• Premiere: Cat Palace – Don’t Come Around

    Last month we had the distinct pleasure of premiering ‘Peddle It’ by Cat Palace, a Dublin act with one David Blaney at the helm. Set to release their debut album Why Don’t You // Why Don’t You, Go Off on Monday, new single ‘Don’t Come Around’ is a reflective, two-minute flicker of throwback garage-rock that sees Blaney waxing delirious on backwashed memories of youth, from WWF to Donkey Kong, and later, the dregs of friendship when it goes little pear-shaped (like, totally, man) heading into adulthood. Cat Palace play alongside Junk Drawer, Autre Monde and Oh Joy at Tivoli Backstage in Dublin on April 21. Have…

  • Premiere: Autre Monde – Customs

    We’re delighted to premiere the debut single, ‘Customs’, from Dublin-based indie supergroup of sorts, Autre Monde. The quartet comprises revered songsmith Paddy Hanna on vocals, Ginnels‘ Mark Chester on guitar, Land Lovers‘ Padraig Cooney on bass and Eoghan O’Brien on drums. Harking toward minimal ’80s college rock and esteemed chiming CBGB’s guitar reinventors like Television, Suicide and Pere Ubu, with a saturated Neil Young crunch, it’s an idiosyncratic, dynamic number; it’s also the first of a series of releases planned for spring and early summer, stemming from their time in the studio with Jamie Hyland & Girl Band‘s Daniel Fox. ‘Customs’ will be initially released on their Bandcamp next week, and available on Spotify the following…

  • Video Premiere: Oh Joy – So Swell

    Hands down one of the country’s finest alt-rock propositions right now, Dublin three-piece Oh Joy first caught our attention last year with their single ‘Habits and Recreations’. Having come on leaps and bounds in the four years that have passed, the threesome are back with the video for their latest – and quite possibly great – single effort to date, ‘So Swell’. Accompanied by a perfectly throwback video courtesy of Carrot Gold Enterprises, the track is a fuzzed-out blast of pining indie rock conjuring the likes of Sebadoh via Built To Spill’s more ardent efforts. Have an exclusive first look and listen right below.

  • Video Premiere: Joni – 292

    Having wowed us back in 2015 with her thrilling debut ‘Running’, Wicklow vocalist Joni has made a long awaited return with ‘292’. Like on ‘Running’, breezy, organic atmospheres once again course through the track’s hard-hitting garage and R&B foundations. There is a distinct sense of the urban permeating its four minute runtime, distorted by a mesmeric haze of coloured smoke and late night fog. Joni’s lyrics, carried by her soulful and mesmeric voice, are an ode to a particular house that witnessed many an aftersession. Combed with resignation of a long gone romance, the track was written, as Joni puts it ““following…

  • Video Premiere: THUMPER – The Loser

    Set to play their first ever all-ages gig at BIMM Institute’s showcase at Workman’s Club on April 1, Dublin quartet THUMPER unveiled their fuzzed-out latest single, ‘The Loser’, at the start of the month. Arguably the foursome’s finest effort to date, it’s a starry-eyed burst of noise-pop harking back to Blur’s more riotous earlier efforts, filtered through the the Dublin band’s own brand of bubblegum scuzz. The first single to be taken from the band’s upcoming POP! GOES THE WEASEL EP, have a first look at Alan McCarthy’s tripped out visuals for the track below.

  • Premiere: Percolator – Crab Supernova

    Taken from their forthcoming debut album, Sestra, ‘Crab Supernova’ by Dublin-based “Krautophiles” Percolator is a track that – stemming from the band’s love of the likes of Neu! and Stereolab – conjures up a thick miasma of ‘gazey Kosmiche textures and Motorik groove. Accompanied by a video courtesy of Thom McDermot, the single is one of many highlights on Sestra, which was recorded in-house at John ‘Spud’ Murphy and Ian Chestnutt’s Guerilla Studios. The album is out via Penske Recordings on April 14. Have a first look and listen to ‘Crab Supernova’ below.

  • Premiere: Cat Palace – Peddle It

    Ever since the release of their self-titled debut EP (one of our Irish releases of 2015, no less) we’ve been keeping a close eye on Dublin’s Cat Palace. The music-making moniker of David Blaney, his output to date has struck a keen balance between perfectly sardonic social commentary and coded personal revelation, framed by his incredibly listenable brand of darkly alt-folk ruminations. With a band in tow, Blaney has returned with another stellar offering in the form of ‘Peddle It’, a single whose tropical, a e s t h e t i c-soaked visual accompaniment is perfectly at odds with the single’s shadowy tone and…

  • Video Premiere: Gumshoe – Forgotten Weapons

    Wicklow based ambient hip-hop duo Gumshoe have returned with ‘Forgotten Weapons’, their fourth release since they breezed into existence last year. The track is another glistening slice of spacious, throbbing electronics and sliced up vocal samples. The pair’s penchant for lush atmosphere is once again on display here as it was on their previous cuts ‘Yom Kippur’ and ‘Ninbasu’. It is accompanied by a suitably trippy and at points unnerving video directed by Sean Gallagher and starring Miriam Keegan. As she ventures through an eery forest, a darkened house and a hallucinatory mental landscape, the haunting flutes and bass create a sizzling…

  • Premiere: Sissy – Nice Guy

    Featuring the likes of Trust Fund, Lower Slaughter and Milk Crimes, today sees the release of Put Ears on Yourself, the first in a new 7″ single series curated by Sligo imprint – and easily one of our favourite Irish labels – Art For Blind Records. Each 7” will feature 4 bands from Ireland and the UK and will be housed in a series of limited edition screen printed sleeves designed by emerging artists, designers and illustrators. Our favourite of the four tracks on Put Ears on Yourself is ‘Nice Guy’ by Dublin three-piece Sissy, which we’re pleased to premiere here.…

  • Album Premiere: Our Krypton Son – Fleas & Diamonds

    Four years ago Derry songsmith Chris McConaghy AKA Our Krypton Son released one of the all-time great Irish debut solo albums. A self-titled release, it traversed an extraordinary palette of heart-wrung balladry and fervent, at times quite remarkable pop majesty. Today McConaghy returns with its highly-anticipated follow-up, Fleas & Diamonds. A wonderfully refined release – in both senses of the word – it betrays the hallmarks of an artist whose knack for weaving exquisite, emotionally potent songwriting with crushingly resonant lyrics is unparalleled on this island at present. Conceived over two days, from a tent pitched in an abandoned building on…