The name Tracy Bruen will be a familiar one to many who have spent some time in the heart of Galway. A singer, songwriter, multi-instrumentalist, theatre director and actor, her music blurs the lines between folk, pop, prog and classical, as well as theatrical influences. A keen eye will also know her as the woman behind the Galway’s legendary Roisin Dubh Open Mic night. Set to embark on a national and European tour from tomorrow, Bruen is back with the video for recent single ‘Fall Away’, a highlight from her ten-track debut album, Mirror. Confronting “a woman’s right to bodily autonomy and speaks against…
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Released in November last year, ‘Let This Remain’ by Alana Henderson perfectly distils the Belfast-based cellist and singer-songwriter’s carefully-composed, wonderfully idiosyncratic craft. Revealing the nuance and intimate nature of the song is a new video courtesy of Belfast photographer and filmmaker Joe Laverty. Directed and edited by Laverty – with additional camera work from Jude McCaffrey and Sharon Whittaker, and colour grading from Malachy Campbell – the video features Henderson performing the song with accompaniment from Pleasure Beach’s Alan Haslam at the Belfast Telegraph building, a stark, towering space that has since been reawakened as a venue. Unsurprisingly, the performance is nothing short of utterly…
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Warriors Of The Dystotheque are a trio of sound engineers, musicians, producers and DJs based in Derry, Coventry and New York respectively. Infusing dub electronics, jazz, psyche and garage, they are about to release their new album Madness in the Method. The group have been a quiet presence in the scene they find themselves in for years, having played DJ sets and touring gigs among the likes of Orbital, The Prodigy, The Happy Mondays, Pop Will Eat Itself, Saint Etienne and DJ Food. On this album then, they seem to be taking elements and stylistic flourishes from all of those contemporaries and…
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Based in Cork, 23-year-old Wirral artist Laurie Shaw has self-released approximately 75 albums – as well as one record each on UK imprint Sunstone Records and Dublin’s Little L – over the last few years, steadily establishing himself as a prodigious artist with a strong DIY ethic. Tomorrow he releases his latest full-length, Weird Weekends. A self-proclaimed “nostalgic trip back to teenage-hood, a love letter to the small town of Kenmare where all these narratives originate from”, it’s a brilliantly-realised effort that veers between Bill Ryder Jones-conjuring indie (‘Shatterproof’), inward-looking ballads and laments (‘Skipped Period Blues’, ‘Pink Lightbulb’), as well as straight-up riff-slinging guitar rock. Conjuring…
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Galway rock outfit Cranky Face have shared their new single ‘Vultures’. Taken off their forthcoming EP set for release early this year, it’s a rollicking guitar number for fans of Queens of the Stone Age’s recent output, The Raconteurs and Pixies. With a host of festival appearances under their belt in 2017 and big plans lined up for the coming year, this is not one to be missed.
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With their pure and perfect aim to make “post-punk party music for a public too often deprived of a good time”, Sweat Threats is the new project from Tayne’s Matt Sutton and Niall Jackson (AKA Swimmers and Bouts). Kickstarting their year as they mean to go on, debut single ‘Hermit’ is a blistering opening gambit melding the duo’s respective command of tight, fist-clenched punk and burrowing pop moments channelling two of Vancouver’s finest: Death From Above and Japandroids. A nice tie-in? Recorded and produced by Sutton and Jackson in various bedrooms and rehearsal spaces around London throughout 2017, the single was mixed by…
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Christmas is nearly upon us but some are still dreaming of the Summer, particularly Cayisha Graham and Daire Gohery of electro-pop duo PrYmary Colours as they mark the release of their Lighter Side of Day EP with a video for the 90s inspired lead track of the same name. It was shot by Sean Gallagher at Fuinneamh festival in Loughcrew, Co. Meath and Casa Bacardi at Electric Picnic this year, capturing those hedonistic festival vibes completely. As a bonus, the band are offering three tracks Lighter Side of Day, Sunscape and Can’t Do Nothing At All for free as a Christmas present. Click here to download until January 1st.
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And now for something completely different. We’re delighted to present a first listen to ‘Enyimba’, the sublime new single from Dublin-based band Yankari. A collective luminously bearing the imprint of their main influence of the legendary Fela Kuti, the band “aspire to advance the original Afrobeat genre by incorporating contemporary sounds, such as, jazz, funk, dance, rock-and-roll whilst keeping the traditional groove elements of Afrobeat.” Nowhere is that more on display than ‘Enyimba’, a six-minute burst of beatific, masterfully-layered Afrobeat incorporating guitar, bass, percussion, brass, keys, vocals and more. The track’s title stems from “Enyimba enii” meaning ‘the elephant is coming’ a traditional…
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Taken from their forthcoming, Homebeat-released EP The Nothingness Of Now, we’re pleased to present a first listen to ‘1560 Powell’ by Dublin electronic folk quartet Let’s Set Sail. A masterfully slow-burning effort from the quartet, the track marries Warren McCarthy’s vocals with twinkling synth patterns and textured atmospherics. Disentangling over six minutes, Marian Hughes’ subtly-woven counter harmonies seal the deal, conjuring the likes of Julia Holter and Low’s Mimi Parker. Recorded with Stephen Dunne in Lamplight Recording Studio, the five-track The Nothingness Of Now will be launched as part of the multi-date Homebeat Christmas Cracker at Studio 10 in Dublin on Wednesday, December 13. Go here…
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Almost a year to the day on from premiering his debut single ‘Nightmoves’ – a track we called “one of the most curious and captivating debut singles from an Irish artist” in 2016 – we’re pleased to present a first listen to ‘NUMB’ by Dublin’s David Anthony McGeown AKA BODIES. Released via Minor Fall Records today, the track is lifted from McGeown’s debut EP, SOAK, which is released on November 27. Recorded as a collaboration between McGeown and Overhead the Albatross members David Prendergast and Ben Garret, it’s a slow-burning, subtly anthemic alt-pop overture to breaking the confines of everyday ennui.…