Among the many Irish acts to give us some insight into how they’re coping in this unchartered era of self-isolation, Belfast trio Gnarkats know a thing or two about looking on the bright side. On singles such as ‘Take Me Away’, ‘War Cry’ and ‘Enigma’, the band’s slick brand of indie-pop has always felt unapologetically optimistic and forward-looking to its core. Rather than wallow or peer collectively inwards, Louis Nelson, Jordan Evans and Stuart Robinson instead opt to wield hope via their craft. Which is to say, their thoroughly idealistic new single ‘Dreamers’ couldn’t have arrived at a better time. Distilling Gnarkats’…
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It’s majorly reassuring to know that, despite these unprecedented times of lockdown and worldly uncertainty, many Irish artists are, despite facing huge limitations, pushing forward and releasing new music as scheduled. One such act is Gaze is Ghost, comprising classically-trained Strabane composer and songwriter Laura McGarrigle, drummer Casey Miller and Keith Mannion aka Slow Place Like Home. Doubling up as the threesome’s first release with Mannion on backing vocals, synths and electronc production, new single ‘Abacus’ is a gossamer and carefully-crafted alt-pop gem confronting themes of environmental destruction, guilt and responsibility, asking “how the individual can respond to issues that threaten to ovewhelm…
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Arguably Belfast’s finest post-punk pragmatists, Ghost Office are back with ‘The Face of Garbo’, the second single from their forthcoming debut album, set for release later this summer. Marrying propulsive – near King Gizzard-esque – psych-flecked chaos with a macro-anthology narrative of fables spanning across time & disciplines, it’s one of their most artistically complete works thus far. The single was produced by bassist Carl Small, with lyrical duties from guitarist/shared vocalist Joe Gilson, who tells us more: “The song tells three stories, of events that cast their makers into myth. The solar eclipse that proved Albert Einstein’s law of relativity, the opera singer Enrico Caruso being threatened…
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Thankfully, the other main immunity we don’t have is to sweet jams, and ahead of their hotly-anticipated forthcoming debut album, Brand New Angle – out this Friday – Angular Hank have shared new single ‘On Your Shoulder’. As ever, they’re as taut with subtly-induced discordant tension as they are free-flowing with slack-pop hooks, springing to mind the likes of masterful craft of Irish peers like Postcard Versions & Careerist. As it stands, Angular Hank are set to hold their album launch at the Workman’s Club on April 3 with support from Skinner – keep posted here.
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There’s reliable, then there’s London-based Dubliner Niall Jackson aka Swimmers Jackson. Whether you look to his output as a member of Dublin indie-rock heroes Bouts, the more in-your-face efforts of Sweat Threats or his solo output as Swimmers Jackson to date, he has a country-spanning, genre-flaunting track record of digging deep to deliver something brimming with pathos and intent. Recorded by Darragh Nolan at Asta Kalapa studios in Co. Wexford (below) new single ‘Bliss’ is no exception to the rule. Taken from Jackson’s forthcoming debut album, Murmuration, it’s a beautifully-crafted tale capturing those longed for moments of happiness and quiet satisfaction. “I spent…
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Cork singer-songwriter John Blek is a rare master of his craft. Whist and masterfully considered, he plays a brand of contempoary folk that can snare a listener with the slightest chord change or incisive turn-of-phrase. Take new single, the quietly mesmeric ‘Death & His Daughter’. A delicate folk dance accompanied by easily one of our favourite videos of the year so far, it’s a feature-length meditation on loss and deliverance that encapsulates motifs right at the heart of Blek’s recently-released fifth solo album, The Embers. Catch Blek at the following shows this weekend, and have a first look at the video for ‘Death & His…
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Though it’s nigh on impossible to select a highlight from his new, seven-track album, A, ‘1D2D RISE’ by Belfast-based electronic alchemist and all-round polymath Liam McCartan aka Son Zept is very hard to beat. Somnambulant and wistful in equal measure, it’s a slowly unravelling three-minute burst of warped-out ambient, melding broad washes of synth with heart-tugging, Plantastia-leaning synth arps. Speaking about the track and accompanying video – which you can have an exclusive first look at it below – McCartan said: “It came from those dimly lit 3am sessions that happen again and again with the headphones on really tight. Trying to…
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There’s timely releases, then there’s White Water Rafting by Dublin five-piece Panik Attaks. Clocking in under 10 minutes, it’s a searing and supremely fucked-off blitz, brimming with full-blown righteous indignation aimed squarely at Varadkar and other such paltry cunts clinging to power. A pay-what-you-like release on Bandcamp, the fury and fist-clenched bombast of tracks like ‘Fear’ and ‘Fire In The Hole’ is nothing short of thrilling to behold. Have a first listen to the release – and have a first look at the video to lead single and outright EP highlight ‘The Boom Is Back ‘ below. White Water Rafting by Panik Attaks
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We’re pleased to present a first listen to the debut single from Dublin musician Robbie Stickland. Tackling issues of body dysmorphia and self-care head-on, ‘Lizard’ is a compelling opening gambit from the artist, who is something of a cult figure in Dublin’s indie scene. Having already supported the likes of Fontaines D.C and Paddy Hanna under his previous moniker Spongebob Eyelashes, the song is the first to be taken from Stickland’s forthcoming debut LP, Warm Jeans in the Morning. Speaking about the self-produced track, Stickland said, “I wrote it to explore the relationship I have had with myself over the…
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Dublin indie rock noisenik duo Not I are back with ‘At The Beach’, the second single taken from their forthcoming debut album – reportedly due next year. Produced by Christopher Barry at Ailfionn Studio and artwork from Linden Pomeroy, it conjures the no-peak malaise of The Microphones and Pavement at their most jittery. A singularly voiced lyricist, Thomas O’Reilly’s vaguely-pitched Lee Ranaldo-esque sing-talk has never been more convincing. Listen below: