• Brigid Mae Power – Head Above the Water

    July 21, 2020 - By 

    Some artists seem to arrive fully formed with a perfect debut that captures the public’s attention, only for their profile to ebb away as future work fails to match an early promise. Others make a slow ascent, each record building on the one before while more ears prick up each time. Brigid Mae Power falls into the latter category. After self releasing some home recordings in the earlier part of the decade, the Galway native made her debut proper with her self-titled 2016 album on cult US folk label Tompkins Square to a positive reception. Her 2018 follow up, The…

  • Sir Bobby Jukebox – Friendship Gift

    June 23, 2020 - By 

    Until pretty recently, Bobby Aherne was one of the most prolific of Ireland’s DIY musicians. If releasing a steady stream of EPs and LPs through the 2010s with No Monster Club (and a few more as Dublin Duck Dispensary before that) wasn’t quite enough, Aherne also spent years as bassist for hire for friends like Paddy Hanna and Ginnels. After that, even found time to write a book (D’You Remember Yer Man?, about the eccentric local characters of Dublin) and co-write a musical loosely based on Jedward (Trial of the Centurys, described by the Irish Times as “adorably awful”). Although the…

  • 10 for ’20: Grave Goods

    March 9, 2020 - By 

    In the latest installment of 10 for ’20 – our feature series previewing ten Irish acts we’re sure are set for great things in 2020 and beyond – Cathal McBride says 2020 is post-punk trio Grave Goods‘ for the taking. Photo by Moira Reilly It’s difficult enough to get a band off the ground when you all live in the same location, but what about when your three members are spread across three different cities, one of which is separated by water? Somehow Grave Goods have managed to make such impossible circumstances work. First conceived by Lois MacDonald and Sarah…

  • Wire – Mind Hive

    February 17, 2020 - By 

    Though Wire were always renowned for their musical transformation over three short years in the late ’70s – from the art school punk vignettes of 1977’s Pink Flag through to the icy, doomed post-punk of 154, stopping off at the transitional Chairs Missing in between – it’s no great surprise that 40 years into their career they don’t always possess this same level of invention. It’s not necessarily a bad thing though – while their last outing, 2017’s Silver/Lead could be possibly be described as samey, it was also their most solid and consistent work in a while. At once…

  • Battles – Juice B Crypts

    October 30, 2019 - By 

      To paraphrase Oscar Wilde, to lose one band member may be regarded as a misfortune; to lose two looks like carelessness. When Tyondai Braxton left Battles in 2010, fans were worried. Although the quartet had started out as an instrumental unit, Braxton’s distinctive pitch-shifted vocals had become the focal point of their acclaimed debut album Mirrored, and with his departure, expectations for the follow up plummeted. They needn’t have worried, as with the help of a few guest vocalists (including none other than Gary Numan), the band’s second album Gloss Drop was more than a match for its predecessor.…

  • Squarehead – High Time

    October 12, 2019 - By 

    It’s odd that so many of Ireland’s best and much missed bands have chosen the exact same time to make a comeback. Girl Band’s triumphant return four years after their debut and two years after their last live appearance may be the most notable, but forthcoming third albums from early 2010s Richter Collective stalwarts BATS and Jogging should be just as vital. Squarehead, meanwhile, don’t feel like they’ve ever really been away. Live shows have continued sporadically and new singles have slowly slipped out over the past two years, but it’s been a whole six since the band’s last full…

  • Gross Net – Gross Net Means Gross Net

    October 9, 2019 - By 

      Gross Net started life back in 2014 as a collaboration between Girls Names guitarist Philip Quinn and Autumns’ Christian Donaghey, crafting krautrock jams out of primitive drum machines and industrial guitars. However, Donaghey’s early departure has left Quinn to captain the ship alone, steering it in a more fully electronic direction. After two EPs, 2016 saw the release of debut full length, Quantitative Easing, on Belfast’s ever reliable Touch Sensitive Records. Now, as if to ease the pain of Girls Names dissolution earlier this year, album number two has landed on LA based label, Felte. While Quantitative Easing’s cold electronic pulse…

  • Ty Segall – First Taste

    September 6, 2019 - By 

    When prolific Aussies King Gizzard and the Lizard Wizard announced their intention to release five albums in 2017, their progress was understandably followed with a great deal of hype. But a year later, Californian garage rock wunderkind Ty Segall managed to match that tally across his various projects with little fanfare. For Segall, much like Robert Pollard, such an endeavour appeared to be no cause for celebration and merely a normal day at the office. 2019 has been a little quieter for Segall though. April’s live album Deforming Lobes could be considered a gap filler were it not so excellent…

  • Body/Head w/ Heather Leigh & Elaine Kahn @ IMMA, Dublin

    July 29, 2019 - By 

    The end of Sonic Youth’s 30 year career in 2011 was the end of an indie rock era, but it’s been some consolation that the band’s remarkable consistency has largely carried across to each member’s post-SY projects. Thurston Moore and Lee Ranaldo’s solo careers have both largely carried on where their contributions to the band left off, both even sharing joint custody of drummer Steve Shelley. But it’s arguably Kim Gordon who has remained most in touch with Sonic Youth’s avant-garde roots. Since forming experimental guitar duo Body/Head with Bill Nace, their three albums of freeform guitar exploration so far…

  • Bill Callahan – Shepherd in a Sheepskin Vest

    July 5, 2019 - By 

    From his extremely ramshackle 1990 debut Sewn to the Sky up until 2013’s far more polished Dream River, Bill Callahan – better known for the first half of his career by the alias Smog – managed to maintain a reasonably prolific rate of output. Following a dub remix album in 2014, however, things fell rather silent. Had the man often referred to as the spiritual successor to Leonard Cohen finally run out of ideas after fifteen albums? Well, as it turns out, no – life merely got in the way. As Callahan found himself getting married and fathering his first…