Loah has shared the video for ‘Unveiled’, taken from one of our top EPs of 2017, This Heart. Directed by Ellius Grace and choreographed by Jade O’Connor , the video stars Uchenna Chukwudinma and was filmed in London and The Sally Gap. The video seems to document a slow, determined odyssey toward freedom and space as Chukwudinma walks away from the bustling, suffocating city and into the windy majesty of nature to be welcomed by a small community’s embrace. It’s a perfect pairing with one of the most subtly affecting songs from This Heart, a stripped back affair with Loah’s voice being accompanied by the ever-wonderful Niwel Tsumbu who featured…
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Christmas is nearly upon us but some are still dreaming of the Summer, particularly Cayisha Graham and Daire Gohery of electro-pop duo PrYmary Colours as they mark the release of their Lighter Side of Day EP with a video for the 90s inspired lead track of the same name. It was shot by Sean Gallagher at Fuinneamh festival in Loughcrew, Co. Meath and Casa Bacardi at Electric Picnic this year, capturing those hedonistic festival vibes completely. As a bonus, the band are offering three tracks Lighter Side of Day, Sunscape and Can’t Do Nothing At All for free as a Christmas present. Click here to download until January 1st.
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Having released one of our favourite Irish albums of the year, Half Forward Line are back with a video for their new single ‘Hey, Can I Try On Your Glasses?’ featuring a profane refrain that Henry Rollins would be proud of. The video is an everyday tale of madness and obsession revolving around the spectacle of spectacles starring Barry Richardson (a familiar name for So Cow fans via their tribute song to him) and Rusted Rail’s Keith Wallace. It was filmed in various locations around Galway and written, edited and directed by John Cavanagh. The group’s debut album The Back of Mass…
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What’s your favourite song title of the year? Although we quite like ‘Dishing Out Hadoukens’ by The Tragedy of Dr. Hannigan and ‘Everyone Else (Can Fuck Off)’ by Half Forward Line, ‘You’re A Right Useless Cunt Aren’t You’ by Derry’s Christian Donaghey AKA Autumns is a worthy contender in our eyes. Taken from his recently-released Dyslexia Tracks – a pulverizing, five-track EP that comes hot on the heels of his debut album Suffocating Brothers – it’s an eight-minute traipse of rabid electronica that now comes accompanied by some suitably oppressive visuals from Belfast’s Barry Cullen.
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Photo by Brian Ritchie To mark its official release, London-based grunge trio Thunder On The Left have released their new single ‘National Insecurity’. Their first new music since 2015’s The Art of Letting Go EP, ‘National Insecurity’ is a bleak gaze into the future the band predicts for us as we become ever more hyper-dependent on technology. The single is an ambitious, riff-laden belter that seems determined to shake some sense into us. Or at least freak the hell out of us until we put our phones down for 10 minutes. Recorded and mixed along with the rest of their forthcoming debut album by the…
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Dublin post-punk outfit Fontaines have returned with the announcement of ‘Hurricane Laughter/Winter In The Sun’. Following ‘Liberty Belle’ from May this year, the new 7″ will be released on October 6th. ‘Hurricane Laughter’ (below) is as propulsive as its title might suggest, with a relentless motorik groove and circular guitar lick that begs for repeated listens. It’s carried by a droll, spoken-word vocal that has more than a hint of Mark E. Smith at its core, albeit Mark E. Smith via North Dublin. It also comes paired with a fitting video directed by Javier Martínez de Velasco. On the other side then is…
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Eoin Dolan‘s music has always been characterised by its appreciation of the simple, finer things that we capture in moments and hold onto for years. Be that reminiscence of a holiday (‘Spain’), the rustic technicolour imagery of a seaside casino (Placid Ocean) or the woozy glue of a lost romance (‘Heavenly Possessed’), the tempered psych-folk backdrops have always fit beautifully with the Galwegian’s storytelling. Next week, Dolan will release his second full length album, UBIQUE, via Galway’s Citóg Records the singles from which have indicated a sharper turn into the psych pop “revival” stylings championed by the likes of Devendra Banhart and O Emperor. ‘It Is…
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2017 marks the 30th anniversary of Swiss duo Peter Fischli & David Weiss’ The Way Things Go. The hugely influential video piece serves as the departure point for the latest exhibition in Kilkenny’s Butler Gallery. At it’s core The Way Things Go saw everyday items pushed outside their comfort zone to perform roles and tasks not suited for their original creation, and tasks it should be noted that they were able to fully complete, querying the limitations we impose on materials we formulate. While in full-colour and sound, the piece drew on the almost slapstick era of silent films from the vaudeville era of…
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The Rubberbandits have shared a new single confronting the suicide epidemic that has led to Ireland being declared the country with the fourth highest teen suicide rate in Europe. ‘Sonny’ provides a raw insight into the misconceptions, ideas and conversation points that have surrounded the country’s dialogue on suicide in recent years. Lyrics include: “He isn’t lonely or addicted to drugs, he doesn’t owe his mother’s money to thugs, he’s not an alcoholic, he isn’t depressed, and he’s going to break a lot of hearts when he hangs himself.” The song ends with the message: “It’s always dark before the light…
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We’re big fans of Video Blue here at The Thin Air. The London-based, Dundalk native’s brand of DIY indie-pop has rarely been far from our respective speakers since the release of his debut album Love Scenes in March of this year. Now the solo-crooner – real name Jim O’Donoghue Martin – returns with yet another single to be lifted from the album, and with some charming visuals to boot. Following the snappy minimalism of ‘Hold Muzik’ and the scratchy insecurity of ‘Dust Moves’, ‘Magpies at Dawn’ is the LP’s slow-burning closer, all woozy guitars, layered vocals and subtle, glittery synths. We’ve said it before…