• EP Premiere: Sweat Threats – Sweet Treats

    We’ve been fans of the righteous post-punk party music of Sweat Threats since they reared their heads at the start of 2018 – and most recently last month’s ‘Suffocate‘ – and today, we’re delighted to lay down on a platter assorted Sweet Treats, the debut EP from the London-based Irish pairing of Niall Jackson (Bouts/Swimmers Jackson) and Matthew Sutton (It was All a Bit Black and White/Tayne) – recently joined by drummer Lucy Brown. Very much in line with their modus operandi, Sweet Treats is a six track earworm infestation, filled with that Death From Above, Idles & Fucked Up strain of insurgent punk that links hips to brains. Written around themes…

  • Preview: WorldService Project

    This Friday, the second of our run of shows co-presented by esteemed Belfast tastemakers Moving on Music takes place at the Black Box, when British punk-jazz quintet WorldService Project make their first Belfast performance. Blending the third-eye-opening freneticism of Return To Forever or late 60s Zappa with an acerbic surrealist Britishness that’s one of few ties to any place of origin – look for a cameo from nightmare fuel himself, Mr Giggles. A fine example of nominal determinism, their rootlessness & contempt for genre classification has led to a confluence of math-rock, prog, punk, and the kind of contemporary, groove-laden fusion carried out by the likes of Snarky Puppy, rooted in the playfulness of Mingus & Coltrane to counteract their clearly schooled…

  • Watch: Robocobra Quartet – You’ll Wade

    Very few things excite us more than the prospect of new music from (by far) one of Ireland’s difficult, and genuine, pioneers, Robocobra Quartet. Ahead of second album, Plays Hard To Get, out on May 25th, the band have just released their video for ‘You’ll Wade’. We’ve already covered the song – “Culminating in a cry of “Everything is old news” before petering out in a plume of funereal ambience, its recording and composition distils the band’s ongoing, masterfully unconventional approach” – but the video’s conceit is strong enough to warrant another visit. Shot by Colin Armstrong & edited by Robocobra leader Chris Ryan, it’s…

  • The Wood Burning Savages – Stability

    This Friday, April 27, a debut album that’s long been one of NI’s most anticipated, The Wood Burning Savages finally sees its release. Between its effervescent indie rock and vitriol-turned-punk-anthem, the quartet are seemingly set to posit themselves as spiritual and sonic successors to the proudly socialist, alternative punk torch long-carried by the Manic Street Preachers. Debut LP Stability was produced by Start Together’s Rocky O’Reilly and mastered by Robin Schmidt. Derry-born frontman Paul Connolly has the following to say on the release of the album: “A collection of songs about a working class furious at years of empty promises from billionaire Tory MPs who have no…

  • Video Premiere: The Wood Burning Savages – I Don’t Know Why I Do It To Myself

    Just over a week from the release of a debut album that’s long been one of NI’s most anticipated, The Wood Burning Savages have just dropped a surprise video for single ‘I Don’t Know Why I Do It To Myself’. The video accompanies another rock anthem from an act seemingly set to posit themselves as spiritual and sonic successors to the proudly socialist, alternative punk torch long-carried by the Manic Street Preachers. Minimal, but effective, we see frontman Paul Connolly stroll from inauspicious, disenfranchised beginnings through to the coke-fuelled neoliberal dream – think Ken Loach taking a shortcut through Jordan Belfort. Debut LP Stability was produced by Start Together’s Rocky O’Reilly and…

  • Robocobra Quartet – Plays Hard To Get

    Belfast-based jazz-punk ensemble Robocobra Quartet have just announced details of the follow-up to their NI Music Prize-nominated debut album, entitled Plays Hard To Get. Released through Abbreviated Records on May 25 on digital & vinyl formats, it’s going to be one of Ireland’s finest releases of 2018. With drummer, vocalist & producer Chris Ryan once more at the helm, it features a broader palette of sounds, it rocks harder, pushes its avant-garde & contemporary classical flourishes further out there, and is more lyrically daring than ever before – no small statement for arguably the most unique outfit on the island. Never resting on any one idea or preconceived notion, its blackly comic, starkly…

  • The Number Ones – Another Side of The Number Ones

    Back with another celebration of retro power-pop songwriting, following their 2014 debut LP, The Number Ones have just released their Another Side of The Number Ones EP. The Buzzcocks and, to a lesser degree of global dominance, Good Vibrations Records – think Protex, Rudi & the likes – injected the British invasion sound with lightning-in-a-bottle youthful insurgency in the late ’70s. Half a decade later, The Number Ones’ latest takes great pride in doing much the same across its twelve hasty minutes. Infectious, immediate, and essential for any fans of modern purveyors of garage pop – Oh Boland, Sheer Mag, and the aforementioned – or the band’s ‘sideline’ projects, Cryboys and internationally-renowned…

  • Alien She – Feeler

    Dublin’s Alien She have been dazzling us with their snappy, experimental art-punk since the start, and have lifted the cloche on their much-anticipated debut LP, Feeler, released through Sligo DIY distro, Art For Blind Records (Altered Hours, Wild Rocket, I Am The Cosmos). Musically, the trio play a blend of agit. punk, shoegaze and alt. pop, tied together with an in-the-moment sense of experimentalism and febrile live energy, giving weight to Alien She’s politically & socially conscious impulse. The artistic inclination of founding members Katie & Aoife, both of whom are heavily Dublin’s art & poetry community in Dublin, first came together at a feminist meeting, and having spent the last two…

  • Premiere: Alien She – Feeler

    Dublin’s Alien She have been dazzling us with their snappy, experimental art-punk since the start, and have just lifted the cloche on their much-anticipated debut LP, Feeler, unveiled today through Sligo DIY distro, Art For Blind Records (Altered Hours, Wild Rocket, I Am The Cosmos) Musically, the trio play a blend of agit. punk, shoegaze and alt. pop, tied together with an in-the-moment sense of experimentalism and febrile live energy, giving weight to Alien She’s politically & socially conscious impulse. The artistic inclination of founding members Katie & Aoife, both of whom are heavily Dublin’s art & poetry community in Dublin, first came together at a feminist meeting, and having spent…

  • Static Vision – What is and Now

    We have to say – per capita, there’s no other town or city in Ireland producing DIY indie rock at the rate of Limerick. We’ve got Hot Cops in Belfast, Slouch in Dublin, but we can now happily add Static Vision‘s self-released 10-track debut to the likes of Eraser TV,  Cruiser, Anna’s Anchor, oh, and The Rubberbandits, to the city’s list of self-made accolades. Equal parts effervescent and slack, What is and Now is a stab of garage post-punk in the ’80s SST, Wipers-esque vein that could pass for an undiscovered proto-grunge gem from the midwest in 1989 fronted by a time-travelling Will Toledo, and having been…