Over the last while, musician, TTA favourite and Galway institution David Boland aka New Pope has drip-fed a series of sublime videos to accompany tracks from his recently-released (and downright exceptional) 2015 album, Youth. Including the one for the masterfully wistful ‘Not Forgotten’ – which we’re very pleased to premiere below – four of them the handiwork of Ray Ingram, a septuagenarian whose homespun movies from 1964 bound from the past to sync majestically with Boland’s imagined worlds. Revisit Youth in full here.
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It’s a fact universally acknowledged that many of the country’s finest forward-pushing acts exist somewhere right on the periphery. Fronted by Andy Walsh, Dublin’s Little Gem Band – a self-proclaimed coming-together of “Earth based creators of music cosmiche” – are one such act. Eponymously named at the city’s independent record label and shop, the band will release a new LP, Friyay 13, both digitally and via limited edition pink cassette on June 21st. Recorded at Jigsaw and mastered by Stephen Quinn at Analog Heart, it will be launched at Jigsaw on the same date, with support from MaryCarl Luyos and School Tour.…
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Is it towering, climactic psychgaze you’re after? Dublin’s Sun Mahshene has you covered. Out today, ‘This Girl I Know’ is the third single from their forthcoming debut album Contradictions and Tales of Fiction, set for release later this summer through Reckless Records. Its three guitars forging an impenetrable wall of sound, the song oozes Ride-worthy euphoria and the midtempo-swagger of Oasis at their most clamorous – think ‘Columbia’ via Creation Records at the end of a Danny Boyle film – helped in no small part by its production at Darklands Audio, Dublin. You can catch Sun Mahshene play The Thomas House on June 21 with Galants, or at Electric…
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A self-proclaimed fuzzy account of a long night out in Dublin (hey, we’ve all been there) ‘Nightshade’ by Dublin quartet Tomorrows is a sorcerous five-minute effort that marries slick, woozy textures with an overarching air of wanderlust. Initial recordings for the track – which will feature on the band’s new album, The Night Chorus 1 – were made on an 8 track Tascam reel-to-reel machine, before being brought to Christian Best (O Emperor, Marlene Enright) who recorded the drums and mixed the track. Driving it all home is Irish artist Ursula Woods’ sublime video to accompany the single. Shot on an Autumn evening…
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Over the last two decades, Irish sound designer and musician Steve Fanagan has composed and produced under a range of monikers including Northsta5on, Moose Eats Leaf, Small Group Primate, Wrecking Ball and others. His latest nominal conduit is Department of Forever. It’s a project the dense, meditative majesty of which is laid bare on a nine-track release, Unseen Pictures, set for release via new-fangled Irish indie imprint Wow & Flutter on Friday (May 10th). Originally improvised and recorded over a few days and then chopped up, edited, reworked and constructed, the album will (just like all releases set for release via Wow & Flutter) be limited…
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You best believe we enjoy the wonky and wondrous pop of Dublin-based New Yorker Cal Folger Day. Having raved about her since 2014, the multi-instrumentalist chanteuse has recently been occupied with The Woods and Grandma, a stellar pop-opera that she released, via a documentary on Lyric FM, back in December. Featuring an all-star band comprising Phil Christie (O Emperor, The Bonk) on keys and vocals, Daniel Fox (Girl Band) on bass, Nick Boon on guitar, and Solamh Kelly (Myles Manley) on drums, the project toured across the U.S. in January. This week, Day heads off to perform Hamburg and Berlin. Backed by Aoibhinn O’Dea,…
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Of the myriad Irish debuts that we’ve been itching to wrap our ears around in 2019, the self-titled first album from Dundalk’s Larry must surely rank up with the most eagerly-anticipated Comprising guitarist and vocalist Joey Edwards, bassist Aoife Ward and drummer David Noonan, also of Just Mustard, the band opted record with none other than Steve Albini at Chicago’s Electrical Audio last September. The result is a nine-track release that not only bears the imprint of indie rock trailblazers Sparklehorse, Wilco, Courtney Barnett and Pixies: it’s a record that finds Larry, assured and inspired, carving out special territory within the…
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If you’re a regular reader of The Thin Air, you’ll likely be familiar with Belfast producer and musician Alpha Chrome Yayo. Fluent in the acrolect of synth-drenched retromancy, his output to date has taken a cue from everything from Giorgio Moroder and Steve Vai to the works of William Gibson and smoke-filled arcades. New EP Malediction Boulevard is his most assured and comprehensively impressive effort to date. Bearing the imprint of Gothic influence – namely the likes of The Sisters of Mercy, The Cure and Goblin, as well as the films of Lucio Fulci and David Cronenberg – it’s a four-track blitz…
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Currently studying music and living in Derry, Maya Goldblum aka Queen Bonobo is a singer-songwriter hailing from the tightly-knit community of Sagle, Idaho. On May 10, Goldblum will launch her debut album, Light Shadow Boom Boom, at Cultúrlann Uí Chanáin in Derry. Ahead of that, we’re pleased to present a first listen of its latest single, ‘The Lord Does What He Wants’. Engineered by Niall Doran, mixed by Ben McAuley and mastered by Stephen Quinn, it’s an unraveling alt-folk gem also featuring Daryl Coyle on co-production and drums, Jack Kelly on double bass and James Anderson on percussion. “I started writing ‘The Lord Does…
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It stands to reason that, among their wide range of influences, Dublin three-piece tribal dance tip their hat to fellow Irish experimental rock bands including Adebisi Shank, Meltybrains? BATS, And So I Watch You From Afar and the Redneck Manifesto. This is music propelled by the same deft, imaginative spirit that has made the aforementioned acts known and well-regarded far beyond these shores. Marrying DFA-leaning energy with J-pop-like frenzy, the band’s new single ‘You Can’t Swim’ reveals a band pursuing their own rapturous niche. Produced by Ben Bix of Meltybrains? and Sim Simma Soundsystem, it’s a song rooted in pop sensibility and a very patent desire to get…