‘Fabric’, the latest single from minimalist electronic pop artist Fears, as “an unfurling, self-produced tale of entanglement and escape that finds the Belfast/Dublin musician and producer at her most emphatic to date”. It’s the first collaboration of the year for Constance Keane, who continues down the audio-visual path with the same complete level of authorship that led to support vision justifiably supported by Moving On Music’s – NI’s foremost exponents of culturally vital music – Emerging Artist Programme. The visual component to ‘Fabric’ was directed by Daniel Butler, who had this to say of their partnership on the short film: “The idea came from a…
As collaborative projects go, Borders by Derry artists Ryan Vail and Eoin O’Callaghan aka Elma Orkestra is one that fully deserves your attention. Having both been releasing music independently of one another since 2012, the pair have worked together on a release that sees their diverse creative paths meet head-on. Across eight tracks, from opener ‘Droves’ to the beat-laden outro ‘Arlene’, they masterfully blur the contours between contemporary electronic and classical realms. This breaking of new ground – of pushing boundaries and thwarting expectations via attention to detail and a joint penchant for analogue equipment – is what underpins Borders,…
With their singular brand of miasmic, trip-hop-inspired sorcery, the rise of Dundalk’s Just Mustard over the last few months has been a real pleasure to see. The latest milestone in their ascent is the release of ‘Frank’, a track that has emerged as something of a peak from the band’s scintillating live sets as of late. Accompanying the single release is Tim Shearwood’s video. Frontwoman Katie Ball said, “We thought it would be interesting to use stop motion animation to emphasise the broken rhythms of the song. Every character and prop in the video and their interactions represents a different musical or thematic…