• Album Premiere: Mark Loughrey – Treppenwitz

    Translated roughly as ‘staircase wit’, Treppenwitz is a loaded word; an evocation of regret, of longing and succumbing to overanalysis of what could have been said. Best left to the overthinkers among us, the phenomena is the source of much of our great art, writing & comedy, and it’s something Mark Loughrey has mined and left to rumination across a breadth of the characters and worlds explored on his debut album. Whilst rooted in the wistful yearning of Nick Drake or Jeff Buckley and the kind of indie-folk that regularly wins the NI Music Prize, it’s propelled by a fearlessness to follow the creative impulse –…

  • Autumns – Dyslexia Tracks

    Despite flecks of dust barely touching his debut album, Derry subgenre polymath Christian Donaghey, aka Autumns has announced yet another release on its way, in the form of his new Dyslexia Tracks EP, released on Belfast independent Touch Sensitive Records. Debut album Suffocating Brothers came out on Clan Destine Records at the end of September, with numerous remixes, cameos on specialist labels, and other releases bubbling to the top throughout this year. Autumns has never sounded as assured as he has recently, the creative trajectory approaching levels hinted at over the last few years. With his live show moving into a fully-fledged, techno-industrial piece of performance…

  • ¡NO! – Sediments

    Dublin experimental project ¡NO! have been steadily drip-feeding us their improvised limited edition CDs and cassettes gradually over the last three years, as well as their regular Concrete Soup nights, which feature live collaborations with internationally-renowned artists. Their tenth release in that time is Sediments, released through Little Gem Records. In the same way the late ’60s & early ’70s led Berliners to fluctuate between their own interpretations of psychedelia, jazz & blues, and making experimental, deeply ambient electronic without pause to consider genre restraints and pay heed primarily to creative impulse -leading to the movement known broadly as krautrock, ¡NO! have paid similar heed to expectation and convention. Although…

  • Malojian – Let Your Weirdness Carry You Home

    While there’s been no shortage of first-rate albums released on these shores this year, Let Your Weirdness Carry You Home by Malojian is a special kind of triumph. The self-produced follow-up to the Stephen Scullion-fronted threesome’s Steve Albini-produced This Is Nowhere, the album is a masterfully mottled effort, veering between wonderfully wistful folk tales, Motorik rhythms, found sound and a whole gamut of forward-thinking textures and ideas. And featuring the likes of Joey Waronker (Beck, R.E.M., Atoms For Peace, Roger Waters), Gerry Love (Teenage Fanclub), and Jon Thorne of Yorkston, Thorne & Khan, the collaborative backbone of the release runs parallel with Scullion’s open-ended, subtly experimental…

  • The Bonk – The Bonk Seems To Be A Verb

    Having released a string of stellar singles over the last two years, Dublin & Cork-based experimental, orchestral, psychedelic garage rock project The Bonk released their debut LP, The Bonk Seems To Be A Verb, on October 6. Recorded over the last few years while the outfit have been together, it’s released on cassette through Drogheda arts & culture collective Thirty Three – 45. Although the project is based around the compositions of frontman Phil Christie – of O Emperor, the substantial cast of musicians credited on the album includes some of the island’s most respected artists & virtuosi: Phil O’ Gorman – Guitar Brendan Fennessy – Drums Jim…

  • Album Premiere & Interview: The Bonk

    Having released a string of stellar singles over the last two years, Dublin & Cork-based experimental, orchestral, psychedelic garage rock project The Bonk have released their debut LP, The Bonk Seems To Be A Verb, and we’re delighted to premiere the entire album on its day of release. Recorded over the last few years while the outfit have been together, it’s released on cassette through Drogheda arts & culture collective Thirty Three – 45. Although the project is based around the compositions of frontman Phil Christie – of O Emperor, the substantial cast of musicians credited on the album includes some of the island’s most…

  • Autumns – Suffocating Brothers

    Since starting out some time ago as a D.I.Y. shoegaze/garage-noise outfit, Derry’s Christian Donaghey has refused to sit in any one place for too long with his ongoing project, Autumns, releasing and echewing subgenre records for breakfast, lunch & dinner. Over the last couple of years, he’s grown into himself, really finding his place with his most recent EP. Finally, he’s released his debut full length, Suffocating Brothers on renowned Glasgow label Clan Destine after being written & recorded in the latter half of 2016. This material sees him continue to bring the intensely visceral Roland-fuelled rhythms of industrial & techno he’s adopted in recent times, melded…

  • Video Premiere: Tuath – Cuz Why!?

    Arguably the northern province’s foremost purveyors of hepped-up-on-goofballs psychedelia, the bilingual Tuath, have a new single, ‘Cuz Why?!’ and we’re delighted to premiere it here. As opposed to the usual shoegaze & trip-hop-laced excursions the band are used to – watch the video for their last single, ‘Youth‘ – filtered through frontman Robert Mulhern’s psychedelic lens, this song adds post-punk to their considerable palette. Mulhern has drawn a consistent thematic throughline through Tuath, of the questioning of accepted ideals & organised ideology. They continue to effuse their worldview with a half-maniacal cackle, half-nihilistic-shrug, helped along by its kitchen sink absurdist imagery. He says of the…

  • Any Joy – Cycles

    Following its digital release earlier in the year, Cork psych-tinted post-punk outfit Any Joy release their debut album, Cycles on vinyl. The five piece, formed at the start of this year by Oisin Dineen, self-released the album earlier in 2017 digitally, Cycles. With all the hallmarks of a great post-punk indie rock record – glistening guitars, anxiety-fuelled lyrics centred around the cyclical nature of thought – its psychedelic hue, peppered with documentary samples & unexpected instrumentation while maintaining a healthy minimalism that avoids any air of pomposity, à la Parquet Courts; you can add Any Joy to the list of essential post-punk & psychedelic bands from a city…

  • Premiere & Interview: Blue Americans – ‘Bull On Venice Beach/Holy Goo’

    En­ough tears have been shed over the once-fertile, in-breeding Belfast music scene – or more specifically, a certain strain of D.I.Y. post-hardcore that was once ubiquitous in the wake of Brand New and Reuben’s premature breakups – led by young, hungry outfits like More Than Conquerors, who quite successfully married that sound with an astute ear for a hook, delivered by the gilded throat of Kris Platt. Everyone in that band went their separate ways almost exactly two years ago, following not much shy of a decade together. All things, however, must pass, and since then, the landscape has drastically…